Trumpet

Berdiev, V. 17 Studies for Trumpet. This etude book by Berdiev is a collection of 17 etudes that can be used for intermediate to advanced trumpet players. This book covers a wide variety of musical styles and techniques ranging from complex rhythms, articulation, dynamics, range, and different key signatures. Due to its interchanging styles between technical and lyrical phrasing, this book can be used in a plethora of ways to advance a trumpet player’s technical ability. Boehme, O. 24 Melodic Studies

Bassist Michael Bisio and trumpeter Kirk Knuffke, two relevant contributors for the improvised jazz panorama, got together at Park West Studios in Brooklyn to shape the six tunes that would be included in Row For William O. Bisio dedicates this album to William O. Smith (better known as Bill Smith), a clarinetist, composer, and educator who occasionally recorded with Dave Brubeck and had a hand in Shelly Manne’s Concerto for Clarinet & Combo. The constructive duo opened with one of the honoree’s

chairs with stands, and also grey colored carpet on the ground. There’s over 200 vital white closed lockers in one room! Cases, binders, and books one of each in each of the 200 lockers. Each case has an instrument, mouthpiece, or reed. I can see Trumpets, French horns, Tubas, Trombones, Flutes, Bassoons, Clarinets, and Oboes,” I say quickly. “That sounds excise but what’s it sounds like

orchestra played 13 different pieces. With the exception of Jewel Woods’ entrance on vocals for two songs, the makeup of the chamber orchestra did not change throughout the concert. As a result, the cello, clarinet, drums, piano, trombone, and trumpet remained vital parts of each song throughout the concert. Armstrong and his All Stars quickly began their first song, “Sleepy Time Down South,” before formally introducing themselves. This song allowed the audience to prepare for the concert as

in the Super Bowl, in 1968 grandpa wanted to become a better trumpet player. He hopped to have a starring role in his band’s upcoming performance for the president of Liberia. He talked to his instructor to ask how he can get better and play a starring role of trumpet in front of William T. Robert. His instructor said if you want to play as the star trumpet player you have to be the best trumpet player in the band. There was 25 trumpet players and they all had unique skills that nobody else had.

saxophone, three trumpets, two trombones, a guitar, a piano, a bass, and drums, as observed from the written sheet music. The piece is different from others in multiple ways, perhaps the most noticeable being the piano solo played by Mary Lou Williams, the multiple solos played by members of the brass instrument section, very quick but effective transitions, and the overall swing groove of the music. There is also a walking bass used at the bridge, and a very intriguing trumpet lead of the brass

HISTORICAL AND REHEARSAL NOTES This is one of Thad Jones’ most iconic arrangements. Don’t Git Sassy recalls the energetic, hand-clapping tradition of a church camp meeting, and the energy level stays strong throughout. This new edition of Thad’s work is taken directly from the original ink parts Thad handed out to the band in 1967, and from Thad’s original pencil score now housed in the Thad Jones Archive at William Paterson University, where Thad served as Founding Director of Jazz Studies. The

I was always particularly early getting to class, but today I was running a little late. I shifted my backpack 's weight nervously from shoulder to shoulder as I hurriedly made my way down the fifth grade hallway. I skipped into the class room with just enough time to take my seat as the teacher began to take roll. The teacher managed to get the room quiet enough to tell us that we were expecting a guest speaker that morning. "Perfect timing! Here he is now." As she finished telling us his name he

me to become a better musician and to continue cultivating my passion. I can already see myself playing along with the Big Red Band and immersing myself in the quirky culture of Da ‘Bones as they make fun of the trumpets and their hubris—and be ridiculed for the same reason as the trumpets retort “Trombones Suck.” Through such a group, I dream of joining a family with the same interests and intellectual goals I strive for within the large and diverse environment of

Maynard Ferguson, jazz legend, internationally renowned big band leader and one of the world’s greatest trumpet players with his Big Bop Nouveau Band. He draws upon bebop, straight-ahead jazz, funk, swing, classical and contemporary music to create a fresh sound within the classic big band form. (cite from Jazz Alley web site) Because me being Korean, I personally