White Rabbit

2016 Analysis of Jefferson Airplane’s “White Rabbit” Title: White Rabbit Artist: Jefferson Airplane Length: 2:31 Album and Track Number: Surrealistic Pillow (Track Number 10) Label: RCA Victor Release Date: February 1st, 1967 First Appearance on Billboard’s Hot 100: June 24th, 1967 (Number 50) Height of Popularity: Number 8 on Billboard’s Hot Hundred (July 29th, 1967) Other Appearances: Number 483 on Rolling Stone’s 500 Greatest Songs of All Time “White Rabbit” is a psychedelic rock song performed

The song “White Rabbit” was created in 1967 by the Jefferson Airplane. It is also one of the first songs to get drug references past radio censors. The overall message of the song is about drug use and anti-war. In the late 1960’s, drug use became popular with young, white Americans, and they began using drugs for fun. The negative image of drugs lessened as drugs became more popular, and drug use became a symbol of protest in a time of political unrest. Some references to drugs in the lyrics are

Walt Disney’s first attempted to produce “Alice in Wonderland” in the 1930’s. Like Alice, he had a dream. Both dreams knew no bounds and discovered that the only thing certain is uncertainty. Alice in Wonderland was the 13th animation that Disney ever produced. Thirteen is thought of as an unlucky number, a symbol of rebellion and lawlessness which suits the context of this novel perfectly, especially considering its initial unpopularity. Why we dream is one of the biggest unanswered questions of

Lewis Carroll’s Alice’s Adventures in Wonderland is a story of a young girl’s journey down the rabbit hole into a fantasy world where there seems to be no logic. Throughout Alice’s Adventures in Wonderland, Alice experiences a variety of bizarre physical changes, causing her to realize she is not only trying to figure out Wonderland but also trying to determine her own identity. After Alice arrives in Wonderland the narrator states, “For this curious child was very fond of pretending to be two people”

In terms of plot, the movie adaptation of Neil Gaiman’s Coraline is extremely true to the source material. It still tells the story of a young girl who grows unappreciative of her real family and finds a magical door in her new home that leads to a better, fantastical version of the family she has now. The creepiness and scary moments are also true to form, with this world being only a copy of the real world, created by the Other Mother in an attempt to trap Coraline forever. The quest to rescue

He took off his cap, revealing a bald head, and took a bow. "Tweedle Dee!" Another man popped up from behind Tweedle Dee. "And Tweedle Dum!" "What happened to Alice?!" "..." "Where is she?!" "..." "That's it! I'm out of here!" "'Out of here'? You're saying it all backwards!" Tweedle Dee said. Tweedle Dum chimed in, "You're supposed to say 'hello, how do you do'." "Or 'it's a lovely day isn't it?'" "That's right, it's manners!" She sighed. "H...Hello...How do you..do?" Tweedle Dum, or

looking to purchase a book for my preschool son’s Easter basket. I wanted to look for a book that would be fitting for an Easter theme, and because he enjoys animals and we have been talking about the upcoming season of spring, I thought Little White Rabbit by Kevin Henkes would be a suitable choice. I was eager to read the reviews to see if this book would be a choice candidate to add to my son’s library and personal preschool teacher library. Using the library data base, Opposing Viewpoints, I was

world without illustrations." Then Madison opened her mouth " Maybe in this world, but in mine they would be nothing but pictures!" Alice's sister muttered "Your world? What nonsense." The girls started to play with the Dinah then suddenly a white rabbit

The Matrix Intertextuality is the relationship between two texts with the same setting or theme. For example The Matrix is just one of many films that use more than one intertextuality in the film. By using intertextuality it helps send messages out that the audience will understand better from the dialogue. In the film The Matrix the main character Neo (Thomas Anderson), finds out that the world he is living in is controlled by false intelligence to hide the truth about the real world. Some references

Part 1: The Shaw festival and the show itself. History of Shaw festival and Doherty and Rand Shaw’s works were only sporadically performed before 1962. This changed when lawyer Brian Doherty offered up the idea of having a theatre company attributed to Shaw the way Stratford was to Shakespeare. The company was created as “A salute to shaw” to help give the town a financial boost. In the year of 1962 Doherty was named both artistic director and producer bring the shows ‘Don Juan in Hell’ and ‘Candida’