Urban fantasy

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    Fantasy fiction in general has become quite popular in the 20th century and continuing onto the 21st as the entire genre of science fiction has no limits on imagination and creativity compared to other genres of literature such as modernism and post modernism. Fantasy fiction offers an escape from this fast ever-growing, dangerous, and uncontrollable chaotic planet we live on. Science fiction often offers a more structured alternative utopia or dystopia. “The One Who Walked Away from Omelas” by Ursula

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    a character that is living in a fantasy, Mrs. King and the father, respectively. The characters’ fantasies affect themselves and the people around them, either helping or harming them. Fantasy can be helpful to the ones who are living in it because of the ignorance to reality and the control over their life that it brings, but fantasy can be harmful to the ones around them as well because of how taxing it can be to keep up with. However, eventually, the fantasies wear out, and the truth always begins

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    myth in order to provide readers with an understandable fantasy realm, while also providing a look at how these aspects can mesh together in a unique and fresh way. His use of

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    Fantasy theme came from the concept of group communication, but then Ernest Bormann developed the theme to provide insight into how worldviews are shared. In the book there are two worldviews, but the worldviews have to come together. The first worldview is Christians’ and the second worldview is Anastasias’ and both of them have to be able to find a way to share their worldviews. The first assumption is communication creates reality, which makes it seem real. In the book, Christian takes care

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    Unoriginal Archetypes

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    the ones you are currently reading about. The fantasy novel in you hands continues down the path of predictability. The cliches are getting old, and you’re considering abandoning the book at the foot of a library, much like a parent who leaves unwanted children at the foot of an orphanage or church. The fantasy genre is a genre that gives the writer a lot of potential, but writers today aren’t utilizing the tools that the genre grants them. Fantasy allows writers to handcraft unique worlds. Worlds

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    Fantasy is the ability to imagine a world that is different from real life, a world without imagination would just be dull and gray. The classic fantasy The Wonderful Wizard of Oz is a story written by L. Frank Baum. Frank Baum lived in the United States through the late 1800s and early 1900s experiencing the extreme growth period in America at the time. Viewing the story through Marxist criticism allows readers to read between the lines of Frank Baum and distinguish hints of America’s issues at

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    Fantasy is a genre rife with vivid worldbuilding, whether an island paradise or a fantastical medieval-inspired land of dragons. Worldbuilding is so important to the genre because fantasy provides an escape from reality, bending the laws of nature to create somewhere the reader would want to escape to. This is especially prevalent in children’s literature, allowing children to leave behind the boring real world for an exciting adventure led by someone they can identify with, a child like themselves

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    from a juvenile fantasy literature novel? Many times both the fairy tale and the novel contain similar elements that make up a fairy tale, but why are they categorized differently? Is it the length of the novel compared to the fairy tale? Or is it something else? According to Crago, “A fairy tale is a narrative form which represents a society’s collective concerns with some aspect of ‘growing up,’ and it explores these concerns at the level of magical thought” (176). The juvenile fantasy literature novel

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    definitions of fantasy and realism genres must be noted. Timmerman (1983) describes the fantasy genre as “offering a parallel reality which gives us a renewed awareness of what we already know” – for example, “A child may well believe a report that there are ogres in the next country, while many grown-up persons find it easy to believe of another country”. (JRR Tolkien). However, realism is defined by childliterature.net as “depicting the world as it is, not as it could be”, with an absence of fantasy, magic

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    A Streetcar Named Desire

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    Everyone has fantasies but most know that is not the true reality. Defining dreams and reality are two different things. Some want to escape the real world and make their own dreams become true, due to seeking happiness. The author portrays Blanche, Stella, and Stanley as characters that are fixated on what they want to believe is the truth; however, the reason being is because they do not want face their fears. Stella and Blanche both desire to make their past non-existent and live in a perfect

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