Seven

Seven Seven is a psychological Thriller/Drama+ film directed by David Fincher, and released on the 22 September 1995 in the United States of America. The Seven title sequence has a succession of moving pictures which shows a combination of modern and traditional techniques of creating title sequence. The old style relays on the use of hands whilst the contemporary relays on digital method of design. Cooper as the creative director uses the Title to redefine and enhance the visual style of title

plot, characters, and overall feeling of the movie will be skewed. Our cultural identities and social norms are so ingrained into us that they are bound to be reflected in our art. The film conversion from the Japanese made Seven Samurai to the American remake, The Magnificent Seven, is a poignant example of this. Despite having almost identical plot lines, the films emanate contrasting feelings and to a certain extent, portray different messages. When examining the role of American culture in film,

For this report I choose the movie Seven. This movie was released back in 1995 and stars Morgan Freeman, Brad Pitt, Gweneth Paltrow, R. Lee Ermey, John McGinley, and Kevin Spacy. Seven was directed by David Fincher and written by Andrew K. Walker.      The movie begins with the usual old cop, who is about to retire, and teams up with a young, ready to take on the world cop. The first act begins promisingly, with two cops being assigned to their first case together. One is white and the other is

movie The Seven Samurai, directed by Akira Kurosawa, and its 1960 remake The Magnificent Seven, directed by John Sturges have many similarities; for example, the plot of both movies entails farmers hiring mercenaries to help fend off bandits that annually pillage their farms. The two movies also have differences like the characterization of the bandits in The Magnificent Seven as opposed to The Seven Samurai. One of the main similarities between the Seven Samurai and Magnificent Seven is the plot

Comparative analysis between Seven Samurai and Magnificent Seven Introduction: Seven Samurai a 1954 classic, critically acclaimed as one of the greatest films and has been a notable reference point for reworked films of this genre. In succession with one of the more notable remakes, the 1960 version of the Magnificent Seven, leading through to the current version in 2016. The Magnificent Seven aired in cinema recently and was not the first time an adaptation of Seven Samurai has been re booted. In

The films, “The Magnificent Seven”, and, “Seven Samurai”, essentially portray the same events in action, especially in the introductory scene. However, “The Magnificent Seven”, portrays the western version while “Seven Samurai”takes place in an eastern village. The films also choose a different order to show events and to go about each event. They do, however, portray the same basic idea: an innocent village faces bandits who have no intentions besides pillaging and stealing all belongings from the

In the classic film Seven Samurai, Akira Kurosawa, one of Japan’s most famous and influential directors, delves into the world of samurai during the Sengoku period. Kurosawa has inspired many filmmakers, and the themes and story of Seven Samurai can be seen mirrored in films. In the film, Kurosawa paid special detail to small details important to Japan’s history and culture, both past and present. Seven Samurai follows the struggles of a small village of farmers plagued by seasonal raids and looting

Kurosawa's The Seven Samurai and John Sturges' The Magnificent Seven The 1954 movie The Seven Samurai, directed by Akira Kurosawa, and its 1960 remake The Magnificent Seven, directed by John Sturges have many similarities; for example, the plot of both movies entails farmers hiring mercenaries to help fend off bandits that annually pillage their farms. The two movies also have differences like the characterization of the bandits in The Magnificent Seven as opposed to The Seven Samurai. One

So many have been made that at times it might feel like nothing new can be added to these stories and an attempt to do so is just revisiting old hat. The Magnificent Seven makes an attempt at not only adding to the lineage of western movies but also retells a story of a movie considered by some to be a classic. The Magnificent Seven might not live up to the original movie in the minds of movie critics and typical western movie fans. To the nontypical western fan that did not see the original it can

Seven Samurai can also be read as a plea for the formation of a Self-Defense Forces in Japan (Martinez 2007). Furthermore, Article 9 of the Japanese constitution “renounces war as a sovereign right of the nation and the treat or use of force as a means of setting international disputes (Yoshimoto 2000:206). Therefore, Japan was deprived of military capability and relied merely on the U.S occupational forces and a small domestic police force for security (Yoshimoto 2000). In this sense, Kurosawa’s