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Jesus Hurtado Ms. Bell English 4 Period 1 8 December, 2017 Revenge Theme on Hamlet In modern society humans stand up and fight for what they think is right and fair. Human beings have the desire to avenge what they think is wrong. The theme of revenge has a major effect in the play Hamlet and is a constant throughout the play, it underlies almost every scene. In the play Hamlet, William Shakespeare examines the theme of revenge through the erratic thoughts and actions of the characters Hamlet, Laertes

While you would be hard pressed to deny/ignore the heavily present humor in the Miller’s Tale, which earns it the title of a fabliau, it is also equally critical to consider the ways in which Chaucer contradicts these humorous moments with bouts of seriousness. Even though it is often difficult to discern between what is light-hearted and fun compared to what is meaningful and moral telling in the Miller’s Tale, identifying these moments of jest and ernest along with their distinct purposes can help

What is the typical menu of villainous images placed before us when we dine out at a movie theater? A scientist has his face deep-cleaned in a bell jar of acid to the epidermal enthusiasm of his "beauticians" (Darkman); a psychopathic criminal mastermind reigns chaos to the citizens of Gotham (The Dark Knight) and another sequel, eight years on, despite his tarnished reputation after the events of The Dark Knight, in which he took the rap for Dent 's crimes, caped crusader feels compelled to intervene

Movies and the theater have been a long past time of people, but as technology and demand skyrockets, presentation of movies must change. The single blockbuster hits are in the past, as any substantially popular movie receives at least one sequel. Leading us to another problem, how to create and produce a continuous blockbuster series. At the forefront of this necessary revolution is Marvel Studios and their Marvel Cinematic Universe (MCU). Over the past decade the Marvel Cinematic Universe has revolutionised

after adjusted for inflation in North America (1). Then sixteen years later the next three Star Wars movies were released (Star Wars Episode I: The Phantom Menace, Star Wars Episode II: Attack of the Clones, Star Wars Episode III: Revenge of the Sith), and earned more then 1.5 billion dollars at the box office in North America after adjusted for inflation (1). Not only were the movies box office hits, the movies were also critically acclaimed. Episode VI was nominated for 11 Oscars including Best

In the Middle Age literature, women are often presented or meant to come off as an unimportant character; which can also reflect on how the author wants the women character represent. Women are usually shunned, have no say or control in what they do; due to what men desire; like Ophelia and Gertrude did in William Shakespeare’s Hamlet. But these female characters that I will discuss are women with power, control, and a voice. Majority of the female character’s appearances are made to represent wickedness

Religion has played a significant role in the shaping and molding of human civilization. In the Middle Ages, religion was a core pinnacle that served as a source of guidance and meaning for individuals and the state. The medieval play, Everyman, explores the journey of Everyman to Heaven and the phases he must go through in order to stand before God to give an account of his life. Everyman was written during a time when the Catholic Church’s practice of penance was paramount as a means for attaining

and two bade. The three men were goode, and riche, and olde” (Chaucer lines 201-202). Her first three husbands she married for riches as they had married her for her beauty. She saw the advantages of marriage as she “hadde hem hoolly in myn hand, And sith that they hadde yiven me al hir land, What sholde I take keep hem for to plese, By it were for my profit and myn ese” (Chaucer lines 217-220). Marriage became a transaction for her where she exchanged herself through it for money and power. The Wife

Decisive and possessing a strong desire for glory, Fortinbras would act preferably as king compared to Hamlet, who behaves too capriciously and emotionally. In the beginning of the play, Horatio recounts how “Young Fortinbras, / Of unimprovèd mettle hot and full, / Hath in the skirts of Norway here and there / Sharked up a list of lawless resolutes,” gathering a group of soldiers to take back the lands lost by his father. While such an act may seem careless or unnecessary, Fortinbras’s commitment

Iago: An Aristotelian Rhetorician Iago, William Shakespeare’s cleverly crafted antagonist in his play “Othello,” could undoubtedly be seen through most rhetorical theorist’s perspectives. The overlooked and bitter advisor of Othello who conceives and executes the demise of his commander through rhetorical means of persuasion is a character rich in depth of Aristotelian tradition. Aristotle, the 4th Century BC, Greek philosopher’s definition entitled “Rhetoric” charts a middle course between