Saturn Devouring His Son

Saturn Devouring His Son Saturn Devouring His Son is a name given to a mural painting painted by Francisco Jose de Goya y Lucientes during year 1820 to 1823 at his house Quinta del Sordo (Villa of The Deaf Man) which is located at Spain. He used al secco technique (also called fresco-secco) which means the color pigments are mixed with water and egg york and applied on the moistened plaster. This painting was painted in oils on one of the wall of his dining room. Goya showed Saturn crouched in

painting of Saturn Devouring His Son by Francisco de Goya surprisingly has more connection to the nursing world than what first meets the eye. Created between 1819 through 1823, the painting’s legend stems from Greek mythology (Goya, 1970). Saturn, also known as Cronus, was the almighty Greek titan who had come to power by taking over his father before him. Saturn feared his children would one day try to overcome him so he devoured them all. The legend goes on to tell how one of his sons Zeus survived

The Myth of Saturn Devouring His Son The myth of Saturn devouring his son is a dark, morbid, and ghoulish story. The Greek Titan, Saturn overthrew is father and married the goddess of fertility. Saturn then learned of a prophecy that one of his sons would overthrow him like he did his father. He then became obsessed with thwarting the prophecy. At the birth of each child, Saturn would devour the infant. Saturn’s wife hid their last child, Zeus, whom fully grown, fulfilled the prophecy and became

“Saturn Devouring His Son” is a 146 by 83 centimeter oil painting by the Spanish artist Francisco de Goya y Lucientes. The painting was made between the years of 1819 to 1823 as a part of his series entitled “The Black Paintings”. Goya was a romantic painter and printmaker who was born in 1746 in Fuendetodos, Spain, on the 30th of March. His parents were Jose Benito de Goya y Franque and Gracia de Lucientes y Salvador. Lucientes’s artistic style and the mysterious themes of his vivid masterpieces

For this project there will be a comparison of Francisco Goya’s 1823 painting, Saturn Devouring His Son and Michelangelo Buonarroti’s 1498 sculpture, Pietà. These two works of art have quite a few similarities and differences in their appearance and some of those will be mentioned within this essay. There will be a comparison and contrast of mainly the subject matters. In addition, there will also be an analyzation of the content/meaning of these two pieces. These two works of art have quite a few

known for his works depicting and commenting on the horrors of the French Occupation of Spain during the Peninsular War, in the early 1800’s. ‘The Third of May’, an oil on canvas painting created in 1814 by Goya, illustrates the mass executions of innocent Spanish civilians, in response to the uprising of civilians against the French military the previous day. ‘Saturn Devouring his son’, another oil on canvas masterpiece by Goya, depicts the mythological, gruesome figure of the god Saturn, who, based

able to thoroughly persuade those who whole heartedly disagree with them or for the most part have no artistic taste, which essentially is quite significant. Considering this, for all intents and purposes let us refer to the work piece: “Saturn Devouring His Son”—a particularly famous painting by the artist Francisco Goya. In spite of the fact that

Francisco, Saturn Devouring His Son, expressed the inhumanity of the people obtain the power by hurting kinsfolk. Nevertheless, the main characters in the novel like Jack and Ralph have a variety of similarities with Saturn and his son, Jupiter in the painting. Furthermore, the author and painter also have something in common. In the book, Jack was described as a boy who likes hunting. He represents the characteristic of evil, it is correspond to the character, Saturn, who is eating his son in the

I first saw this painting, Saturn Devouring His Son, at the Museum of El Prado alongside the other Black Paintings. My initial reaction was of fear. These are artworks that should not be simply seen in front of a computer screen. The thickness of the paint and the careful attention to details; these are things that are missed if not seen in person. Upon walking into the small room the first painting that draws the attention of visitors is this painting. Not only is this a grotesque piece in an otherwise

leading to his darker paintings. Also Josefa’s death affected Goya’s painting, while he was mentally and emotionally processing the war by painting the Second of May, 1808 and