Allusions In A Prayer For Owen Meany

There are numerous symbols that John Irving incorporated into A Prayer for Owen Meany. While some symbols only appear in the novel once, other symbols happen to recur throughout the novel. Such recurring symbols are the several manifestations of “armless” figures, which are Tabby’s dressmaker’s dummy, the armadillo, and the statue of Mary Magdalene. The most significant manifestation of the armless figures is Tabby’s dressmaker’s dummy since its symbolism of Tabby primarily contributes to the reader’s understanding of Owen’s belief that he was God’s instrument, as well as the overall theme of predestination.

This point easily ties in with Owen’s story as well. Toward the end, he writes that he can’t help but beg if only you too could walk behind the wagon they threw his friend in, to only see his hanging face. If you could only see him guttering and drowning time and time again in his dreams, to hear what he heard and saw what he saw, maybe you could begin to understand what he went through. The twisted irony of this poem is both in the name and the final line of the poem;

The prominence of a few themes - amputation, fate and death - create the catharsis required in a tragedy, mainly incidents which “arousing] pity and fear,” (definition). The repetition of these eerie and morbid themes keep them at the forefront of a reader’s mind, and put them in an uneasy emotional state, leading to a sense of catharsis at the end of the long, marathon novel. One main motif through the novel is that of amputation, and armlessness, which come to symbolize loss, helplessness, and the way in which sometimes one’s hands are bound, at the will of something greater. For example, after Owen accidentally kills John’s mother, he borrows John’s stuffed armadillo, a prized playing toy, and returns it without its claws, rendering it “USELESS TO JohN QUOTE,” which Owen means to signify “QUOTE ABOUT IM AM GODS MESSENGER.” This theme is touched upon many more times, and becomes somewhat of an obsession for Owen, who repeatedly removes or adds arms to female figures, including John’s deceased mother’s dressmaker’s dummy, a large catholic stature of a saint, which he desecrates. In irony, or perhaps a fate Owen had foreseen, the novel concludes with Owen losing his arms, protecting a group of Vietnamese children, in his last act of heroism. In addition to the theme of amputation, the theme of fate, and predestiny from God, is woven throughout, particularly perpetuated by Owen, who sees himself as God’s instrument. Owen consistently reminds John of the certainty of fate, and is angered when John does not share his blind faith. Owen believed “there were no accidents; there was a reason for that baseball - just as there was a reason for Owen being small, and a reason for his voice. In Owen's opinion, he had INTERRUPTED AN ANGEL, he had DISTURBED AN ANGEL AT WORK, he had UPSET THE SCHEME OF THINGS (page 102).” Is it Owen’s blind

Another huge mystery that is presented in the story is who Johnny’s father could possibly be. Throughout the story there tended to be a lot of foreshadowing of who Johnny’s father could be. In addition, Johnny’s mother promised that she would tell him when he was old enough. However, all that changed after that, “FATED BASEBALL” (Irving 105). When Johnny’s mother was struck with the baseball he thought that the person in the stands she was waving to was his father. During every big event after that Johnny and Owen tried to envision the stands to figure out who his father may be. However, he always missed remembering the person in the stands who was actually his father. Furthermore, the foreshadowing of Johnny trying to recreate the stands showed how his father would be revealed in an extraordinary way. Johnny learns who his father is after Owen’s death when he was talking to Rev. Lewis Merrill. Johnny explained that conversation as , “When the Rev. Lewis Merrill spoke he spoke not with his own voice - he spoke in the exact falsetto, the “permanent scream,” of Owen

Humor is difficult to incorporate in writing, yet John Irving captures the essence of humor beautifully in A Prayer for Owen Meany through the use literary techniques and strategies. Although the stories themselves are hilarious, Irving’s writing creativity evokes laughter in the most inapt scenes like Grandma Wheelwright forgets her own grandson. A scene between Barb Wiggin and Owen Meany is particularly funny, and to showcase his jocular writing style in the scene, Irving manipulates punctuation, diction, description to create one of the many unforgettable and comical scenes in the book.

Put simply, the miraculousness of Owen Meany catalyzes Johnny’s faith. Yet, Johnny’s faith did not spring forth the moment he met Owen; instead, Owen’s life, sprouting with miracles, gradually inspired Johnny to accept and pursue a life of faith. Therefore, his true faith was born out of the miracle of Owen. After the Christmas pageant in which Johnny starred as Joseph and Owen as baby Jesus, Johnny mentions that “that Sunday…contributed to my belief in—and my dislike of—the miracle” (231). Here, Johnny’s reference to “the miracle” alludes to Owen Meany. Nonetheless, the miracle in this instance contradicts the heartwarming, wondrous thoughts that may first float through one’s mind at the mention of a “miracle.” This miracle, Owen’s role as baby Jesus, astounds Johnny because of Owen’s ability to take charge and the changes and revisions that Owen brings about to an established faith tradition. In reaction, some despised Owen’s rude outburst to his parents and slight alterations to the traditional Christmas story, but some appreciated the modifications. Similarly, when Jesus preached new teachings and introduced revisions to ancient traditions, many attacked him and proclaimed his teachings heresies. Therefore, both Owen and Jesus experience hindrances in their lifestyles that differ from the norm; although, both manage to persevere in leading others in their missions as God’s instruments on the Earth. Another miracle occurred much later in Johnny’s life, after Owen’s death, when Dan Needham shuts Johnny into an unlit cellar as a joke. Unfortunately, Johnny loses his balance at the edge of the stairs, and he begins to fall backwards. Just before he topples over, Johnny feels a small hand guide his own hand to the light switch while pulling his body forward to retain his balance; meanwhile, a voice,

In his novel A Prayer for Owen Meany, author John Irving uses a final chapter of over 100 pages to provide appropriate closure of his intricate novel. In the final chapter, Irving provides answers to large questions the rest of the novel raises. Irving answers the question “who is John Wheelwright’s father?” while also providing further information and closure, as well as the answer to “why the practicing of ‘the shot’ was so important for Owen and John.” Finally, Irving is most thorough in carrying out the closure of a main theme in the novel, Owen’s prophecy of his own exact death, how it happens, when it happens, and most importantly with whom it happens.

