A Comparison of Joan Gilling and Esther Greenwoods in Sylvia Plath's The Bell Jar

Mostly everyone is aware of Mrs. Esther's mental condition but they're not sympathetic towards her. They labeled her as a "certified nut" because she preaches at the ocean waves on the beach. Still, Peter decides to get to know her better that he

Michael and Aunt Esther struggle with getting along. In the beginning, Michael and Aunt Esther start to fight. They yell back and forth at each other. In paragraph number five, Aunt Esther yelled “You hate

A woman’s virginity was considered to be precious as pureness was really important for a girl. Women were only allowed to have sex after marriage; whereas men could have sex before marriage. According to Esther, her virginity is a big factor that is weighing her down. The conflict between losing her virginity before marriage or after marriage causes her to become confused about what would

Esther admires Jaycee and the fact that she “had brains…” (p. 5). However just as soon as she starts to realise this she is able to find faults in Jaycee and her “pug-ugly look…” (p. 5). Esther is very conflicted, she feels distant from the ideal women as she cannot do any of the things that she should be able to do but when she is given another option she distances herself from this and clings to old fashioned values (Smith, 2010). She both can’t do and doesn’t want to do what is traditional yet she doesn’t want to do what is new. Esther is stuck in the middle in a time where middle ground wasn’t an option. This lack of middle ground is emphasised in (Smith, 2010) which illustrates that society, as represented by the magazines at the time, often depicted women as “good” or “bad” there was no room for a wider realm of

This is what society saw as their ‘mental illness,’ but the real suffering they experienced is reflected the same way their mentalities are. Esther’s breakdown, for example, is “precipitated by the discovery of an inner deathliness concealed under the glossy surface of New York and her own compulsive drive to achievement” (Harris). The process of this is lengthy, whereas with Sylvia it seems to happen all at once, which is the only difference between them. Plath’s discovery of her inner deathliness being concealed under a perfect New York life happened in May of 1953, where she wrote “New York: Pain, parties, work… Carol vomiting outside the door all over the floor- and interviews for TV shows, and competition, and beautiful models…” (Hughes 87). She began to realize how her high expectations had ruined her trip, and how her mental illness was feeding off of the life she was living, which, like Esther, causes her to go back home in July more depressed than when she left.

The Bell Jar, a coming of age, semi-autobiographical novel, by Sylvia Plath follows the life of a troubled young girl named Esther Greenwood, her slow descent into mental illness and then her subsequent recovery. The second half of the book details Esther's mental breakdown, her incarceration and stumbling recovery whilst the first half uncovers the protagonists, narrators day to day struggles which go on to contribute to her eventual breakdown . Throughout the novel, the reader comes to understand that Esther feels there are few choices; in character a woman must be either the virgin or the whore, both of which are demonstrated by Esther's friends, Betsy and Doreen. This presents one of the key internal conflicts the protagonist, Esther battles.

Esther refuses to allow society to control her life. Esther has a completely different approach to life than the rest of her peers do. The average woman during this time is supposed to be happy and full of joy. Esther, on the other hand, attempts to repress her natural gloom, cynicism, and dark humor. This eventually becomes too hard for her and causes her emotions to go crazy. She begins to have ideas

The events in New York introduce us to the beginning of Esther’s psychological transformation. The story first inaugurates with the

One’s identity is the most important lesson to be learned. It is vital part of life knowing who you are in order to live a fulfilled life. Without knowing your identity, and the way you perceive life, it is difficult for others to understand you, along with a struggle to live a happy life. In Sylvia Plath’s “The Bell Jar,” Esther Greenwood struggles to find her own identity, and in the process, she develops a mental illness which helps her discover the person she is on the inside.

Esther Greenwood, the protagonist of The Bell Jar by Silvia Plath, is cast under the spell of her own depression and the story of being released from the spell follows the structure of one of the 7 plot types Christopher Booker created. These 7 plot archetypes include the Quest, Voyage and Return, Comedy, Tragedy, Overcoming the Monster, Rags to Riches, and lastly the archetype of Rebirth. The novel The Bell Jar is classified as the Rebirth plot, in accordance with the 5 stages that make up said archetype: The Falling Stage, Recession Stage, Imprisonment Stage, Nightmare Stage, and The Rebirth Stage. Readers follow Esther as she pulls herself through the stages, through the falling, the rising, and the falling once more, until she reaches

In Sylvia Plath's novel The Bell Jar, Esther Greenwood seems incapable of healthy relationships with other women. She is trapped in a patriarchal society with rigid expectations of womanhood. The cost of transgressing social norms is isolation, institutionalization and a lost identity as woman. The struggle for an individual identity under this regime is enough to drive a person to the verge of suicide. Given the oppressive system under which she must operate, Esther Greenwood's problems with women stem from her conflict between individuality and conformity.

During The Bell Jar, Sylvia Plath used similes to highlight Esther's characteristic of a wallflower during her trip to New York. After Frankie, one of Lenny's friend abandones Esther, he is forced to take her and Doreen to his apartment. Lenny obviously wanting privacy with Doreen he asks her to go but Doreen defends Esther and says she will only go with the do any of her friend. From there on, Esther feels unwanted and ignored while she spends time at Lenny's place. Plath describes Esther's abandonment while Lenny and Doreen dance, “I felt myself shrinking to a small black dot against all those red and white rugs and that pine paneling. I felt like a hole in the ground” (Plath 16). Esther feels left out while her best friend and a stranger dance. The simile expresses how she felt invisible and ignored. The author tries to relate to the reader who once in their life may have felt outcastes or left out. Esther has a tendency to feel terrible about herself. From the beginning of the story, she explains how she feels different and not in the right place. The author wrote, “The city had faded my tan, though. I looked yellow as a Chinaman. Ordinarily, I would have been nervous a about my dress and my odd color, but being with Doreen made me forget my

One is often enticed to read a novel because of the way in which the characters are viewed and the way in which characters view their surroundings. In the novel The Bell Jar by Sylvia Plath, Esther Greenwood is a character whose "heightened and highly emotional response to events, actions and sentiments" (Assignment sheet) intrigue the reader. One of her character traits is extreme paranoia that is shown in different situations throughout the novel. As a result of this, she allows herself to be easily let down, as she believes that all events that are unsatisfactory are directed towards her. Finally, it is clear that she attempts to escape this notion by imagining an idyllic yet impossible life that she

Esther’s mother and society’s expectation as a woman, which is to be a good wife and a mother, suffocate and demoralize Esther’s dream as a professional writer. Esther’s mother wants her to “...learn shorthand after college, so I’d have a practical skill as well as a college degree” (Plath 40). Her mother believes that Esther cannot further advance her education as a writer and simply wants her to be a secretary since professional career for women was uncommon and discouraged because it disturbs the role as a married woman. These pressures often obliged her to fall into the societal expectations, to give up her higher education, and to marry somebody. However, she knew that the marriage and the babies were not for her, “because cook and clean and wash were just about

Sylvia Plath’s The Bell Jar is rich with an array of motifs, all which serve to sustain the novel’s primary themes. A motif particularly prevalent within the first half of the novel involves food, specifically Esther Greenwood’s relationship with food. This peculiar relationship corroborates the book’s themes of Esther’s continuous rebirthing rituals, and of her extreme dissatisfaction. The interrelation with food functions in two distinct manners: literally and figuratively. This analysis will concentrate on the figurative role of food in The Bell Jar, and how it denotes Esther’s overall state.