Technicolor

right? So, in addition to the films I have already covered, which include ... Adventures of Robin Hood (1938) A personal all time fave and essential viewing for those who want to see the legendary deHavilland/Errol Flynn chemistry is all its Technicolor glory. The Snake Pit (1948) Here, deHavilland delivers one of her most powerful dramatic

So here we are ... it is the end of November. This post was originally meant to be part of a series in association with the celebration known as "Noirvember" but alas life gets away from you sometimes and plans go awry. But have no fear - I hereby present you with a condensed version of the series. The idea being that while we often associate the film noir movement with stylized, moody expressionistic angles in black and white cinematography, there were more than a handful of gritty, evocative

With the creation of color technology in the late 1800’s, it is starting to become apart of the filming world. Technicolor helps to liven up the image and during The Wonderful Wizard of Oz , color does just that. Color brings beauty to the world of Oz, whereas in Kansas it is gray and lacks excitement. Color represents Dorothy’s personality at home in Kansas. When Dorothy is in Kansas at the beginning of the book, it is described as very dull and the sun is so bright it seems to drain the beauty

Walt Disney Bre’Osha Franklin Dr. White Miles College May 5, 2017 Abstract Walt had an early interest in art, he would regularly sell his drawings to neighbors. He then went off to start his art career, by studying art and photography by going to McKinley High School in Chicago. Walt started to love, and acknowledge nature and wild life, family, and community, which were a large part of agrarian living. Even though his dad could be very strict, and there was never really any money, Walt was encouraged

this however; not the least of which is the films enduring timelessness made all the more impressive by its subject matter. Made during the decline of the studio system, the film was an oddity onto itself. A tiny black and white film at a time of Technicolor, a principle cast of character actors at a time of A-list credit cramming, and

40 minutes- 1 hour Supervisor: Tanice Finnegan Organization: Highland Christ Community Church 2. Description: I participated in CWCT’s performance of Joseph and the Amazing technicolor dream coat. This was a leadership role because I needed to keep my sister, cast members, and myself on task, so we could learn our lines, songs, and dances. Practice was almost every day for about 1.5 hours. Organization: CWCT 3. Description:

Cole carved a clear space for jazz dance in theater and film. Others soon followed in his wake, famously Jerome Robbins, Bob Fosse, Michael Kidd, Alvin Ailey, Gower Champion, Peter Gennaro, and Michael Bennett. Cole dancers more than two, but not a lot of became experts at creating dance patterns included Rod Alexander, Anna Austin, Nita Bieber, Ron Field, Malcolm Goddard, Carol Haney, Bob Hamilton, etc. But his followers could not copy his energy for movement invention, a fine eye for sculpting

compared to “Steamboat Willie,” and it still imitates the use of repetitive movements for the characters in the shot (Mickey). This increases the value of the comedy and helps the viewers interpret the situation on the screen. This introduction to Technicolor along with the integration of synchronized sound leads to the next milestone,

“Adelaide’s Lament” from Guys and Dolls, “I Remember it Well” from Gigi, “Bring Him Home” from Les Miserables, “When You’re an Addams” from Addams Family, “It’s a Hard Knock Life” from Annie, “Prologue/ Any Dreams Will Do” from Joseph and the Amazing Technicolor Dreamcoat, “I Think I Got you Beat” from Shrek, “Fifty Percent” from Ballroom, “Lily’s Eyes” from Secret Garden, “Bosom Buddies” from Mame, “Home” from Beauty and the Beast, and “A Musical” from Something Rotten. There were two historical

Later, Disney married one of his first employees, Lillian Bounds. Lillian was later pregnant with a girl and adopted another girl. With some inspiration Disney created Mickey Mouse. Walt Disney’s cartoons were endless then. Technicolor was introduced to Walt’s company, Silly Symphonies Cartoon Features, and allowed Disney’s cartoons to be the only cartoons to have color in it. Disney created a cartoon called “Flowers and Trees” and that cartoon won Disney his first academy award