Holding degrees in American Culture, English and American Literature, and English, Dr. Neil Foley specializes in the evolving components of race and social identity in what he calls the Borderlands: Mexico and the American West. The White Scourge: Mexicans, Blacks, and Poor Whites in Texas Cotton Culture bridges the gap between the narratives of two Borderlands histories, that of African-Americans and southern history, and that of Mexican-Americans and southwestern history. Looking at Texas, and specifically the area from Dallas in the north, Corpus Christi in the south, San Antonio in the west, and Houston in the east, Foley analyzes how Mexicans, blacks, and poor whites maneuvered and dealt with the racial space in this Borderlands province of cotton culture during the first half of the twentieth century. To Foley, this area of central Texas provides an exceptional example of Borderlands interactions because of the nature of cotton culture as compared to plantation farming in other parts of the South. Cotton farming in central Texas relied on mostly white share tenants, and mostly black or Mexican sharecroppers. Migrant Mexican labor was also used to harvest crops. These three standards produced complex configurations as Mexicans began competing with blacks for more work and both competed with whites for tenancy. Although a southern state, Foley considers Texas “the west” of “the south.” Exposed to relationships between blacks and whites, The White Scourge begins with
Walls and Mirrors: Mexican Americans, Mexican Immigrants, and the Politics of Ethnicity. By David G Gutiérrez. (Berkeley: University of California Press, 1995).
southern world for what it is: a world of hypocrisy, a world burdened with old racist
In Harvest of Empire’s “Mexicans: Pioneers of a Different Type” Juan Gonzalez outlines how Mexican descendants contributed to U.S. prosperity and culture. Gonzalez’s assertion is that the Mexicans and their culture have been in the United States long before the Treaty of Guadalupe Hidalgo, the establishment of settlements and trade along the Rio Grande by Mexican pioneers, and the important factor Mexican-American workforce had in the nation. He supports his argument using historical records, individual’s stories and local papers. Respectively, Gonzales provides information that Mexicans greatly affected the economic uprising and culture of United States across the border.
In George J. Sanchez’s, Becoming Mexican American: Ethnicity, Culture, and Identity in Chicano Los Angeles 1900-1945, Sanchez brings forth a new understanding of Mexican-American culture through the presentation of how the culture made substantial adaptations under limited economic and social mobility (Sanchez 13). Unlike other historians who studies the variations of Mexican American cultural identity from a national prospective , Sanchez creatively selects Los Angeles as his site of research because, not only is the city home to the largest Mexican population in the United States, but also because Latinos play a profound role in shaping the city’s culture. Growing up in an immigrant family himself, Sanchez undoubtedly has many personal
During the late sixties and early seventies, a Mexican - American movement was taking place in the United States, The Chicano movement. This movement takes place because of the Mexican American society 's suppression in the country. Indeed, during the years, 1966 to 1981 was a period where the Mexican American society was looking for equality and justice from the Government of the United States. In fact, they will start to organize their own communities, where the Government will accept their new ideas. David Montejano, “a historian and sociologist, and Professor of Ethnic Studies at the University of California, Berkeley,” wrote about that movement that helps the Mexican - American society being part of the United States. One of his books is Anglos and Mexicans in the Making of Texas, 1836-1986, where he describes the relation that the Anglo and the Mexican American people have in those years. In the same way, he wrote Quixote’s Soldiers: A local history of the Chicano Movement, 1966 - 1981, where he describes the Chicano movement as a way of helping the Mexican American community. By describing the Chicano Movement and the political changes made in San Antonio, Montejano relates the problems of equality and justice, the organization created at that time, and the consequences of this movement.
Patrick J. Carrol’s Felix Longoria’s Wake: bereavement, racism, and the rise of Mexican American activism is a book of significance in the fight for equal rights for all Americans especially people of minority ethnicities like Mexican Americans. Carrol takes the reader on a tour of South Texas, where Mexicans and Anglos are segregated by train tracks whether that be schools, housing and even the cemetery where after death Mexican Americans are being segregated and discriminated against. The Mexican American activism fire grows red hot when Felix Longoria a private in the United States Army is killed in active duty during the Second World War on November 11, 1944 in the Philippines. When his body is set to be reburied in his hometown of Three Rivers, only to be rejected twice by the undertaker Tom Kennedy, who just recently purchased the chapel, because white people in the town would not like a Mexican American to use the chapel. This revelation of discrimination, racism and ethnocentrism in the small town of Three Rivers will lead Felix Longoria family, Dr. Hector P. Garcia and LBJ on a three to four months crusade on a national level and local level fight for Mexican American civil rights in South Texas. Even though Private Felix Longoria never gets the wake he is rightfully deserved, he is buried with full military honors.
