Sonata form

Although the tuba has been around for more 150 years, it 's prominence as a solo instrument did not appear until 100 years after. The tuba shares the role as lowest instrument in the orchestra with string bass. The tuba 's thick, round sound serves as the foundation for the ensemble in both timbre and intonation. Typically never popping out of texture in melodically, the tuba offers the orchestra with a bass voice that defines the harmonic sequence of the music played through the root and inversions

formal shape. Along with his contributions to the expansion of the orchestra he also adopted the formal structure of four movements for the symphony and started using a distinct development section in the first movements, which became known as sonata form. The opening movement is fast, followed by a slow second movement, the third movement would be a minuet and trio, and the fourth would end the symphony on a final Presto or Prestissimo

Fundamental changes in musical styles are often brought on by the changes in the environment in which the music evolves from. Both the Classical and Romantic eras of music offer influential aspects of music. In order for significant and noticeable changes to occur in music, the society surrounding it must also change. Significant social and political movements often bring on these stylistic changes in music. These changes can range from the way personality is expressed in music to the actual orchestration

In a variant of sonata form, Beethoven recalls themes from the third movement. Berlioz’s fourth movement is quite dramatic as an execution is portrayed in the music, one must take into account that this was not the finale of the Fantastique as Berlioz decided to add another

The Classical sonata consisted of two to four movements. Unlike the baroque sonata, the classical sonata adhered to a strict form which is credited to Joseph Haydn. Haydn is regarded as the father of the classical era. He kept the harmonical procudures of the baroque era but implemented and expanded upon various genres. The sonata in the baroque era was made of multiple movements, and was either secular or sacred. The sonata da chiesa was designated for performance in church. It was typically comprised

The Roots of Sonata The name ' Sonata ' or known as first movement appeared in the early 17th century, when instrumental music began to separate instrument or composition of the piece from vocal music. ‘Sonata ' means a work to be played, which is derived from the Italian word suonare. At first, Sonata form is made for dance movements and used as a church music, but eventually this form changed and became really popular among composers of classical music from the 17th century until the early

playing the bass line. This serious work of Haydn also incorporated a new idea within the world of string quartets, a four movement scheme. Throughout the four movements the textures were varied, having moments of a possible elaborated homophonic 'trio sonata style ', paired with a more contrapuntal polyphonic style. Another characteristic that encouraged stylistic growth were the various fugal moments being introduced throughout string quartet music during this time. The Viennese set k168-73 (1773)

In order to explore the career of Ludwig van Beethoven, and his ‘bridging the gap’ between the classical and romantic eras of music, this essay will examine the style of music and its features, most commonly associated with the Classical era (1750-1820), and those of the Romantic era (1815-1820) . It will look at some musical examples from Beethoven’s work, how they fit into each of the eras, and also how they transition from one era to the next. Beethoven’s career spans both eras mentioned above

the development of sonata form during the Classical Era was revolutionary to the writing of music and there is a trend that in the majority of these popular solo piano pieces follow sonata form. Beethoven’s Pathétique Sonata op. 13 no. 8 in c minor. First movement: Grave
https://www.youtube.com/watch?v=i60LrIq3cr8
Beethoven, being a bridge between the Classical and Romantic eras, wrote many pieces influenced by both times. The Pathétique Sonata also follows a typical sonata form with 3 movements,

555 well-known keyboard sonatas for the queen during this period of time. These pieces were mostly written to be played on the harpsichord or the early pianofortes. Although most of the sonatas were composed in pairs, the D major sonatas, often performed together, formed a rare triptych of three sonatas. Sonata in D Major, K.491 is the second piece of the triptych, which was composed in 1756-1757. Similar to most of his other sonatas, Sonata in D major is in the binary form (AB-AB). The structure