There are few people in this world who are willing to sacrifice their life for someone else's. The sacrifice of life is the single largest sacrifice one can make and it takes more bravery and compassion than any other act. Even so, in John Irving’s A Prayer for Owen Meany, Owen is more than willing to do just that. Although he makes many sacrifices, his biggest sacrifice is his own life. In the beginning of the novel, Owen comes across as slightly different with his minuscule size and high pitched voice, but as the novel progresses and Owen ages, his inhuman qualities become more and more prevalent. Eventually, Owen Meany’s supernatural qualities combine with his selflessness and people begin to view him as more than just a compelling

John Wheelwright’s and Owen Meany’s differing attributes highlight the use of contrast within A Prayer for Owen Meany. While Owen Meany tends to be a leader, John is a follower where his primary experiences tend to be due to Owen. Furthermore, their different appearances further illustrate their differences- while John is a typical male, Owen appears childlike in stature with a “rodent” quality to his appearance. Consequently, these comparisons between the two characters highlight the underlying theme of spirituality within the novel. Owen Meany has a continuing belief in God, even taking it as far as saying that God has a specific plan for him. “GOD HAS TAKEN YOUR MOTHER. MY HANDS WERE THE INSTRUMENT. GOD HAS TAKEN MY HANDS. I AM GOD’S INSTRUMENT (page 90)” This quote illustrates the absolute belief that Owen has in God; despite the fact that Owen has taken the life from Tabitha Wheelwright, -----, he chalks it up to fate and God’s will. However, John Wheelwright doubts the ideologies of Christianity as he changes his denomination within the Christian community regularly. This contrast is displayed when the two boys are young sitting in church: “When I complained about church, I complained about

Towards the end of the novel, Owen and John make plans for a rescue that they will have to make in the near future. Owen sees the event in a dream, and realises this will bring him to an end. Despite this, Owen uses Johnny as a major role in the rescue, and doesn’t show any concern for what will happen to John. According to Paul Eisenstein, Professor at Otterbein College, “both before and after its commission, its heroic dimension cannot ever be made fully transparent, cannot ever find safe haven in an intelligible, transcendent good.” Here Professor Eisenstein is talking of sacrifices and would be sacrifices in “A Prayer for Owen Meany.” He says this meaning that the risks either boy is taking cannot be justified or defended. They both put far too great of risk on one

     In the beginning of the novel, immediately there is a clear difference between Owen and Johnny. There is the field of academics; Owen is the head of his class while he helps John not to fail in his studies. There is Owen, very sure of his belief system and Johnny, very doubtful and unsure about his beliefs or feelings towards’ god.

In literature of significant standing, no act of violence is perpetrated without reason. For a story to be legitimate in the area of fine literature violence cannot be used in a wanton manner. In John Irving’s modern classic, A Prayer for Owen Meany the audience is faced with multiple scenes of strong violence but violence is never used without reason. All of the violent acts depicted in the novel are totally necessary for the characters and the plot to develop. This plot-required violence can be seen in the novel’s first chapter when Owen accidentally kills John’s mother and in the novel’s last chapter when John relates Owen’s grotesque, while heroic, death to the audience. The violence

John Wheelwright’s and Owen Meany’s differing attributes highlight the use of contrast within A Prayer for Owen Meany. While Owen Meany tends to be a leader, John is a follower where his primary experiences tend to be due to Owen. Furthermore, their different appearances further illustrate their differences- while John is a typical male, Owen appears childlike in stature with a “rodent” quality to his appearance. Consequently, these comparisons between the two characters highlight the underlying theme of spirituality within the novel. Owen Meany has a continuing belief in God, even taking it as far as saying that God has a specific plan for him. “GOD HAS TAKEN YOUR MOTHER. MY HANDS WERE THE INSTRUMENT. GOD HAS TAKEN MY HANDS. I AM GOD’S INSTRUMENT (page 90)” This quote illustrates the absolute belief that Owen has in God; despite the fact that Owen has taken the life from Tabitha Wheelwright, mother of Johnny, he chalks it up to fate and God’s will. However, John Wheelwright doubts the ideologies of Christianity as he changes his denomination within the Christian community regularly. This contrast is displayed when the two boys are young

‘He’s spat at us with bullets and he’s coughed’ as a result an image is created, the responder sees that Owen’s mental condition has him viewing everything as death. This was caused by his PTSD and Shellshock, which was what prompted his treatment at Craig Lockhart, but it really reveals to the responder that these implications last a lifetime.

Another tool in developing the effectiveness of the poem is the use of compelling figurative language in the poem helps to reveal the reality of war. In the first line, the metaphor, ?Bent double, like old beggars under sacks,?(1) shows us that the troops are so tired that they can be compared to old beggars. Also, the simile "coughing like hags"(2) helps to depict the soldiers? poor health and depressed state of mind. Owen makes us picture the soldiers as ill, disturbed and utterly exhausted Another great use of simile, ?His hanging face, like a devil's sick of sin,?(20) suggests that his face is probably covered with blood which is the color symbolizing the devil. A very powerful metaphor is the comparison of painful experiences of the troops to ??vile, incurable sores on innocent tongues.?(24) This metaphor emphasizes that the troops will never forget these horrific experiences. As you can see, Owen has used figurative language so effectively that the reader gets drawn into the poem.