Sonata for Two Pianos in D major

The pieces Sonata in A Major, H. 186, Wq. 55/4, keyboard sonata, excerpt: Second movement (1765) by Carl Philipp Emanuel Bach and Sonata in D Major, K. 119, keyboard sonata (ca. 1740s) by Domenico Scarlatti are both very unique pieces. Both Carl Philipp Emanuel Bach and Domenico Scarlatti were keyboard composers during their time in the 1700’s. Both of their pieces have more similarities then they do differences. One similarity that stands out the most in these two pieces is that they are both keyboard

Garrett. David Garrett played the cello and the viola da gamba and Junko Ueno Garrett played the piano. They performed three compositions from two different periods, the Baroque and the Romantic. Garrett performed Sonata V from “L’echo du Danube,” Op.9 by Johannes Schenk on the viola da gamba. The composition consisted of six movements. Junko Ueno Garrett performed Nocturne Op. 27 No.2 in D flat Major and Nocturne Op.9 No. 3

Adrian F. Martinez is currently a Junior and an endowed scholarship recipient from the Fine Arts Program and the D. D. Hachar Honor’s Program at Texas A&M International University. While working on his academics, Mr. Martinez is a Violinist and is a part of the violin section in the Chamber Orchestra of Laredo, and receives insightful teachings from his professor, Dr. Yu-Mei Huang. Moreover, Adrian has been acknowledged as a fond participant in the Concerto Competition held by TAMIU. Upon correlating

a single composer, the Piano Concerto No. 20 in D minor K. 466 by Wolfgang Amadeus Mozart is a skillful representation of the genre in that era. Of particular interest in this concerto is the treatment of sonata form in the first movement. When compared to other instrumental genres of that era, there is a tangible divide between the sonata form of the concerto and that of other instrumental genres such as the symphony. To understand this

violin and piano recital performed by Dr. Khachatryan on piano and his wife, Mrs. Neglia-Khachatryan on violin. Together they performed three pieces, two of which being sonatas and containing individual movements. Violin and Piano Sonata, No. 6 in A Major Op. 30 No. 1, composed by Ludwig Van Beethoven had 4 movements. Violin Sonata No. 3 in D Minor Op. 108, composed by Johannes Brahms. They finished the recital with a piece by Franz Schubert called Fantasy in C Major for Violin and Piano D. 934. It

higher (A6). The oboe has a very narrow conical bore. It is played with a double reed consisting of two thin blades of cane tied together on a small metal tube called a staple, which is inserted into the reed socket at the top of the instrument. Traditionally made from African Blackwood, also called grenadilla, the instrument is made in 3 parts. The top joint has 10 or 11

violin. Jeeyoon Kim so elegantly played the piano, Frank Renk demonstrated his talent on the clarinet, Aj Nilles and Jason Karlyn played the viola, while Xian Zhou and Chia-Ling Chien played the cello. This program included two pieces by Serge Prokofiev; the Overture on Hebrew Themes, Op. 34 and Violin Sonata in D Major No. 2, Op. 94bis, and Piotr Ilyich Tchaikovsky’s Souvenir de Florence, Op. 70. Philippe Quint

Both Ludwig Beethoven’s “Appassionata” piano sonata and Franz Liszt’s B minor sonata are recognized as some of the best compositions of the nineteenth century. The complexity and creativity of these pieces are astonishing. Considering both pieces are sonatas they have some similar aspects, but they are also very different which can be credited to the brilliant minds who composed them. These pieces are both masterpieces of their time which is what has made them stand out amongst the many songs composed

I attended a piano four hands concert performed by artists, Sangmi Lim and Dino Mulic. The pair preformed a program consisting of four pieces, Sonata in D Major, K.381. by Wolfgang Amadeus Mozart, Fantasy in F Minor, D. 940 (op. 103) by Franz Schubert, Three Pieces (Elegy, Song, Poco rumbato) by Vladimir Denader, and History of the Tango by Astor Piazzolla. The first piece in this program was Sonata in D Major, K. 381 by Wolfgang Amadeus Mozart. This work was composed during the year of 1772 after

org/wiki/Witold_Lutos%C5%82awski] He began learning piano at the age of 6, with Helena Hoffman then with Józef Smidowicz after 1924. Later he took violin classes in 1926, private lessons in theory and composition with Witold Maliszewski began in 1928. He also studied mathematics from 1931 to 1933 at the University of Warsaw. After graduating in 1932, he continued in Maliszewski 's composition class at the Conservatory, and studied piano with Jerzy Lefeld, receiving diplomas in piano performance in 1936 and in composition in