Traglear

Life is all about sight in two senses. Our eyes present us with the world in its entirety— bright lights and dancing colors, evil foes and dark corners, and an unyielding perception of the truth before us. However, the stark truth we see through our eyes excludes the forces our retinas cannot detect. No matter how bright the sun, our eyes will never show us the shadowed intentions of another, and no matter how vivid the coloration, our eyes can never perfectly paint the depth of someone's love. Sometimes

King Lear, a tragedy in which Shakespeare exhibits most fully his literary complexities, is surprisingly the least popular of the famous four. In spite of this, it is indefinitely the most talked about. For many this is Shakespeare's most profound tragedy, one of the greatest plays ever written in any language at any time. It throws up questions, which remain as perplexing now as they were to Shakespeare's earlier critics. And although thoroughly studied, the original story line has remained unchanged

King Lear as a Bradley Tragedy      King Lear meets all the requirements of a tragedy as defined by Andrew Cecil Bradley.  Bradley states that a Shakespearean tragedy has to be the story of the hero and there is exceptional suffering and calamity slowly being worn in.  Also, the current time must be contrasted to happier times.  The play also depicts the troubled parts in the hero’s life and eventually he dies instantaneously because of the suffering and calamity.  There is the feeling of

The definition of tragedy in Webster’s dictionary is, "drama of elevated theme and diction and with unhappy ending; sad event, serious accident, calamity."  However, the application of this terminology in Shakespearean Tragedy is more expressive.  Tragedy does not only mean death or calamity, but in fact, it refers to a series of steps that leads to the downfall of the tragic hero and eventually to his tragic death.  Lear, the main character in King Lear was affirmed as the tragic

King Lear as an Arthur Miller Tragedy        If we seek to justify Shakespeare's King Lear as a tragedy by applying Arthur Miller's theory of tragedy and the tragic hero, then we might find Lear is not a great tragedy, and the character Lear is hardly passable for a tragic hero. However, if we take Aristotle's theory of tragedy to examine this play, it would fit much more neatly and easily. This is not because Aristotle prescribes using nobility for the subject of a tragedy, but, more importantly