A Comparative Analysis of Characters in 'Oh Brother, Where Art Thou?', Homer's 'Iliad' and 'Odyssey' and 'The Alchemist'

Brains over brawn, who will win this battle?Homer's tale of Odysseus' adventures in “The Odyssey” show that being intelligent and cunning can be far better than having physical strength. Being physically strong certainly has its advantages, but not in all circumstances. Strength in intelligence shows new meaning of strength. Odysseus is amused with himself when he defeats Polyphemus. His great skills with a bow outweigh the others abilities. Knowledge of the placement of his bed win his beloveds heart.

Time has not become the conqueror for the classical epic poem The Odyssey. For the past 2,500 years it has been turning its pages for many people all around the world, classifying it as the Western literary tradition. Even in the 21st century The Odyssey is still depicting its prominence when the film O Brother, Where Art Thou was directed in 2000 by loosely portraying the epic. The Coen Brothers’ film O Brother, Where Art Thou mirrors themes, motifs, and symbols from Homer’s epic poem The Odyssey. Both creative works recount the twists and turns of a man’s journey home. But was it a relevant successful relation between the two? I tend to think so. The movie O Brother, Where

According to the dictionary, an archetype is “the original pattern or model from which all things are the same kind are copied or on which they are based; a model or first form; prototype.” Archetypes are the basic building blocks of any story that is told whether it’s an epic fantasy novel or an intense autobiography about some white guy from 100 years ago. An archetype can be any type of character such as a jester, hero, or a princess. However, archetypes can also be experiences like coming of age. Feelings are also a type of archetype like fear or joy. In the books The Alchemist by Paulo Coelho and The Odyssey by Homer some of these archetypes are shown through Fatima, the Princess (damsel in distress), Calypso, the Temptress, the Alchemist, the Sage, and Odysseus and Santiago, the Flawed Heroes.

“As is the generation of leaves, so is that of humanity. The wind scatters the leaves on the ground, but the live timber burgeons with leaves again in the season of spring returning. So one generation of men will grow while another dies” (6.146-50)

In the Epic, “The Odyssey", spoken by Homer, conveys a heroic tale of an epic hero named, Odysseus, who faces many challenges as he sails to get home. One of the tasks Odysseus faces is, "The Sirens", who challenge Odysseus 's will power. Another challenge Odysseus encounters is, “The Cyclops", who torments and slaughters some of Odysseus 's men due to his curiosity. One of the hardest threats he had to confront was, “The Land of Dead" which tested his self-restraint, and revealed his human weaknesses of sorrow. The Epic Hero, Odysseus, struggles with many challenges such as, the taunting Sirens, the brutish and cruel Cyclops, and one of the arduous territories Odysseus has ever crossed, The Land of the Dead.

The film O Brother, Where Art Thou? is a reinterpretation of the epic poem The Odyssey. The Coen brothers, writers and directors of the film, did not over analyze their representation. “It just sort of occurred to us after we’d gotten into it somewhat that it was a story about someone going home, and sort of episodic in nature, and it kind of evolved into that,” says Joel Coen in Blood Siblings, “It’s very loosely and very sort of unseriously based on The Odyssey” (Woods 32). O Brother, Where Art Thou? contains ideas from The Odyssey for the sake of modernization and entertainment of an audience that comprehends the allusions to the epic. The Coen brothers utilize elements of Homer’s The Odyssey to improve and to give direction to O

Among the plethora of archetypes that present themselves in Homer’s The Odyssey and the film O Brother, Where Art Thou? is the character of the Blind Prophet. This character is an older man who has the gift of foresight, yet lacks the gift of physical sight. In the ancient epic poem, the hero Odysseus travels to the Underworld during his time on Circe’s isle to consult the blind seer Tiresias. In the film, Ulysses Everett and his hunting group of companions encounter a nameless blind soothsayer upon the railroad tracks after they first escape incarceration.Tiresias warns Odysseus of the trials ahead on his journey, including the Sirens and the monstrous Scylla, giving advice on how to best surpass them. The film’s blind seer describes a “long

In the “Odyssey”, Odysseus goes through obstacles throughout the book that a normal man couldn’t subside. One example is in book 9, his main obstacle that he is trying to face is to escape from being held hostage in a cave by a Cyclops better known as Polyphemus. Odysseus is a archetypal hero, he is also a role model, with an ambition to get to his homeland Ithaca. He goes through resisting temptation and using his intellect and physical strength to get him there, no matter the obstacle nor the negative flaws that he faces. Odysseus put himself and his men in that situation by being curious and wanting to know what kind of land his ship and the winds led him to. This was selfish of him because it cost him some of his men, but a leader and hero has to play that role and some lives will be dealt with on the way. Odysseus says, “The rest of you will stay here while I go with my ship and crew on reconnaissance. I want to find out what those men are like, Wild savages with no sense of right or wrong Or hospitable folk who fear the gods” (Homer 429). Saying this quote alone makes Odysseus a humble man due to the fact that not even a piece of land is going to slow him down on his journey back home.

In The Alchemist and The Odyssey, many epic characteristics are displayed. They influence the journey immensely. Characteristics such as supernatural, fate of a group of people, and heroic adventure are very similar in both stories.

The Odyssey served as a genesis of character archetypes in sorts, it introduces some of the most common forms of characters. In almost any book, movie or story you can find evidence of this with obvious parallels in protagonists, antagonists and side characters. The first one I saw was Percy Jackson of “The Lightning Thief” to Odysseus. Characters both act as the hero on a quest/race against time.

In Homer’s epic poem, The Odyssey, certain characters are granted with the ability to make decisions for themselves, while others must deal with external factors, whether it be fate or divine intervention, that predispose their lives. Similarly, women are predisposed with the inability to make choices for themselves while men are born with the right to uphold power and enforce control over the female gender. Contrary to these gender stereotypes concerning power in a Homeric world, Homer instills Penelope with complete control, while leaving Odysseus with none. It is this distribution of control in Penelope that enables Odysseus to complete his nostos and re-identify himself, therefore pushing the boundaries of gender norms.

The term “foil” is a “character who contrasts with the protagonist in ways that bring out certain of his or her moral, emotional or intellectual qualities,” as defined by Sharon Hamilton (143). Achilles is the main hero of the “The Iliad”, a warrior who is angry and excluded. The contrasting and secondary hero is Hector. He is also a warrior and upcoming King of Troy who fights courageously for Troy. In his epic poem, “The Iliad,” Homer uses Hector as a foil to Achilles to emphasis their different qualities by comparing their emotions and actions.

“This is the mark of a really admirable man: steadfastness in the face of trouble.” (Beethoven). The Odyssey, a great epic by Homer, tells us the story of Odysseus and his adventures. Its characters, their problems, obstacles and their morals weave their way real life. Odysseus is the main character.

This is highly evident in the work of psychologist Carl Jung, who developed the theory of archetypes. “The fundamental quality of the archetype, as Jung conceived it, is that it is primordial, a preconscious, instinctual expression of man’s basic nature […] The archetype is universal; it is generated by man’s psyche regardless of time or place” (“Archetypal Criticism” 46). Jung’s archetypes (repeating emblems in stories) are based on the biological instinct of human beings. He attributes an important and universal part of literature to an expression of innate needs wired into the minds of all. The patterns of storytelling entails that it is a necessary portrayal of wide-reaching psychological

The Iliad and Odyssey present different ideals of women, and the goddesses, who are presented as ideal women, differ between the two epics. The difference in roles is largely dependent on power, and relations to men, as well as sexual desirability and activity.