Shakespeare and Company

The End of Love and Acceptance of Loss in “Eveline” by James Joyce and “Hills Like White Elephants” by Ernest Hemingway At least once in a lifetime, most people will experience the end of a love and have to deal with the difficulties of moving on. The end of a romance can occur either through choosing to leave your other half or being the one who is left. In the short stories “Eveline” by James Joyce and “Hills Like White Elephants” by Ernest Hemingway there are particularly good examples of

Comparing James Joyce's Araby and Ernest Hemingway's A Clean, Well-Lighted Place As divergent as James Joyce's "Araby" and Ernest Hemingway's "A Clean, Well-Lighted Place" are in style, they handle many of the same themes. Both stories explore hope, anguish, faith, and despair. While "Araby" depicts a youth being set up for his first great disappointment, and "A Clean, Well-Lighted Place" shows two older men who have long ago settled for despair, both stories use a number of analogous symbols

Britain. The Royal Shakespeare Company performs in Stratford-upon Avon and at the Barbican Centre in London. A modern reconstruction of the Globe Theatre, close to its original site, is under way. Most cities and towns in Britain have at least one theatre. There are 500 youth theatres in England alone. The Unicorn Theatre for Children and Polka Children’s Theatre, both in London, present plays written specially for children, and the Young Vic Company in London and Contact Theatre Company in Manchester

years after the production of the movie Hamlet from the Royal Shakespeare Company. It is written from the perspective of Gregory Doran’s daughter who is eighteen years old and studies English Literature in school. She stumbled upon one of her father’s works one day, which is Hamlet. She shared this information with her lecturer and her lecturer asked her to make a review of the movie on the blog to encourage her friends to take up Shakespeare. The readers of her blog are others of her age range and most

Title: King Lear Author’s Background (Source: “William Shakespeare.” Biography.com, A&E Networks Television, 5 Aug. 2017, www.biography.com/people/william-shakespeare-9480323.): William Shakespeare was born around April 23, 1564. He was an English playwright, actor, and poet. He was born in Stratford-Upon-Avon in England, and got involved in theatre by the time he was 20. From there, he worked far and had success in being an actor and a playwright until his death around April 23, 1616. Date of

Multiple Viewpoints of Shakespeare’s King Lear Shakespeare’s King Lear is a tragic about an aging King of Britain and his three daughters. When it comes time to divide his kingdom, he puts his daughters through a test to prove how much they love him. The two older daughters, Goneril and Regan, give King Lear flattering answers and therefore receive great amounts of finer land. The third and youngest daughter, Cordilia, says that she has no words to describe how much she loves her father. King Lear

Macbeth and Lady Macbeth in Theory and Practice   Shakespeare's Macbeth has been the subject of scholarly research in terms of ambition, politics, and sexuality. The most predominant analysis is that of the relationship between Macbeth and Lady Macbeth. This relationship in theory is full of sexual innuendo, maternal power, gender transgression, and violence. In reading multiple essays on the psychological nature of the relationship one question came to mind: to what extent are the characters

On Thursday 1st December 2016, the RSC’s (Royal Shakespeare Company) production of The Tempest was performed to an audience of around one thousand people at the Royal Shakespeare Theatre in Stratford-upon-Avon. It was directed by the RSC’s artistic director Gregory Doran, whose version’s aim was “to break new boundaries in theatre-making” through its heavy reliance on cutting-edge technology to create magnificent spectacles and revitalise used tropes of past productions. Being the first classical

The True Character of Isabella in Measure for Measure       Some critics of Shakespeare’s play, Measure for Measure, judge Isabella as "a narrow minded but passionate girl afflicted with an irrational terror of sex" (Barton, 546), "a young, immature woman" demonstrating "moral absurdity and cruelty" (Nicholls, 478), whose actions are scarcely defensible. A classmate of mine asked, "Why doesn't Isabella just sleep with Angelo? What's the big deal?" These statements reveal that these people have

Kenneth Branagh’s unique, unabridged adaptation of Hamlet, it is apparent that Kenneth Branagh was able to capture how similar his Hamlet and Søren are in character while making his mark in cinematography history. The connection between Branagh, Shakespeare, and Kierkegaard goes beyond the setting and 19th century architecture of Branagh’s recreation of Hamlet. Through both Søren and Kenneth’s backstory, choice of esthetics, and their actions in life changing moments the story of Hamlet has proven