Wide Sargasso Sea

Of all their seemingly infinite similarities, Clarissa Dalloway of Virginia Woolf’s Mrs. Dalloway and Antoinette Cosway of Jean Rhys’ Wide Sargasso Sea are most similar in their longing for England. The actual country may be immaterial—for what both women truly yearn for is an escape from their current circumstances. Though several decades separate the lives of the two women, the forces of oppression they face are much the same. From an outsider’s perspective, both Clarissa and Antoinette appear

The Tragedy of Wide Sargasso Sea   In Jean Rhys' novel Wide Sargasso Sea, whether Antoinette Cosway really goes mad in the end is debatable. Nevertheless, it is clear that her life is tragic. The tragedy comes from her numerous pursuits for love and a sense of belonging, and her failure at each and every one of these attempts. As a child Antoinette, is deprived of parental love. Her father is a drunkard and has many mistresses and illegitimate children. According to Daniel Cosway's account

In the novel Wide Sargasso Sea by Jean Rhys, Antoinette Mason’s identity is frequently discussed. Antoinette, the daughter of ex-slave owners and a woman whose life is dictated by mental illness, grows up in the Caribbean as a Creole during the nineteenth century. As a young adult, she is forced into a marriage with a white man from England, an event that ultimately leads Antoinette to her downfall. At the start of the novel, Antoinette and the characters around her are optimistic about their identity

In Jean Rhys’s novel Wide Sargasso Sea, Edward Rochester can be considered as an embodiment of patriarchal and colonial oppression. According to the Oxford English Dictionary, patriarchal means, “relating to, characteristic of, or designating a society or culture in which men tend to be in positions of authority and cultural values and norms are seen as favouring men…” (“Patriarchal”) moreover colonial means “of, belonging to, or relating to a colony…” (“Colonial”). In addition, oppression means

Tyler Perimenis Professor Mathews English 2301W 21 October 2014 Symbolism through Theme Of Jane Eyre and Wide Sargasso Sea “To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be that have tried it,” stated Herman Melville. As implied, without theme, no novel can be considered “mighty” or have any depth. Theme is essential in any work of art. Jane Eyre is a novel by Charlotte Brontë that takes the reader through

Isolation today is significantly different to the isolation that occurred in Jane Eyre and Wide Sargasso Sea. Before, isolation was truthfully isolation, known as “social withdrawal”. Social isolates did not have freedom of any kind (there was no justice); as a result they acquired depression, learning disabilities, attention deficit, difficulty in

God and Religion in Jane Eyre and Wide Sargasso Sea      Jane Eyre, from Charlotte Bronte's Jane Eyre, and Antoinette Mason, from Jean Rhys' Wide Sargasso Sea, both depict very different creeds. While Bronte created Jane with a Christian background, Rhys has birthed Antoinette into a more primitive, confused faith. Analyzing each writer's description of the red room will reveal the religious nature of their characters. In both texts, the rooms are symbolic of church. As Jane is sent to

Love in Jane Eyre and Wide Sargasso Sea      In the passages presented below, both narrators are soliciting affection and love. For Jane, in Jane Eyre by Charlotte Bronte, her mother figure, Aunt Reed, shows absolutely no affection towards her niece. Coldly, Ms. Reed regards Jane only as a bothersome child she was left to raise. Similarly, Antoinette, in Jean Rhys's Wide Sargasso Sea, is raised disregarded and unloved by her mother Annette. Although shunned, Jane and Antoinette both have the

that have been vital for human survival throughout time. Physically, fire can destroy, destabilize and provides an essential resource for humans. Physiologically fire can provide protection, hope, and direction. (thesis) In Jean Rhys’s novel Wide Sargasso Sea fire is the symbol used to represent the motif of trauma. This motif of trauma connects to Rhys’ theme that unless people who suffer trauma eventually learn to cope with it, it will build psychologically and will eventually be released

Gender Differences in in Medea versus Wide Sargasso Sea Stereotypical attributes traditionally associated with women, such as having a propensity to madness, or being irrational, frivolous, dependent, decorative, subordinate, scheming, manipulative, weak, jealous, gossiping, vulnerable and deceitful were common in the times relevant to both works, i.e. Ancient Greece and in the 19th and early 20th Century. Masculine attributes in Euripides' time were more along the lines of being valiant, heroic