The Real World

”Liking Is for Cowards. Go for What Hurts” We live in a world where the internet and social media plays a big role. There are constantly becoming less and less physical contact, and fewer face-to -face relations. This is demonstrated by the fact that we keep in touch with each other over Facebook, shopping takes place over the internet, we keep up with our economy whit online banking and meet friends and lovers over online dating sites. In late modern society, we are always available. But are we

dreams. Often, that dream is something like a city or any populated area which has other people walking around in it. In Inception, those people that the unknowing mark (the person whose mind they’re entering) populates the dream world with ‘projections’ that always mirror their ideal perspective held of them in reality. Truth has a way of affecting a subconscious no matter how deeply beliefs are clung to. When truth is portrayed as fantasy, it allows people to accept the message without egos getting

representation of an event that did not happen in real life. Is a fictional story in where Socrates asks Glaucon to depict an image of the needs for education, specifically he wants Glaucon to imagine humans as prisoners in a cave and turn sous to the light. In the underground caves prisoners are kept there since childhood incapable of moving their necks, legs and heads because they are all sitting in rows with chains. In general, prisoners are forced to live in a world were they are not able to see and reflect

actually exist and unlike fantasy is usually less attractive to the subconscious mind. Fantasy is a world that many of us wish to live in because we either fail to see or choose to accept reality, which is a form of escapism. Escapism is defined as the tendency to seek distraction and relief from unpleasant realities, especially by seeking entertainment or engaging in fantasy. In this escapism world we can choose to see and do what our heart desires. This is also known as a place of illusion, where

majority of them will get away with it never thinking twice about it. Cheating does not harm anyone, including the person cheating, as much as it is made out to be, everyone cheats in life at some point , cheating is just getting students ready for the real world. The only type of cheating that is bad in

we, as viewers, think about our lives and the world. Mittell goes over the two most popular approaches that are usually used to understand the relationship of the meanings conveyed through television and the real world, as a way to escape the world and as a reflection of the world. The escapist and direct reflection approaches, according to Mittell, are not accurate. The escapist approach, which states that people watch television to escape from real life, falls short when considering the news, sports

not always physical, nor always bad, but tend to be a necessity to the world when we face problems associated with globalization and the dwindling of human rights. While maintaining control, humans face both gain and loss in their own perspectives. Naomi Klein’s “Fences of Enclosure, Windows of Possibility”, introduces her audience to step out of their first-world mindset and step into a different perspective to view third-world issues that tend to be overlooked. The barrier Klein touches upon symbolizes

or story has events that could happen in real life. In order for a story to be considered realistic fiction, it should include the elements of realistic fiction. For example authentic characters are characters that are convincingly developed, multi-dimensional, and show growth over time. Credible events are conflicts or problems that could occur in the real world. Real settings are settings that are vividly portrayed and that could exist in the real world. True-to-life themes are memorable themes

program and influence us) behind the partial wall that the prisoners cannot see. The prisoners see the shadows cast by the statutes move and think they are real. Most people mistake the products of their deletion, generalization, distortions and projections as real and reflecting reality. They mistake their internal map of the world for the real world.

As a kid, I built people from numbers. From lists and characteristics that I believed would somehow craft a real person. I thought that knowing how a character took their coffee or what their favorite movie was would build me a real personality. Looking back on that, I almost laugh. Laugh at the ridiculousness, at how short I fell from creating a real person. What I was scratching out with my ballpoint pen was a lifeless replication of the intricacies of humanity, a paper person that couldn’t even