Sir Max Aitken

Alexander John Greenslade, Stepney, London, 1885. I was born to Lord John Greenslade and Lady Mary Capelle. In my early years, me and my kin took residency in Millbank road; walking distance from both the Palace of Westminster and Buckingham Palace. We lived in a white bricked mansion: five stories tall; a small porters lodge just outside the front door; white and gold incrusted foyer centred around a carpeted marble staircase, a glittering chandelier hanging from The Creation of Adam on the ceiling

Change is inevitable, especially in the world where technology is developing continuously and economy is altering rapidly. Change has been defined as the omnipresence and permeation of all aspect of our lives through involvement in the workplace, in home, in how we conducting the community connections and engaging with others in society (Dawson and Andriopoulos, 2014). Organizations are tested to push into new projects and advance their performances. These days, maintainable success relies on upon

sub-surface lunar water-ice, especially at the lunar poles • Identification of chemicals in lunar highland rocks • Chemical stratigraphy of the lunar crust by remote sensing of the central uplands of large lunar craters, and of the South Pole Aitken Region (SPAR), an expected site of interior material • Mapping the height variation of features of the lunar surface • Observation of X-ray spectrum greater than 10 keV and stereographic coverage of most of the Moon's surface with 5 m resolution

were also engaging in art - In September 1886, a group of young women artists organized a club strictly for art - In 1907, the association became the Women 's Art Association of Canada with a bill passed in the House of Commons War Artists - Sir Max Aitken, later known as Lord Beaverbrook, recognized the necessity of film and photographs for propaganda but felt that paintings could best portray Canada at war - Founded in