Women comedians

Esperanza is an evolving character who changes throughout the book ¨ The house on mango street¨. She gets older, but her feeling toward mangos street makes changes. When she says goodbye to Mango Street She says she's not a part of mango street. She wants to leave mango and never return. Esperanza has a negative view of herself, but in the end she accepts that she is part of Mangos street. A nun went to Esperanza and made her feel about where she lives. She says the nun made her feel like nothing

lives of women during the Renaissance. The article by Kelly focused more on life in the court as well as the romantic, sexual, and political lives, or lack thereof, of women during the Renaissance. The article by MacNeil focused on the life of one woman in particular, Isabella Andreini. MacNeil focused more on the arts side of the Renaissance rather than the court, political, or sexual aspects of women. As stated previously, both articles provided interesting insight into the lives on women during

In Barbara Welter’s “The Cult of True Womanhood,” it is clear that in the 1800’s women were suppose to be nothing if not a mold of societies image. The four virtues that Welter says a “true woman” should have consist of: religion or pity, purity, submission, and domesticity. All four of these virtues lead to women belonging in the house and not outside making big life decisions meant for their husbands. Women were meant to, “raise up a whole generation of Christian Statesmen” (171) and if a woman

Caleigh Snyder unit two ea1 In the two stories Walk Two Moons by Sharon Creech and “The Guest” retold by Uma Krishnaswami they develop a similar theme and that theme is don't judge people by their appearance. In the story Walk Two Moons the theme don't judge people by their appearance in the story Phoebe and Sal judge Mrs. Cadaver just by how she looks they said her wild red hair is creepy and how her name means dead body. One day Sal and phoebe were looking out the window and seen mrs cadaver

As in life, Esperanza’s maturity evolves and grows during the course of the vignettes as she develops and gains new experiences. Throughout The House on Mango Street, maturity is a dominant theme for Esperanza as she goes from a girl who wants a new house purely for superficial reasons, to someone who wants independence by making everything dependent upon how men see her, to someone who wants the independence of her own home and who has accepted Mango Street as a part of her. In the beginning, Esperanza

American society helped lead to the Cult of True Womanhood through the four characteristics piety, purity, domesticity, and submissiveness. The idea of piety was believed by 19th century Americans that women had a particular propensity for religion. Religion was thought to be a good thing in women. The idea of purity was said, that without sexual purity, a woman was no woman. The idea of domesticity was that a woman's place was in the home. Woman's role was to be busy at those morally uplifting tasks

My Untold Story was about Abby Stein, activist, blogger, educator, student and a woman living trans experience who grew up in Brooklyn, NY from an Ultra-Orthodox Jewish community. This Yiddish speaking ultra-orthodox religion has minimal contact with the non-Jewish world and very limited access to technology. Assigned male gender at birth and as a rabbi in this community, Abby married at 18 years old with the marriage producing two children. Abby left her community to explore alternative views and

How often do young women get to meet the people they idolize, the actresses who mold the shape of who they want to be? In the Canby community, the most outstanding woman I have ever met has risen above the bar set by Hollywood celebrities. Abby Marine's spirited leadership, vigorous personality, and contagious determination has emboldened the Women's Choir and countless other girls in the community of Canby High to embrace themselves. As a girl living in a world where women are finally beginning

According to Barbara Wellers women in the nineteenth century were to hold the four cardinal virtues. Piety, purity, submission, and domesticity. Women were believed to be more religious and spiritual than men. Women are pure in heart, mind, and body. They were to be held in “perpetual childhood” where men dictated all their actions and decisions. There was a division between home and work, encountered by industrial revolution. Men went out into the world to earn a living while females were at

Women play a complex role in Robert Orsi’s The Madonna on 115th Street, at some points exercising power and at other points exercising less power than men. In Italian Harlem when describing a “domus,” the woman at the center is the one actually being described. A domus, according to Emmanuel LeRoy Ladurie, “constitute[s] a formidable reservoir of power and counter-power which could hold out with some degree of success against the external powers surrounding it.” Italian women in Harlem had no direct