Webber

The Phantom fights with Raoul on Christine and he gives his only love to Raoul because he notices Christine, and Raoul love each other, and disappeared to enjoy their happiness. In 2004, Joel Schumacher released the movie musical of Andrew Lloyd Webber also called The Phantom of the

Archetypal Characters and Symbols in The Phantom of the Opera          The story of The Phantom of the Opera appeals to many types of personalities and people of all ages because of its archetypal characters and patterns.  Carl Jung theorized that we are born with innate tendencies to perceive things a certain way:  "a kind of readiness to reproduce over and over again the same or similar mythical ideas . . ."1.  These repeated ideas are archetypes.  The basic legend of The Phantom takes place

opera Jesus Christ Superstar was written by Tim Rice, then 25-year-old lyricist and Andrew Lloyd-Webber, then 21-year-old composer. The rock opera portrays the last seven days of the life of Jesus as it was seen through the Judas’ eyes. This piece of art is considered as a fairly radical rock hybrid concerning the final days of the life of Jesus. This was the third musical that had been written by Webber and Rice. His long fascination with Judas Iscariot made him perceive Judas as a dear friend of

In the past few weeks in class I have had the pleasure of experiencing two different versions of The Phantom of the Opera. I watched the stage version, written by Andrew Lloyd Webber and directed by Nick Morris and Laurence Connor, which was a filmed version of the live stage performance. I also watched the 2004 Hollywood version directed and written by Joel Schumacher. This film is a Hollywood take on the classic theatre production. I have enjoyed and disliked different aspects of the musical and

There are many ways to tell a story. Throughout my life I’ve find this to be true. As a storyteller myself, I always try my best to utilize the many different approaches to telling a story. Whether through music, books, poetry, drawings, films, etc. I’ve tried them all. I’ve always been fascinated by other people's stories. I will always try to retell them myself. Most of the time I usually just talk about them. But once in awhile, I like to use what I think is the most powerful form of storytelling

“THE PHANTOM OF THE OPERA” BY GASTON LEROUX The novel "The Phantom of the Opera", by the writer and French researcher Gaston Leroux, is a fabulous work that presents itself to one of the most beautiful characters of contemporary literature, along with "the Hunchback of Notre Dame" by Victor Hugo. The character of Erik is an excellent sample of a social plunder. The world has given him back since he was born because he was deformed and had to learn to live with it in the darkness of the basement of

Broadway was one of the first forms of entertainment. Before there were television programs, or movies, there was Broadway. Broadway originated in New York in 1750, when actor-manager Walter Murray built a theatre company at the Theatre on Nassau Street. A musical would show about once every weekend. The shows were very male based, and would commonly show a relationship between young boys and their fathers. Women were slowly integrated into Broadway, and as society changed its point of view on women

the viewer.      T.S. Eliot’s poems from his “Old Possum’s Book Of Practical Cats”, not only inspired the play “Cats”, but are also used as the lyrics for all of the songs in the play. The music was written by Andrew Lloyd Webber and T.S. Eliot’s poems are sung to the adopted tunes with very minor adjustments. “Cats” is the longest-running show on

provider. On the contrary the other jargon “urban areas “refers to areas with high population density and vast human built features compare to the areas astounding it and the last jargon “wicked problems”, according to Horst W.J. Rittel and Melvin M. Webber, professors of design and urban planning at the University of California at Berkeley, it refers to the problem conventional method fail to resolve while they may exacerbate the situation by undesirable consequences. In recent years, the concept of

The head of drama, Canadian Sydney Newman, was mainly responsible for developing the programme, with the first format document for the series being written by Newman along with the head of the script department Donald Wilson and staff writer C. E. Webber. Writer Anthony Coburn, story editor David Whitaker and initial producer Verity Lambert also heavily contributed to the development of the series. The programme was originally intended to appeal to a family audience, as an educational programme using