A Typical Image of a Traditional Marriage in Kate Chopin's Short Story 'The Storm'

Chopin presents many details of Calixta's affirmation of her sexuality and passion. As the storm's intensity increases, it becomes necessary to put something underneath the door to keep the rain out. ''My! what a rain! It's good two years sence it rained it rain' like that,' exclaimed Calixta as she rolled up a piece of bagging and Alcee helped her to thrust it beneath the crack.'; The sexual connotation of 'thrusting it beneath the crack'; is evident, but it is important to notice that Calixta initiates this sexual act, not Alcee. This is a far cry from an ordinary, repressed housewife. Quite the contrary, Chopin actually

The second negative aspect of marriage, according to Kate Chopin's stories, is the repression of women through marriage. In The Storm, Calixta's traditional housewife role was defined by how was too busy with sewing and her housework to even notice that there was a storm coming. The other female character, Clarisse, too felt repression through her marriage. When her husband Alcee notified her that she could stay longer in his absence, she felt relief, ."..the first free breath since her marriage seemed

In Chopin’s short story, she demonstrates how men in the late ninetieth and early twentieth century treated their wives more as possessions than individuals, thus when the protagonist Mrs. Mallard learns her husband Brently Mallard just unexpectedly died, she feels “free, free, free!” (15). Since, Chopin published this short story in 1894; women often got married while they were quite young and typically to men much older. Likewise, divorce was never usually an option for unhappy marriages. Subsequently, Mrs. Mallard appears unhappy in her marriage, after learning about her husband’s death, she pictures how much better her life is going to be, “There would be no powerful will bending hers in that persistence with which men and women believe they have the right to impose a private will upon a

In “The Storm” Kate Chopin makes the setting an essential and entwined part of her action and ideas. The story focuses on the two main characters, Calixta and Alcee and their short love affair. The action is taking place in a small town in Louisiana where all of the characters live. The story is set in the late nineteenth century when adultery was not expected from anyone, as woman were considered to be innocent and faithful. The integration of setting and story can be followed in details about the storm itself, setting of the atmosphere/mood, and also the complexities of married status in the society.

But what is one to do? I did write for a while inspite of them; but it does exhaust me a good deal – having to be so sly about it, or else meet with heavy opposition”. (Gilman, The Yellow Wallpaper, 1898). Here one can see that the narrator wished to work and have a change in her domestic life, but the struggle to keep it a secret from her husband was too great because she knew he would not approve. Marriage, which is supposed to represent unity, love and the coming together of two equal partners was anything but that for the narrator. In the 19th century women were at the mercy of men, even though they marched forward for equality they were still very much dependent on their male counterparts. They were not allowed to have control over their assets and therefor marriage was the best solution to live a comfortable life seeing as their parents could not provide for their daughters forever. In The Yellow Wallpaper the prisonlike feeling that marriage causes the narrator, eventually leads to her insanity. Which for some was probably an actual occurrence in that era. More

Kate Chopin in “the Storm” uses symbolism in characters to develop the theme that marriages are not perfect. Although there is a physical storm in the story, there is also a storm of emotions. Chopin is able to convey the emotions of her characters throughout the story because the storm that takes place at the very beginning of her story.

Thesis: In Kate Chopin's "The Storm" and "The Story of an Hour," the wives seem to share the foul qualities of selfishness, unfaithfulness and confusion.

The main focus of this short story is desire. The desire shown by both Calixta and Alcée for each other is obvious. Many people during the time this short story was written would look at it as being “dirty” or filthy. They would look at the affair as being dishonest and unlawful; similar to the way that some of us today. However, the way Chopin expresses the affair is not at all a sense of guilty. She presences it as if it was something that happens often and that it is a natural thing that humans do. Sexual desire is a natural aspect of people’s lives. Even though she is a strong feminist, she does not limit these sexual desires to just the female character, Calixta. She also dives deep into the desires of a man as well. “Both males and females, she seems to tell us, are complex creatures whom have no choice but to discover their passion, in spite of risks, confusion, and guilt. (Bloom 81)”. According to Per Seyersted, “sex in this story is a force as strong, inevitable, and natural as the Louisiana storm which ignites it” (Koloski 145). She observes sex as being a natural thing that cannot be avoided in or outside of wedlock (Koloski 147). She writes as if this affair was unavoidable to the drives between the two characters.

