The Line of Beauty

“Sonnet 18” may be the most famous lyric poem in English. Among Shakespeare’s works, only lines such as “To be or not to be” and “Romeo, Romeo, wherefore art thou Romeo?” are better-known. On the surface, this poem is a statement of praise about the beauty of the speaker’s love interest, but when you look closely you can see how the speaker is actually praising himself for his skills. This is also Shakespeare’s first poem in the sonnets that doesn’t explicitly encourage having children. The procreation

In “Shall I compare Thee to A Summer’s Day”, William Shakespeare compares his love interest to the beauty of summer. “Shall I Compare Thee To A Summer’s Day”, is a Shakespearean Sonnet. The poem is written in iambic pentameter, a rhyme scheme where each line consists of ten syllables that are divided into five pairs called iambs. An iamb is a metrical unit made up of one unstressed syllable followed by one stressed syllable. Common in many of Shakespeare’s poems, the iambic pentameter gives the poem

express themselves through the act of writing with the usage of a few words. However, it is sometimes difficult for a reader to comprehend what the poem is trying to imply, but that is the beauty behind poetry which as a reader, one might have a different interpretations from another. In an analysis of “She walks in beauty” by Lord Byron and “Sonnet 130” by William Shakespeare, they both have a unique distinction on how the words are used to project affections to their respective lover. The linguistic style

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tranquility in the poem is used to express how her battle against inequity will not be fought with violence or hatred, and how she is not blaming any specific party or institution for her personal suffering. She instead plans to use the power and beauty of words to communicate the flaws of the image of women, fight against injustice and racism, and alleviate her internal despair. “A Woman Speaks” by Audre Lorde is an anthem for African American women and uses vivid imagery, ancestral references,

The power of love and emotion is evident in Lord Byron's poems, "She Walks in Beauty" and "So We'll Go No More A-Roving." Because of their consecutive placement in the book, "She Walks in Beauty" and "So We'll Go No More A-Roving" tell a story of a relationship. In the first poem, "She Walks in Beauty," the speaker glimpses a beautiful woman who reminds him of "the night" and "starry skies." Throughout the piece, the speaker is fascinated by her beautiful facial features. The last stanza summarizes

beautiful. Often, these escapades include deceit, blood, death, madness, and destruction. All of which, are ugly. One may argue, that the triumph and glory at the end of these adventures represent a beauty that negates the prior ugliness. But, at what cost? Perhaps, the “victory” is pyrrhic, and the “beauty” is ephemeral. Now, apply this structure to war. Victory is sweet, but those burials are sorrowful. Between 3,250,000 and 6,500,000 million people died during the Napoleonic Wars. Anna Barbauld, probably

Byron seeks to captivate the essence of a mysterious woman’s beauty through his almost fairy-tale description of her. Written in the 1700s at a time when women were expected to be delicate and assume the role of puppets for their puppeteer men, the woman was juxtaposed between conventional and unconventional norms of beauty. The first line is one such example of him describing her beauty in unconventional terms. ‘She walks in beauty, like the night’ Night is not normally described as being beautiful;

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also deals with the logistics of beauty; we want the most beautiful people to have children, so their beauty will be preserved forever—when the parent dies, the child they leave behind will remind us of their own beauty. Shakespeare utilizes metaphors in his language to help promote this idea, for example the image of a bud, growing until it inevitably dies and diminishes. Unlike flowers, Shakespeare tells us here that we humans have the opportunity to keep this beauty everlasting. The very beginning