Secondary color

Contents Part A: short answer questions 2 Part B: Research 8 Name: Healy Jeannie Student ID number: 2314028 :Subject Name: Make up Date: 16/05/2016 Page Numbers File name; healyjeannie_2314028_MAUP16_assignment Assessment Item 1: Assignment Part A: Short answer questions 1. To ensure an accurate skin analysis what do you need to do before you perform it? Client consultation, Treatment plan, Examine clients skin, remove any make up to observe, Identify the skin type

painting is clear with the vertical and horizontal, fine lines painted as squares. Without a doubt, the “all-at –onceness” of the painting is created by the color. Kandinsky used such a wide range of color techniques that when I close my eyes upon viewing the painting, the image is still present. The colors are bright primary and secondary colors mixed with more earthy hues. The two overlapping circles on the bottom left are made evident by the low value of the green mixing with the saturated red to

nitrate to the alkyl halides in the first part of the experiment the first two test tubes, containing 2-bromo-2-methylpropane and 2-bromobutane, became cloudy almost immediately. The 2-bromo-2-methylpropane and 2-bromobutanes’ cloud was light green in color. The 1-bromobutane precipitated, though more slowly than the first two tubes, and its cloud was white. We also noticed that the 1-chlorobutane never seemed to become cloudy or precipitate. This is likely because chloride is a worse leaving group than

O’Keeffe distorts the scale of the flower to put more emphasis on her view of the flower. O’Keeffe blends together a mixture of primary and secondary hues with different tints and shades to create an elegant, captivating piece of art. Soft, organic shapes dance through the painting to create a sense of rhythm and finesse as they work their way to the top in a swirl of color. Chiaroscuro accentuates the intensity of blues and greens throughout which creates a focal point in the center and right side of the

the Seine, Argenteuil, the lighting used throughout the painting, brushstroke techniques, perspective, and color all play an important role in the piece, as well as in the Impressionism

Movie Poster Responses The use of color in this poster is very interesting. The poster is divided down the middle, with opposing ideas and patterns of either side. On the left side, there are rich reds and golds that play off the luxurious, city lifestyle of the movie. Conversely, the right side has a direct opposing main color of teal with its secondary color being brown to show the natural, country lifestyle also present in the movie. I agree with these color choices because they do enforce a central

The Stroop effect is demonstrated by the reaction time to determine a color when the color is printed in a different color’s name. Participants respond slower or make more errors when the meaning of the word is incongruent with the color of the word. Despite knowing the meaning of the word, participants showed incapability of ignoring the stimulus attribute. This reflects a clear instance of semantic interference and an unfathomed failure of selective attention (Stroop, 1935). In the study of the

Leeds Craig argued in “The Colors of an Ideal Negro Beauty Queen,” that one way to

help friends and family with enthusiasm when they come to me with something they’d like me to proofread for them. Not only am I very attentive to details as a strong Gold, but I also really enjoy work that requires me to be detail-oriented. For my secondary colour, Blue, I feel that the trait I identify with most is the desire for self-actualization and personal growth. For much of my life, I have struggled with self-image and self-esteem, but at the present time I spend a lot more of my energy on the

At first glance, Wassily Kandinsky’s artwork may simply be perceived as undulating explosions of color and form; however, the whirlwind of unrecognizable shapes and lines fading into one another draw the viewer in. This mysterious familiarity is the foundation of Kandinsky’s art; each element in the composition contributes to a symphonic harmony that exists between each form, line, and plane of color. The recognition of this harmony helps one gain a better understanding of the hidden spiritual concepts