The formation of segregated barrios and the development of a wealth of community-provided services showed that Mexican-Americans were not content to be marginalized by the United States. Instead, they were embracing an empowering new sense of self-determination and referring to themselves as “Mexicanos or as members of a larger, pan-Hispanic community of La Raza.” At this time La Raza referenced individuals of the Mexican “race”, whether they were in Mexico or in the United States, and was particularly important in the United States, where race was more important than citizenship. In the late 19th and early 20th century United States, race was determined by purity of blood, and there were only two races—white and black. White meant the individual had “pure blood” (European blood); black meant that the individual’s blood included indigenous or African influences. Being white meant being able to exercise one’s constitutional rights and being treated as a normal member of society’s dominant group. Being black meant that, regardless of whether he or she was a citizen, the individual would face discrimination similar to that which I described earlier. When the Spanish conquerors mixed with the people of Latin America, forming the mestizo, or mixed race, population that now composes most of the region, they removed themselves from a “white” classification in the United States. Thus, by engaging with the concept of La Raza, which connotes a mestizo race and population, Mexican-Americans rejected the binary nature of race in the United States and embraced what made them different—their indigenous-mixed blood and the cultural heritage that accompanied it. While the abuse directed towards Mexican-Americans may have
In Pearsall, Texas, the Anglo and Mexican communities were divided to contribute to Elva’s confusion and frustrations of being alone. The immigrant society was lumped together as their own “class” of people:
Beyond the Alamo: Forging Mexican Ethnicity in San Antonio, is an analysis of the Anglo-Mexican
The author of Mexican Lives, Judith Adler Hellman, grapples with the United States’ economic relationship with their neighbors to the south, Mexico. It also considers, through many interviews, the affairs of one nation. It is a work held to high esteem by many critics, who view this work as an essential part in truly understanding and capturing Mexico’s history. In Mexican Lives, Hellman presents us with a cast from all walks of life. This enables a reader to get more than one perspective, which tends to be bias. It also gives a more inclusive view of the nation of Mexico as a whole. Dealing with rebel activity, free trade, assassinations and their transition into the modern age, it justly
Desert Immigrants: The Mexicans of El Paso 1880-1920 analyzes and discusses the Mexican immigrants to El Paso, Texas. The most western city of the vast state of Texas, a city in the edge of the Chihuahuan desert; a place too far away from many regions of the United States, but as Mario García explains a very important city during the development of the western United States. He begins explaining how El Paso’s proximity to different railroads coming from México and the United States converged there, which allowed El Paso to become an “instant city”, as mining, smelting, and ranching came to region. (García 2)
Gloria Anzaldúa writes of a Utopic frame of mind, the borderlands created in and lived in by the new mestiza. She describes the preexisting natures of the Anglos, Mexicanos, and Chicanos as seen around the southwest U.S. / Mexican border, indicative of the nations at large. She also probes the borders of language, sexuality, psychology and spirituality. Anzaldúa presents this information in various identifiable ways including the autobiography, historical/informative essay, and poetry. What is unique to Anzaldúa is her ability to weave a ‘perfect’ kind of compromised state of mind that melds together the preexisting cultures while simultaneously formulating a fusion of genres that stretches previously
Maxine Kingston's Making of More Americans like Amy Tan's Mother Tongue has been a controversial addition to Asian American literature. The writer has tried to answer the critical question of Chinese American identity and hence been criticized for adopting an orientalist framework to win approval of the west. Similarly Rendezvous by Frank Chin and Mother Tongue by Amy Tan also speak of a culture that neatly fits the description of the "Other" in the orientalist framework. It appears alien, remote and immensely degrading to women who were treated like non-human beings by Chinese chauvinistic society. However things changed for the generation of Chinese that grew up in the US or at least that is what authors wants us to believe.
The 1940’s inevitably signaled the beginning of the Mexican American civil rights era in the west as Mexican Americans rose to immeasurable heights in an attempt to terminate the de jure segregation they were unwillingly victims of. Their notable attempts to prove that they were worthy of the natural rights granted by the founding fathers brought light to the intense hatred shown towards Mexican Americans that was centralized in Los Angeles, California as
Mexican Americans in Texas have a long and detailed history spanning from the arrival of Cortez all the way to the present day. Through historical events, the culture and identity of Mexican Americans have shifted, diverted, and adapted into what people chose to identify as. The rise of the Chicano identity during the Mexican American Civil Rights Movement was an adaptation as a culture to oppressive and unjust treatment from white, Anglos that had almost all political and social power over all minorities. To stop the oppressive voices from silencing and oppressing the Mexican Americans, they had to stand up to fight for their rights as American citizens that also had Mexican or Spanish heritage to be proud of. In Oscar Zeta Acosta’s novel, The Revolt of the Cockroach People, he dives into the Chicano Movement as a witness and an active participant. His larger than life character is on the front lines of the movement and examines the shift in identity among the group. It was particularly rising of their Chicano identity that gave the people cause to organize politically and socially in order to fight for a worthy cause.