The presence of Calixta's sexual desire and its intensity make this story revolutionary in its feminist statement about female sexuality. Chopin uses the conceit of a thunderstorm to describe the development, peak, and ebbing of passion in the encounter between Calixta and Alcee. At first, Calixta is unaware of the approaching storm, just as her sexual desire might be on an unconscious level; yet, as the storm approaches, Calixta grows warm and damp with perspiration. Chopin does the obvious by these two events when she writes that Calixta, "felt very warm . . . she unfastened her white saque at the throat. It began to grow dark and suddenly realizing the situation she got up and hurriedly went about closing windows and doors" (Part 2 Paragraph 1).

but she behaves immorally. She is a very pretty woman who has a fling with her former lover Alcee while waiting out the storm. Calixta seems to be a good mother and to care for her husband, she just isn’t happy with him. For example, she worries about Bibi and Bobinot’s safety the storm, which proves she cares for them. Yet she finds comfort from her former lover Alcee while worrying about her husband and child. Chopin states “Alcee’s arm encircled her, and for an instant he drew he close and spasmodically to him” (The Storm 2). This proves she must care for her husband, but turns to Alcee when needed comforting.

   In Kate Chopin's time traditional patriarchal notions about women and sexuality deemed sexual passion a negligible, even improper, aspect of women's lives. Yet Chopin boldly addresses a woman's sexual desire in her short story "The Storm". This story shockingly details a torrid extramarital sexual encounter between Calixta and Alcee` in the midst of a raging storm. While this story line could have been presented in a traditional light, perhaps as a lesson about the evils of uninhibited female sexuality, Chopin maintains a non-judgmental stance by refraining from moralizing about the sanctity of marriage or impropriety of Calixta's actions. In failing to condemn and even

A woman's happiness and success during this era is often dependant on the male or husband of the marriage. During this era, Chopin displays to us in both her short stories "The Storm" and "The Story of an Hour" of how reliant women are in their relationship and lives. Women during this era were heavily looked down upon. They were looked so down upon that even the women themselves would look down on themselves resulting in more reliant on the men for their success in life. The women during this time era would be so reliant on men they would do much for the men despite whether they had loved him or not. Chopin many times wrote her short stories with women in marriage with men just for the benefits of living and success rather than love; a “vignettte exploring female desires that cannot be fulfilled in marriage, a common theme for Chopin.” (Brantley 1). During the 19th century, both men and women weren't seen as equal at all. Another push to being reliant on men is government rules and policies of men being the more stronger party of the marriage, relationship, or family. Men were seen as the “better” sex so then women were more reliant. Women had to depend on men to supply them in order to live a healthy lifestyle. Kate Chopin displays this highly in her two short stories as the two women seem really reliant on their male counterpart. The two women shows signs of weakness while their male counterpart were away.

Being a woman in the nineteenth century was miserable. Chopin’s writings were more of wanting a new life once something happened to their husband and also wishing for a special moment that would make them happy but would not interfere with their life as it was before. Committing adultery for example, would not affect her relationship with her husband as in “The Storm.” Chopin’s “The Storm” is about a woman’s sexual encounter with her ex-lover that does not affect her marriage, as the woman kept her sexual encounter to herself and continues on when her husband and son come home after a nasty

In the past, women could not communicate their desire for sex and the pleasure they could receive through it. Pleasure is exclusively for men and is approved at this time for society. Mrs. Chopin wrote in her book “The Storm” stated another different point of the view about love and sex that was not normal for the period. Mrs. Chopin in her book wrote in a way that breaks all the heterotypic of that time. However, love and sexuality are a connection is belonging human feel that should not inhibit for traditional conviction because women cannot adequately express their feelings in the society and are more exposed to instances of

Dissimilar to a large portion of Kate Chopin's short stories and both her books, “The Storm” was not publish until the 1960s, numerous years after it was composed. Clearly Chopin did not submit it to magazines since she understood that no editor at the time would publish a work as sexually express as this one. The story composes that sex in this story is a power as solid, inescapable, and normal as the Louisiana storm which touches off it. The finish of the story is vague, since Chopin covers just a single day and one storm and does not reject the likelihood of later hopelessness. The accentuation is on the transitory delight of the irreverent astronomical power. In this story, Kate Chopin was not intrigued by the shameless in itself, but rather in life as it comes, in what she saw as common or positively inescapable articulations of all-inclusive Eros, inside or outside of marriage. She concentrates here on sexuality in that capacity, and to her, it is neither wild eyed nor base, however as ‘healthy’ and beautiful as life itself. In Kate Chopin’s “The Storm,” the storm can represent a temperamental unstable relationship that can cause several of contentions and issues and women wanted more out of life.