This Voice

defined as the production of musical tones by means of the human voice. The parts of the human body, specifically the lungs, voice box, larynx, stomach, the tongue and lips are also used in this manner, which is coordinated in the establishment of vocal technique and made to interact upon one another. The songs incorporates many aspects of cultural or social identity, including nationalism, political affiliation and

expectation of this class was that I would learn how to sing. It was my belief that learning how to sing well can prepare me for the various aspects of performing on stage before a large audience. In addition, many people to see and admire the vocal and physical aspect of my performance. This class has by far met all my expectations by even though I do not sound like a famous RnB singer this class has truly helped me. I feel a lot more confident in my voice granted that I use to think that my voice was one

Jake was at his house staying up late for the new year special`. He heard someone knock at the door so he gets up and thinks, “who can it be at this hour?” When he opens up the door no one is there so he goes back inside. Then after a few minutes it happens again *knock* *knock* Jake starts to get annoyed and he opens up to no one there he steps outside and yells, “hello?” Then he hears rustling in the bushes so he yells, “who’s there!” Then the rustling stops s he goes back inside and he feels

Juan Rulfo questions the voices that fill the town, the voices that represent old souls’ past memories. Rulfo’s conception of our past is that it haunts us, forcing the characters to revisit their own pasts in order to find meaning and forgiveness. Specifically, the story explores the nature of memory and the past by recounting the stories of all the inhabitants who have died in the town Comála. Everyone in the town is dead. The characters are only representations of voices and murmurs, those of which

primary explanation for sex differences within a Darwinian framework. Vocal characteristics in men and women are considered sexually dimorphic traits. Puts, Jones and DeBruine (2012) cited that women’s average voice pitch post-puberty is much higher than men’s, that men speak in a more monotone voice, and that men’s vocal tracts and vocal folds are

famous roles featuring those voice types. We also included a quick overview of the structural parts of an opera---the overture, arias, recitatives, and chorus numbers are all included. We hope you feel right at home the next time you visit the opera! The Parts of an Opera: The Singers Imagine walking home after community or high school choir rehearsal and someone

3:30 in the morning and the nurse already went through here on her rounds half an hour ago, strange.’ Shawn mused surprised. The footsteps were coming closer to his room so Shawn closed his eyes feigning sleep. “He’s not asleep,” Said a gravely male voice which caused Shawn’s heart to skip a beat. “Look at his heart monitor, Lilith; it proves he is awake.” The man said. Shawn heard light feminine footsteps get closer to his bed and a hand grabbed his chin by one hand and a slightly

dexterity. For vocalists, similar processes occur. Before rehearsing, vocalists use warmups; most of which are based on scales, arpeggios and other theory points. They are used to warm up the voice, and get performers aware of their breathing and voice flexibility. All of these are extremely similar to their voice counterparts. Some

My name is Moonstone, and this is my story. “Spirit, wait up!” I called, racing outside to greet my best friend. She wore purple everyday. Her shirt was purple with yellow flowers and she was wearing black pants, and of course, the blue scarf around her sightless eyes. “Hi.” She said back. I kicked some dust, bored. “Did you clean your necklace like I told you too?” She said. I sighed. “Yes, I did. The black and red almost glows, it’s so clean.” Spirit smiled, and held out hers, it was a swirl

I believe from past performances my voice has become accustomed to holding deep tone notes. My voice is comfortable hitting any low notes making it great for operatic pieces, pieces that require a strong voice to get an emotion across, or generally any theatric role that requires the large, stoic kind of character. Past instructors have also said I have a natural talent to sing along without getting caught up in the melody of other instruments. My understanding is that beginners tend to sing at the