Trinculo

and make Caliban and Trinculo his royal servants. During the play, Trinculo repeatedly creates chaos while he is around Caliban. Trinculo says "Lord, quoth he? That monster should be such a natural!" Caliban then follows saying "Bute him to death, I prithee." Since Trinculo and Caliban hate each other, they constantly fuss which causes them to get distracted from what they are trying to achieve. Caliban will only listen to his "lord" (3:2) Stefano, and sometimes blames Trinculo for insulting him. Stefano

murder elicit false beliefs of superiority and leadership in both analogous hierarchies in “The Tempest”. Especially in Caliban’s clan with characters, Trinculo and Stephano. Shakespeare, in fact, eludes to this by using atypical speech patterns, with the witch’s son, Caliban. Caliban speaks in prose when he is conspiring against Prospero with Trinculo and Stephano but speaks in blank verse when conversing with Prospero or talking about the island’s beauty. This contrast in events is a result of Shakespeare’s

Caliban's first encounters with Stephano and Trinculo, and finally the way in which both plays have different endings. In both A Tempest and The Tempest Prospero arrives on an island with his daughter, Miranda. The island has been previously inhabited by Caliban and Ariel, who are thus the natives of the island (a point which Césaire focuses on much more than Shakespeare does) but it does not take Prospero long to gain power and ultimate superiority

Stephano and Trinculo are highly under the influence of alcohol “these thing be fine, and if nit be spirits. That’s a brave god, and bears celestial liquor. I will kneels to him” Caliban is prepare to kneel to Stephano even though Caliban has never taken alcohol and doesn’t

At the beginning of Act III, Scene ii, Caliban, Stephano, and Trinculo are wandering part of the island while drinking. Stephano refers to Caliban as his “Servant Monster”, and he assumes the title of the Lord of the Island in the midst of their drinking (III.ii.3). At the beginning of this scene it appears that Stephano thinks he has some type of power because he claims to Caliban that he will make him his lieutenant on the island; he says, “Thou shalt be my lieutenant, monster, or my standard.”

Prospero’s daughter. In the second scene of act two the readers encounter Caliban, Trinculo, and Stephano for a bit of comic relief after the tension that was brought forth in scene one. There is a storm and Caliban see no shelter around him so he decides to take shelter under his cape. Then Trinculo enters and the only shelter he see is a cape and he decides to join Caliban under it. Caliban believes that Trinculo is a spirit

humanity is overall interrogated in the play due to the misjudgement others give him because of him appearance. Throughout the play, Caliban is characterized as a monster, during Act 2 Scene 2 Trinculo and Stephano doubt Caliban’s humanity due to his animalistic features. Firstly, as soon as he notices him Trinculo instantly questions Caliban’s

Prospero’s brother, Antonio. At first, Caliban and Prospero was treating each other like they were equals, Prospero taught Caliban how to speak and Caliban taught Prospero everything about the island. As he is fetching wood for Prospero, he sees Trinculo and believes he is a fairy from Prospero. Caliban believes that Prospero has sent out fairies to pinch Caliban for him to work faster so he says “...”(pg). Caliban thinks the fairy will pinch him because he has felt continuous pinching when he tried

wealth from Prospero’s linens that they fell into a trap. Loss of power can also be interpreted as a loss of people’s ability to control their own mind. Even though Trinculo and Stephano believed themselves to be mentally superior to Caliban, they allowed him and Prospero to influence their actions. Caliban purposefully demeaned Trinculo and praised Stephano in order to provoke their inferiority complexes. Since both of these men came from menial backgrounds they were immediately distracted by praise

In Taymor’s movie adaptation of The Tempest, Ariel appears to the three men of sin whom are Alonso, Sebastian, and Antonio. Just before Ariel appears, the music gets louder and deeper. This indicates that manners are getting serious and the mood of the characters is tense. Ariel appears as the harpy which is a dark omen like creature. The harpy has wings and speaks with a deep and intimating voice. Ariel charges the men of their sin of throwing Prospera and Miranda off Milan. The sense that the three