Viewers

organise and generate a good study which helps the photojournalistic community (photographer) to serve its viewers the way the viewer wants to see images in news material when they are published or broadcasted. Ansel Easton Adams one of America’s greatest landscape photographer and environmentalist mentioned that “There are always two people in every picture: the photographer and the viewer” (Stocks, 2014). 2.1 BRIEF HISTORY OF PHOTOJOURNALISM Photojournalism is a specific kind of journalism that

The New American Sports Viewer Bridget Fieler According to Jim Morrison, “Whoever controls the media, controls the mind.” In sports, today, that means that ESPN and other sports channels control which sports and teams you see on TV. And you won’t even realize what you’re missing out on. The past two FIFA World Cups prove that there is a viewership for soccer in America, yet ESPN, Fox Sports 1, and NBC Sports Network still chose to broadcast English Premier League games over the stateside Major

In 2013 a Cheerios commercial aired on television that caused an uproar from viewers. Usually one would think a cereal commercial would not receive such negative feedback. The commercial opens up with a little girl asking her mother if Cheerios are good for your heart. The mother replies with a yes, which highlights the Cheerios branding; Cheerios are ‘heart-healthy.’ The little girl then proceeds to innocently take the box and wander into the living room, where her father is sleeping. The next scene

contrasting news stations and what is said, watching the same news station becomes a habit. The problem is, bias viewers are too lazy to even seek another opinion. In a video, “Are You A Biased TV Viewer,” by Bernie Goldberg who describes how there are many different kinds of viewers that watch what they believe in. For example, liberal viewers will watch liberal news and conservative viewers will watch conservative news. Goldberg has a very validated point, society is only going to watch news that

How the Viewer is the Witness in Night and Fog Alain Resnais’ “Night and Fog” is a Holocaust documentary shot in 1955 that served as a lens into the hellish landscape of the Holocaust. It was shot with footage of the Holocaust combined with a voiceover narration that provides a detailed look into the horrors of the Holocaust. The film proved to be a success but it struggled through censorship due to its inherent gruesome nature. This is because the film uses various techniques in such a way that

growing theme of violence, fighting to the death, and gore have been becoming more popular and expected in video games leading to parents and the government to step in to set the boundaries of what type of video games are and are not safe for young viewers. The first uproar in the United States about violent video games was in 1976, over gaming company Exidy’s Death Race, an 8-bit arcade game in which a player’s car runs over stick figures, turning them into tombstones (Suddath). Death Race caused the

Racial Bias in the Media Influences Viewers Television reaches more consumers for more time than any other source of media. Its use for entertainment or news is overly influential, persuasive, and authoritative. Through these characteristics, any type of information or message influences its massive audience. Because of this, what Americans see – or fail to see- has a powerful impact on how they view other races. Young children are especially vulnerable to the information they are exposed to. TV

labels, bleeping, and gender on viewers' perceptions and enjoyment of a docu-drama. We also examined the individual difference variable of verbal aggressiveness to test for possible interactions. Overall, the warning labels increased enjoyment of the program containing profanity among college students. Bleeping had no effect on either program liking or perceptions of realism; however, bleeping decreased perceptions of the program's offensiveness, and increased viewers' perceptions of profanity frequently

In The Graduate, the director, Mike Nichols’, emphasizes the mysterious tone of the film with his overuse of lighting, camera angles, and shadows. The uncertainty Benjamin Braddock feels can be seen right from the start as he stands on the moving sidewalk at the airport. He is positioned at the right hand side of the screen moving forward. You can see a large area to the left where the credits appear. I think the director chose this technique for the opening credits to symbolize how this graduate

The Viewer The viewer as always will watch the news to be inform and get caught up with what's going on around the world. Validation does not mean to agree or support someone else's opinion, viewers tend to watch news that might get their attention and goes with what believe it's right. What viewers want is just to hear what they want to hear, feel that they are doing what it s right. The news does their job to inform the people by showing one side of the story and not the other. There are times