Time Quartet

St. Lawrence String Quartet” at 8pm in CPMC, UCSD. Four artists performed it: Geoff Nuttall, Mark Fewer for violin, Lesley Robertson for viola, and Christopher Constanza for cello. They performed three String quartets, composed in different eras. The first one is “ String Quartet in C major, Op.76, No.3 ‘Emperor’,” composed by Franz Josef Haydn, 1732-1809. The second one is ”Five Pieces for Spring Quartet,” composed by Erwin Schulhoff, in 1923.The third one is “String Quartet in C-Major, Op.61,”

Diderot String Quartet. The performance was held at the Bruno Walter Auditorium in 111 Amsterdam Avenue, New York, N.Y. at 2:30 p.m. The Diderot String Quartet performance that I attended was titled “Diderot String Quartet: Haydn and his Students.” The Diderot String Quartet performance is titled after the musical pieces of the concert, which included string quartets by Franz Joseph Haydn, Anton Ferdinand Titz, and Ludwig van Beethoven. The first musical piece performed was “String Quartet No. 1 in G

adhered to and rebelled from the conventions and traditions that were normalized in classical music and I will offer varied examples of the many times Shostakovich has obeyed and dissented within music throughout his career. The career span of Shostakovich extends from 1926 when he presented his first major work, Symphony No.1 to 1970 when he presented Quartet No. 7. Born Dmitri Dmitrievich Shostakovich on the 25th September, 1906, in St. Petersburg, Russia, the composer began his descent into classical

Joseph Haydn (1732-1809)’s lifelong involvement with the string quartet began in the 1750s with a series of works that proved to be among the most auspicious fruits of his early maturity. Haydn had enjoyed success as a singer at the cathedral and at court until his eighteenth year, but from that time on he was obliged to fend for himself as a freelance teacher and musician. As the occasion arose Haydn tried his hand in a variety of musical genres, composing sacred works, and pieces of instrumental

The four quartets The Four Quartets, a combination of poems from 1935 to 1940. It was Eliot’s last great work as a poet and playwright. All four poems have a steady theme, time. In the four poems Burnt Norton, East Coker, The Dry Salvages, and Little Gidding all relate to time. He states how it time can never move fast enough but always to fast when he wants it move slower. He states this this theme in three totally different settings. Burnt Norton is about air, East Coker being on land. And the

There is perhaps no greater paradox than that of a deaf composer becoming one of the greatest music writers of all time. Such is the case for Ludwig van Beethoven (1770-1827), a composer who not only succeeded at his profession during his time, but whose greatest works are considered by many to be those completed by the time he was nearly or totally deaf. Such a striking paradox begs the question: Did deafness have an influence on Beethoven 's music writing, and if so, how? This paper will argue

“Mozart for Four Mozart: String Quartet in F Major, K 590 Mozart: Piano Quartet No. 1 in G Minor, K 478 Performed by the Orion String Quartet and the Nash Ensemble” (gardnermuseum.org) For the purposes of this assignment I choose this particular concert because I find Mozart’s music to be intellectual and engaging, requiring deep concentration and an open mind to be able the comprehend the depth of his musical visions. In this paper a will attempt to explore the qualities I like and dislike

Messiaen’s Quartet for the End of Time - Quator Pour Le Fin Du Temps Technical and Interpretative Challenges Presented to Performers in Messiaen’s Quartet for the End of Time Olivier Messiaen (1908-1992) played a significant part in the evolution of twentieth-century music, influencing a number of other composers with his innovative compositional techniques. The Quartet for the End of Time, is not one of Messiaen’s typical works due to the circumstances in which it was composed (his main outputs

Wolfgang Amadeus Mozart wrote six string quartets which were dedicated to his friend and fellow composer, Joseph Haydn. These quartets, known as the "Haydn Quartets," were among Mozart's "first six masterpieces in the medium" (Keller, 64). In composing these works, Mozart was inspired by Haydn's recently published Opus 33, which is also a set of six string quartets. When Haydn wrote his Opus 33 in 1781, it was the first time he had written for the string quartet in a period of ten years. With the

Report #3: The Amenda Quartet November 6, 2015, the Amenda Quartet performed at RIT as part of the Performing Arts Program, with a program of three classical pieces by age-defining composers: W.A. Mozart and L.V. Beethoven. Two string quartets and a piano concerto, though not as well-known as other pieces by those composers, nevertheless are stellar musical works, well on the quality level a modern listener came to expect from the classical era. The first piece, String Quartet in F minor, op. 95,