Stage

audience and the panel of judges. Then boom, I finally heard it, “Introducing for the Keiki Kane Auana division, under the direction of Kumu Hula Kale Pawai of Napua Maikalani, Darren Wade Maluyo Jr.” The curtains opened, and I walked on to the stage. Hula has been a

charcoal colored stage curtains hang from the ceiling all the way down to the floor on the stage right in front of us. Then the giant curtain splits in half both ends quickly accelerating left and right. The crowd applauses, the rooms filled with tons of claps and people whistling in high pitch sounds. All of a sudden it drops into quietness, then a voice, a deep voice announces the main director’s name and the crowd once again applauses as Keith Woolery walks out on the stage. In an expeditious

During the beginning of the play, it seemed like some actors were very nervous by the way they talked and moved. Only a few stuttered and were very tense but they had a smile on their face the whole time. In some scenes, the actors used the entire stage but at the mid-point,

one unit. Through the five stages of team development, our team developed and continues to develop into a successful team. Forming Stage: When I first started working for the school in August, I never met any of the people who would be working at the school along with me. The first day I arrived to work I learned that the new team I was going to be a part of at ICEF Inglewood Elementary had 96% of new staff. During this time I realized the team was in the forming stage, we were all getting acquainted

in treatment is important as the may be there for legal reasons or voluntary. They may be already in the contemplation stage or even taking action to quit their addictive behavior. In the early stages advanced addicts for certain drugs may have mental impairment that will need to be taking into consideration. In any case, some ambivalence it very likely. In the early stages being prepared to work with resistant clients - whether they are outwardly resistant or passively is particularly important

Adam left the stage and walked purposely towards the table where I was seated, asking if I would mind if he joined me during the break. I replied no, that I would be flattered if he did so. The waitress brought him a drink as soon as he was seated. We finally had the chance to properly introduce ourselves to each other. I told him I was captivated by the brilliant performance that he gave, asking how often he performed here. He told me that he did so only once per week, usually on Friday evenings

“It really is that simple.” Melinda Branson’s catch phrase signaled the end of her cooking demonstration and a roar of applause shot through the produce section. The makeshift stage presented her as some kind of superstar. Flashing a smile she held her tray of appetizers toward the crowd as if she were proudly showing off the royal baby. Her silly little cooking idea, as her boss called it six months ago, had grown into an expected Saturday feature. It added much needed extra hours to her paycheck

more nauseous by the second. My feet stage a rebellion against my brain 's commands to walk – move – take a step. I was stuck. Cemented behind the stage, my fingers tremble, shaking the thin papers between my clammy hands. The lyrics of my song inscribed in dark lines across the, now wrinkled, white sheets. There is no way I can go out there. Glossophobia – derived from Greek word “glossa” meaning tongue – is the irrational fear of public speaking or stage fright. Symptoms include: trembling,

Mood sets the tone for an entire scene and, if properly utilized, visually illustrates the meaning of words. In William Shakespeare’s The Tempest, Ferdinand’s ship has wrecked on a mysterious island leaving him traumatized and isolated and he hears a strange voice in the background. Ariel’s song scene helps the audience understand, without the aid of written text, the turmoil that Ferdinand is suffering via the manipulation of lighting, sound, and visual props, all of which embody Ferdinand’s sensory

I say stomping) that I saw! Although we Parisians requested Russian ballet with an exotic and oriental character to it, stomping is not necessary! It mocks the elegance and grace that so many dancers work so hard at perfecting for performance on stage. When The Rite of Spring finally reached the Sacrificial Dance section, it messed with my already upset ears and mind even more than any other section of the ballet. It sounded extremely nightmarish to me through its outpourings of even more weird