Symphony No. 13

“Petite Marguerite”. In 1855, Bizet wrote an overture for an orchestra. He also write a four-hand piano version of two of Gounod’s works. After his seventeenth birthday he wrote his very own symphony. It was very similar to Gounod’s. So similar, in some parts it almost seemed as if he were copying him. His symphony was lost but rediscovered in 1933. It wasn’t performed by anyone other than Bizet until 1935. In 1856, Georges applied for the Prix De Rome. He didn’t win. No one had won that year and the

He is a violinist studying with New World Symphony Fellow Amos Fayette. He was the winner of FSMTA Jr. Concerto completion in 2010, the American Protg International Music Festival in 2012, and also attended the Suzuki International Music Festival. On the show, he played Romanza Andaluza from Spanish

In the year 1922, after a long and bloody civil war, the Soviet Union was officially formed. After World War II, the Union of Soviet Socialist Republics, USSR, established itself as one of the world’s superpowers, opposite of the United States of America. The Communist regime reigned over the Soviet Union until 1990, shortly before the Soviet Union collapsed and was formally dissolved in December of 1991. However, during that reign, many rules and regulations were imposed on all aspects of life,

courts at Vienna and Munich. Encouraged by their reception, they embarked the next year on a longer tour, including two weeks at Versailles, where the children enchanted Louis XV. In 1764 they arrived in London. Here Mozart wrote his first three symphonies,

length of the string. Fibonacci sequence can have a connection with piano scales. Fibonacci sequence is 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89………… The C scale has 13 keys. The ratio is close to 0.618, this is known as the golden rule. In conclusion, music has always had a relationship with music. A composer must take in to account all the instruments when writing a symphony. The only logical reasoning to suggest this is math. How else would he know when to have the bass come in and the violins

Wolfgang Amadeus Mozart was an Austrian composer who mastered the range of contemporary modern instrumental and vocal forms—including the symphony, concerto, chamber music, and especially in the opera. Wolfgang Amadeus Mozart was born on January 27, 1756, in Salzburg, Austria. Mozart mom and dad, stressed about the importance music to their children. Wolfgang received in-depth musical training that by the age of six he was a rising composer and a soon to be keyboard performer. In 1762 Mozart dad

like to simply balance out the basses it would not be so jolly and joyful. Without the flutes the notes would not flow so well. It would be rough cut. These two instruments are the key parts to the song.  Meet the Author Alex Soldatov, a 13 year old boy, was born in Wichita, Kansas on July 11 the first born of him and his sister Elizabeth. His parents are Sonja and Karl Soldatov. He went, and still is at St. Elizabeth Ann Seton Catholic School. Alex is a very quiet person, he really only

(1750-1820)/early Romantic (about 1820/30s-1910) • Nationality: German • Contemporaries: Haydn, Mozart, Clementi • Works included: • 32 piano sonatas (including the 'Pathetique'; the 'Moonlight'; the 'Appassionata'); bagatelles, 6 sonatinas • 9 symphonies - including the 'Eroica' (3rd); 'Pastoral' (6th); the 'Choral' (9th) • chamber music - including 9 piano trios, 5 cello and piano sonatas

a young age, Beethoven became interested in music, which gave his father, Johann van Beethoven, the idea of making him the next child prodigy like Mozart. Beethoven was brutally pushed to achieve the goal/dream of his father. However, at the age of 13 he had to take on the responsibility of providing for the family since his father was no longer able to. With his newly given responsibility, he requested a job at the courthouse where he was assign as an assistant court organist earning an annual pay

and social setting of Beethoven life. Mai introduces the first chapter with a part of a letter by Waldstein to Beethoven stating that Beethoven would be the next Mozart learning from Haydn. Following that information explains Beethoven’s Eroica Symphony No.3 and the relationship with Napoleon Bonaparte.3 This part of the book seems to be more geared to people that have little knowledge of Beethoven by comparing this piece on par with the skill of Mozart, by picking accessible, but still great piece