Violet Beauregarde

him a Wonka bar, but are disappointed when there is no Golden Ticket. As he eats, they hear of the discovery of the third Golden Ticket, in Hollywood by wannabe gum-chewing celebrity, Violet Beauregarde. She and her father brag about how they will now be even more famous because of the Golden Ticket and how Violet is going to be the "biggest" diva ever ("The Double Bubble Duchess"). Shortly after, the TV announces another Golden Ticket discovery, Mike Teavee and the Teavee family. Mike is a violent

movie (Charlie's family was very nice). Charlie and his grandfather were the only nice ones that made it into the factory. The children and their parents who made it into the factory were usually all snobs, rude, or annoying (Violet Beauregarde and her mother Mrs. Beauregarde). All of these children put together in a group

Literary devices are used in stories to create a mood. These devices are used as techniques to add to the overall energy of the story. One cinematic technique used in movies is music. Music has been used in movies since the beginning of motion pictures. Music can create anticipation, excitement, fear, etcetera. Music enhances the emotions of the film. Tim Burton is known for his dark movies. In Burton’s movies, he uses church organs and other instruments to create a haunting mood throughout his

In the sixth chapter of Thomas C. Foster’s How to Read Literature Like a Professor, Foster examines the Bible and its importance throughout stories, poetry and film. The Bible is one of the most commonly known pieces of literature and is even “nonsectarian” in Foster’s eyes (44). Because stories from the Bible are so well known, the Bible is a tremendously easy for authors to reference when constructing a new composition. Especially “prior to sometime in the middle of the twentieth century” writers

along a rail in time with the car Burton created a sense of being in the moment and understanding the oddity of the situation. Tracking was also used in Charlie and The Chocolate factory when Violet Beauregarde turned into a human blueberry because the Oompa Loompas followed along with their song in time with Violet being rolled away (00:00:00-00:00:00). To enhance the perspective of the characters, Tim Burton uses a low angle and tracking system to keep the camera in line with Oompa Loompas’ short stature

the mysterious was how were they going to turn him to normal or weird with his size. The last song is Violet Beauregarde song that makes her look like a blueberry even the color. So Violet was like she is not afraid so shestarted to chew the gum to thethird corsemeal.so she had sterted to turn like blueberry and thats when the song started the song. The the mischievous with this scene is that Violet never hed his warning and turned violent like blueberry but it wasn't just that it was that Willy

misbehavior, Gloop was sucked into the pipe, where he was temporarily stuck. Later on, he was able to travel to the ‘Fudge Room’ where he is nearly turned into a chocolate covered strawberry, displaying the consequence of gluttony. Another sinful child is Violet

Childhood, as we all know, is the state or period of being a child; the early period in the development of something (Merriam-Webster). The movie Willy Wonka & the Chocolate Factory (1971) illustrates five different children with each having different behavior, and they have one thing in common they are the only child in their family. These children are in the middle childhood, primary school age, around age seven or eight. What makes them different from each other is interesting. It allows the viewers

world on a craze. So as the winners are starting to be announced we see different types of kids winning the one of a kind prize. The first winner, Augustus Gloop, an avid eater; the second winner Veruca Salt, a spoiled brat; the third winner was Violet Beauregarde, a gum chewing girl; the fourth winner Mike Teevee, a boy who is addicted to television; finally there is Charile, the poor disadvantaged one of the group. And to each of the winners a man by the name of Mr. Slugworth, talks to each of them

Tim Burton is a director who takes pride into his precious work. Burton’s films, Charlie and the Chocolate Factory, Edward Scissorhands, and Alice in Wonderland, use cinematic techniques that show his personal style. His style is joyful as in Charlie and the Chocolate Factory when Charlie wins the ticket, funny like Edward Scissorhands in the scene when Edward is greeted in the new town and he does not know how to act normal for the people, and a bit unusual in Alice in Wonderland when Alice had