Space Age

I once met a sort of guru who preferred the name Eartheagle. Eartheagle and I were strolling through a garden as we discussed nature and life’s inner-workings. I was having issues with many sorts of relationships at the time and decided to propose a question. “What is the perfect relationship?” I asked. “The perfect relationship is like the Earth and Sun. If the earth were any closer, it would burn up. If it were any further away, it would grow cold. Without the Sun the Earth could not survive. Without

Photographic technologies brought with them the ability to freeze and capture for unlimited time a specific moment in time and space. However, these technologies also arose issues surrounding concepts of art and reproduction right along side depiction of reality through certain medium. Walter Benjamin’s essay “The Work of Art in the Age of Mechanical Reproduction” and Siegfried Kracauer’s, “Basic Concepts,” in Theory of Film, seek to convey the relationship between film and its ability to capture

Within this essay, I am going to be discussing the chosen topics of cyberspace and disability and how these concepts have had major influences on children’s culture. This essay is going to be focusing on the ways in which children’s lives are controlled by peers and adults within the world of cyberspace and the ways that children have been seen to resent these controls enforced upon them. It is also going to look at how technology has impacted upon a child’s innocence and how disability can be interlinked

weighting each desirability factor. They trusted the same analytical approach with their house purchase decision; for the purposes of this discussion I’ve condensed their table as follows: House A House B Commute Time 45 minutes 10 minutes Quality of Space High Medium Relative Price 200,000 200,000 While Jennifer and Jimmy recognized that the daily Commute Time was an important attribute, it ended up being severely underweighted in their final decision. Having just moved from New York City, neither had

Luis Barragán & the House in Tacubaya An esteemed figure within the progress of Mexico’s architecture, Luis Ramiro Barragán Morfín (March 9, 1902 – November 22, 1988), widely known as Luis Barragán, was a Mexican engineer and architect. With a career spanning over 30 built projects, predominantly based in Mexico, Barragán’s works influenced contemporary architects, designers, or artists, in terms of his distinctive design principles. His influential work upon Mexico’s modern architecture enabled

is about a youth hostel as a community for homeless young people which can help them with not only a place to sleep as a shelter, but also supportive assistance to help them exit street life. Active space is essential for all human beings. The activities in a lifetime are closely linked with the space, and cannot be separated from each other. The design of our environments, as Christopher Alexander discusses in ‘A Pattern Language’, shapes our societies. “People are different, and the way they want

classical architectures into innovative modern architectures. Jayne Merkel, a historian and critic, identifies three elements that control and define this development in museums as “lighting, security, and procession through space.” Unlike those traditional rectilinear space that isolated from the outside world where even light were mostly artificial, museums are now increasingly open to natural light and paying more attention on introducing strong spacial experience of the visitors. Lighting in

Contrary to Reverend Mother, “home” is a site of power contestation for Amina as her urge for achieving power and control becomes overarching than the emotional attachments or relationships. Amina is equally blessed with such empowering talents of home-making like her mother. Regarding her home-making skills Saleem narrates- “Nobody ever took pains the way Amina did. Dark of skin, glowing of eye, my mother was by nature the most meticulous person on earth. Assiduously, she arranged flowers in the

urban setup in India. The repercussions experienced by women of exploring the night as a time and space of the night time, belonging to men according to the traditional Indian society idea. There are patriarchal notions attached to the idea of women getting out of the households at night to work in a public space and is vulnerable to the rising violence in our country against women. The nocturnal space is considered to be a man’s domain and if invaded by a female figure becomes problematic for the

Photography's Discursive Spaces: Landscape/View Rosalind Krauss Art Journal, Vol. 42, No. 4, The Crisis in the Discipline. (Winter, 1982), pp. 311-319. Stable URL: http://links.jstor.org/sici?sici=0004-3249%28198224%2942%3A4%3C311%3APDSL%3E2.0.CO%3B2-8 Art Journal is currently published by College Art Association. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use