The Madness

no say about it. Act 2, scene 1 serves as a turning point, as it is when Ophelia begins to realize the manipulation she faces at the hands of both her father and Hamlet, and that she can only truly gain her freedom when she herself descends into madness. Polonius’ manipulation, Hamlet’s control and Ophelia’s own thoughts and actions demonstrate her descent, and the aftermath. Polonius’ image and plans take precedence over his daughter’s physical and mental wellbeing. This leaves her vulnerable

had and how various obstacles were overcome with he and his intended or fiancé. In Heart of Darkness, the main themes that are discussed and brought to light throughout the entire story are that of the hypocrisy behind the idea of Imperialism, the madness that surrounds the absurdity of evil, and the idea of the last encounter that Marlow has with Kurtz’s intended and the irony that surrounds the circumstance. First, the issue at hand with Imperialism and the insincerity that surrounds it is baffling

Ophelia in William Shakespeare's Hamlet “Follow her close, give her good watch, I pray you” (IV.5.73). Ostensibly, Shakespeare’s Hamlet is the riddling, enigmatic, inscrutable theatrical character par excellence. His motives, madness, conflicting morals and existential struggles are ambiguous to say the least. When analysing his character, Laertes and Fortinbras are often brought in as examples of less extreme characters dealing with similar but more tangible dilemmas. The idea that

Contrast and Compare how Miller and Williams explore The Theme of Madness in "Death of a salesman" and "A Streetcar Named Desire". Miller's 'Death of a Salesman' and Williams' 'Streetcar Named Desire' both explore how the two main protagonists, Willy Loman and Blanche Dubois cannot adjust to the new society which has changed drastically around them. Willy Loman is a father, desperate to hold on to the life he once lived when he was younger. Throughout the play, we see how Willy's state of mind

does in the present day, ideas of insanity and madness were speculated by the masses. Even today, in an era that has become so progressive in medical studies and knowledge, the topic still remains ambiguous. In the nineteenth century, there was a great deal of misunderstanding when it came to insanity, with this curiosity came artistic expression. As seen in the 1834 work of Alexander Pushkin, “The Queen of Spades,” the journey to this supposed madness is explored and traced through literal phrasing

Hamlet is the prince of and the son of the murdered King. Shakespeare introduces the character to the audience portraying him as grief-stricken due to the loss of his father. He is dressed in black and a somber mood. However, at some point, Hamlet behaves like a person who is out of his mind through his words and actions. Hamlet is not insane as people assume he is. His character confuses not only the audience but the characters within the play. Every time the audience meets him, he is an entirely

Fiddler on the roof Fiddler on the Roof is a musical by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein, set in Tsarist Russia in 1905. It is based on Tevye and his Daughters. The story centers on Tevye, the father of five daughters, and his attempts to maintain his family and Jewish religious traditions while outside influences intrude upon their lives. He must cope with both the strong-willed actions of his three older daughters—each one's choice of husband moves further away from

Humanities Culminating Project Vaporwave is a microgenre of music started in the early 2010s focused on deconstructing elements of 90s culture, consumerism, and nostalgia. It’s name is a pun on the term “vaporware,” which refers to software advertised by companies in the 90s which turn out to be nonexistent and nothing but vapor. Vaporwave works remix pop songs, Muzak, advertisements, startup sounds, and other cultural material from the 80s and 90s, to produce hypnotic, almost dreamy music. Blank

"Fiddler on the Roof" is a 3-hour musical film based on Sholom Aleichem's stories. In the opening scene, Tevye discusses the traditions of his community. He says, "Tradition. Without our tradition, our lives would be as shaky as . . . as a fiddler on the roof." Explain what Tevye means by this statement. Tevye states without tradition people have not balance in life. The prayer shawl that the men wear is a reminder of their constant devotion to God. Tevye sings about keeping their routes in life

In Fiddler on the Roof, changing religious traditions affects how people find their soulmates because instead of the typical arranged marriage, people are looking for love. Yet, traditional religious arranged marriages could also sprout love. Fiddler on the Roof is a musical set in Russia, in a small Jewish town called Anatevka, in 1905, Tevye is the guide and narrator of his story of living in the town of Anatevka. His family and the entire town are Orthodox Jews and follow strict traditions. While