Sarojini Naidu

#3. Sarojini Naidu Also known as the Nightingale of India, Sarojini Naidu was a freedom fighter and activist. She used to wear simple sarees and adorn her neck with a necklace. Hair tied in a bun with a pair of spectacles complete the look. Fun Fact: I feel envious to share that Sarojini Naidu started her literary career at the tender age of 12! #4. Jhansi ki Rani Rani Lakshmi Bai was popularly known as Jhansi Ki Rani and she is known for her bravery and patriotism. She shook the entire British Raj

languages other their own have not succeeded so well as Sarojini Naidu. There are not many in India who have written poetry in English. Among them, Sarojini Naidu stands first. Her poems are praised not only in India, but all over the world. Though she has written poems on religion, country, women's freedom, etc., her poems on nature occupy the first place in her poetry. Even in sorrow, her nature poems glow with a touch of her suffering. Sarojini Naidu was a distinguished poet, renowned freedom fighter

INTRODUCTION: Belonging to the period of pre independence, Sarojini Naidu attracted the younger generation of India through her genuine verse. Her poems tells us of her fancies and longings, her moments of joy and the moments of sorrow in her thought provoking poems, she laid emphasis on the decayment of life and the importance of the fortune, the real purpose of life and mystery of death. Legends and mythological particulars interest her too much and she loves to sing the importance of the God

Sarojini Naidu: Life Biography: Sarojini Naidu, nicknamed Bharatiya Kokila ,The Nightingale of India, was the first woman president of the of the India National Congress, and she was the first woman to become an appointed governess of a state, Uttar Pradesh, in India. She was born in Hyderabad, India on February 13, 1879. Sarojini was raised by her father, Aghoranath Chattopadhyaya, and her mother, Barada Sundari Devi. She was the oldest amongst eight other siblings. Her mother was a poetess and

Imtiaz Dharker, is a Scottish Muslim Calvinist. She was born in Pakistan, brought up in Glasgow, Scotland and moved to India after her marriage with her Indian husband, Anil Dharker. After the death of Anil Dharker she married Simon Powell, the founder of “Poetry Live” and presently resides at London. Her diversified cultural experience is well expressed in her poetry and drawings. She speaks about her experience at home, freedom, traveling, communal conflicts and gender politics. Imtiaz Dharker

Introduction: They have all been sold and bought The girls I knew Unwilling virgins who had been taught, Especially in this stranger’s land, to bind Their brightness tightly round, Whatever they might wear, In the purdah of the mind. (“Purdah-ii” Postcards from God, 18) The last line of the above verse triggers the thinking process. The first question among the series of questions that pops up in the mind is related to ‘purdah of the mind’. What is it? The question

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Gandhi. "She became President of the Congress in 1925. When Mahatma Gandhi started his Civil disobedience movement in 1930, Sarojini Naidu became his principal assistant." She was arrested along with Gandhiji and other leaders. But this did not deter her spirits. In 1931, she was invited along with Gandhiji to the Second Round Table Conference in London. In 1942, Sarojini Naidu joined the Quit India movement launched by Gandhiji and again was a victim of the wrath of the British government and jailed

belonging with the foot of Sarojini Naidu. Even with my extraordinary fondness of her, I am tiring of all this trekking we have been doing. Relieving India of Britain’s taxation is an exemplary justification as to why I have covered over 240 miles, but my heel hurts. I fear that soon I will be of no use in protecting her sole. Still, I persevere onward with her steady pace. Around us, the salty Arabian Sea breeze brings

describe torment, it is clear that the famed notion of aestheticism of the period was not always prevalent when it came to the expression of human pain. Through word choice, rhythm, symbolism and imagery, Naidu, Housman and Wilde each approach human suffering in their own particular way, with Naidu embracing aestheticism to send a message and Housman and Wilde choosing a much more grounded and realistic style. By focusing on and analysing The Ballad of Reading Gaol, To the God of Pain and The Day of