Venus of Urbino

Venus of Urbino demonstrates a beautiful, young woman, Venus, lying nude on what appears to be a reclined couch or bed. However, the woman illustrated means much more than merely a nude woman. There have been many interpretations of this beautiful woman over the years but many art historians agree that the Venus of Urbino has to do unambiguously with the male sexual desire for the female nude body. Tiziano Vecellio, also documented, as Titian was an Italian painter. He was born sometime around 1470-1480

painted and sculptured from the viewpoint of men, often nude, passive, waiting and beautiful. These reclining nudes were intended as objects of desire painted from, and for a male perspective. For example, The Venus of Urbino, 1538, (Figure 1), by Titian was created for the Duke of Urbino Guidobaldo II Della Rovere, as a present for his young wife, Giulia Varano. This artwork was purposefully erotic, as a reminder to the young woman of her marital obligations, and role in society. The woman pictured

Venus of Urbino is an art portrait used by Titian to clearly exercise female eroticism. Art is more than just imaginary or symbolic drawings and paintings as depicted by the work of Titian, “Venus of Urbino”. Titian completed Venus of Urbino is the year 1538. It was for Urbino Guidobaldo II Della Rovere’s Duke. Titian derived Venus of Urbino from Giorgione’s work, the “Sleeping Venus” which was painted in 1510. The Venus of Urbino is perpetration of female eroticism. After visiting earlier works

The paintings Venus of Urbino by Titian and The Nightmare by Henry Fuseli both have a prostrate woman as the focus of the piece. The women in the pieces are both seen in overtly sexual poses, which has allowed for critics over the centuries to call both pieces explicit. The idea of female sexuality that is shown in the two pieces portrays dissenting opinions of the concept. These different opinions seem to reflect the popular ideas and art movements of the era in which they were created. While Titian

the female body. Venus of Urbino by Titian and Olympia by Edouard Manet are great representation that illustrates the difference in the portrayer of female nude. Hence, both artworks are intriguing as it reflects the importance of cultural reformation between both periods. Titian painted Venus of Urbino during the Venetian Renaissance in 1538, measuring 46” by 64” in the medium of oil painting ("Titian, Venus Of Urbino"). Venus of Urbino was commissioned by the Duke of Urbino in conjunction with

For centuries, sexuality and nude figures has been a face of art. Venus of Urbino by Titian and Olympia by Édouard Manet represents the faces of female domination and their ability to lure any men. In this essay we shall talk about the two artists, Manet and Titian, and also compare and contrast between the two painting based on their cultural and structural significance. Manet was born in 1832 in Paris. He was considered as the founder of modern art and a master analyst of visual arts. His artworks

Venus of Urbino and Olympia are oil paintings from two different schools of painting, but the world is often used to compare these two paintings. Venus of Urbino is an oil painting created by the Italian Renaissance painter, Titian, in 1538. Titian was a representative painter of the Venetian painting school in the late Renaissance, one of the most talented painters in Italy. He is good at portraits, landscapes, myths and religious themes. He was a student of Giovanni Bellini. Under the auspices

This artwork is an oil painting called ‘Venus of Urbino’ by Titian Vecellio and painted in 1538. This painting was commissioned by Guidobaldo Rovere and Duke of Urbino to celebrate his marriage in 1534. It exemplifies the Venetian Renaissance style. It also contains use of colorito (color and light), emphasis on mood, and sensual erotic subject matter. In this artwork, there was a long standing debate on who the woman in the painting actually is. Since there is no concrete written evidence of Titian’s

Venus of Urbino is a 1538 oil painting by a man named Titan. It is 3’11” x 5’5” and it was made during the Renaissance period. It is located in the Uffizi Gallery in Florence, Italy. The painting depicts a nude woman, who can be identified with the goddess Venus, laying down on a couch in a Renaissance palace. Titan finished up a painting that was left unfinished by Giorgine of a nude Venus laying down, sleeping on a hill. In his painting, he paints her laying on a couch, gazed, interacting fully

at his piece, we can see Olympias facial features are not perfect, as opposed to Venus. Olympia is looking directly at her viewer(s), showing that she is confronting us as we look at her. Venus is known to look away in her pieces, giving a more harmonic and sensual aspect. The viewers of Venus do not have any discourage from not looking, because the piece is intentionally signaling the viewers to look, by having Venus look away. This also gives viewers a “reason” to admire the piece… quote on quote