An Analysis Of Ernest Hemingway 's ' The Short Happy Life Of Francis Macomber '

In Ernest Hemingway’s short story “The Short Happy Life of Francis Macomber,” Hemingway uses the author’s craft of perspective, along with dialogue and internal dialogue to create a multi-part claim that develops an overall negative characterization of the three main characters. Hemingway develops the characterization of Wilson, Margaret, and Francis by using multiple perspectives as he threads a negative tone throughout the story.

Margot Macomber as the Hemingway Code Hero in “The Short Happy Life of Francis Macomber”

In Ernest Hemingway’s short story, ¨The Short Happy Life of Francis Macomber,¨ readers learn about Francis’ character through the perspectives of other characters. Hemingway develops Francis’ character as a man full of shame, cowardice, and bravery by using multiple perspectives as he threads a negative tone throughout the story.

Francis reveals his lack of self-confidence and control over the situation. ?If he had been better with women she would probably have started to worry about him getting another new, beautiful wife but she knew too much about him to worry? (Hemingway). His lack of self-confidence has given her all the power in the relationship and it was a major contributing factor in her infidelity. Later on in the story, the growth of Francis?s confidence during the buffalo hunt and Margot?s displeasure with it is the final clue in determination of the death of Francis Macomber. The buffalo hunt gives Francis a new found sense of ?happiness?. This ?new wealth? of confidence is powerful for Francis and devastating for Margot . ?Fear gone like an operation. Something else grew in its place. Main thing a man had. Made him into man. Women knew it too. No bloody fear? (Hemingway). Margot knew at this point that if Francis survives the trip, he might possess enough personal strength and finally leave her, and that is what encourages her decision to kill him. At the end of the story Wilson confirms the reader?s suspicion when he reacts to the shooting by saying to Margot, ?That was a pretty thing to do? (Hemindway). That statement reinforces the belief that Margot was indeed taking advantage of the opportunity to ensure her long-term wealth and eliminate the possibility of being

Women in Hemingway’s stories are portrayed to be heavily sensitive and emotional, and unable to deal with the realities of life. They do not seem to understand how life is not necessarily always going to be a picture perfect world. In “The Short Happy Life of Francis Macomber”, Margot Macomber is shown as a very emotional women in many circumstances, as if she is not able to deal with obstacles that life will throw at her. One instance of this is when the two men are having a discussion about killing the lion. At one point, she is making jokes and seeming perfectly fine, then the next thing she starts to cry. Her husband, Francis, and Wilson even acknowledge this as well. They describe how they “both saw

In Ernest Hemingway’s short story “ The Short Happy Life of Francis Macomber,,” Hemingway uses the author’s craft of perspective along with dialogue and internal dialogue to create a multi-part claim that develops an overall negative characterization of the story’s characters. Hemingway develops the characterization of Margaret, one of the main protagonists, by using multiple perspectives to assure on her character traits of cruel, manipulative, and fearful.

Smith, Paul. A Reader’s Guide to the Short Stories of Ernest Hemingway. Boston: G. K. Hall & Co. 1989. Print.

Finally, the conflict and the rising action of Hemingway’s story leads to the climax. This occurs when Wilson, Macomber, and his wife take their final journey into the wild. As a result of the sheer anger Macomber has for Wilson and his wife, his fear is drowned by adrenaline. Macomber instantly takes on the characteristics of Wilson as he takes out two buffalo on the journey. At this point, Wilson respects this

In Hemingway’s short story, The Short Happy Life of Francis Macomber, we begin with the married couple, Franics and Margaret Macomber, on a safari in Africa with a man named Robert Wilson. Francis is shown to be a coward when he shoots his first lion twice, but is too afraid to finish it off even though it may be suffering. Margaret is very displeased with her husband’s cowardice and shows her contempt by berating him profusely. Francis is awoken from his sleep late at night after a bad dream to find his wife, Margaret, is gone. When she returns to the tent she claims she was out getting “a breath of air” but Francis knew she had just slept with Robert Wilson. Francis

The characters in Hemingway’s stories reveal much about how he feels about men and the role they should play in society. Most of Hemingway’s male characters can be split into one of two groups. The first of which is the “Code” Hero. This is the tough, macho guy who chooses to live his life by following a “code of

Ernest Hemingway’s short story, “The Short Happy Life of Francis Macomber,” chronicles a rich American couple’s safari hunting trip. Francis Macomber, a seemingly perfect man- handsome, wealthy, and athletic- and his wife, Margot Macomber travel to Africa for a hunting trip. The story opens on an afternoon cocktail hour, after a morning of hunting. Quickly, Margot’s frustration towards her husband emerges. She is embarrassed of his cowardness, and torments him. Richard Wilson, their safari guide, listens to the argument. Wilson is brave and athletic, essentially the qualities Macomber lacks. Earlier that morning, Macomber ran away from a lion, leaving Wilson to mercy kill it. Later, in an effort to win back Margot’s admiration, Macomber successfully gunned down three buffalo. However, an injured one charges, leaving Margot to shoot the buffalo, and Macomber. Hemingway’s use of literary elements enhance and deepen the reader’s understanding of the characters. He develops their actions and motivations through a code hero, symbolism, and allusion.

“The Short, Happy Life of Francis Macomber” also contains the theme of arduous moral situations for the characters. Margot, the wife of Francis, is challenged by the temptation to have relations with their tour guide. Eventually, she commits the crime of adultery, and her husband finds out about her crime and is deeply shaken. “‘Well, why doesn’t he keep his wife where she belongs? What does he think I am, a bloody plaster saint? Let him keep her where she belongs. It’s his own fault’” (Hemingway 13). By the tone of Wilson thoughts, it is inferred that he is not able to find fault in himself and decides to blame it on the most vulnerable person, Francis. In spite of Wilson being the only man to blame for this whole incident, Margot can also take part of the blame. She appears to be a faithful and caring wife, but her actions do not justify this statement.

Examples of the “code” hero in Hemingway’s work include Manuel the bullfighter, in “The Undefeated” he fights with a noble dignity even when he is jeered by the crowd and gored by the bull, along with Wilson, the big game hunter from “The Short Happy Life of Francis Macomber” who shows no fear when confronted with a charging lion. But perhaps the greatest figure of masculinity found in Hemingway’s work is Santiago from The Old Man and the Sea. He keeps his composure and maintains dignity after the fish that he has been fighting is lost to the sharks.

Most importantly, Hemingway’s “heroes are not defeated except upon their own terms” (Warren, 55); what matters to them “is the stoic endurance, … the stiff upper lip” (Warren, 55) which represents victory in their own ways. Hemingway then masterfully shows how these principles affect the character’s lives in a positive light. Santiago, the protagonist of The Old Man and The Sea, shows how the code hero principles help him gain peace despite his failure to catch the large fish. The struggle may also be arduous and testing, as shown in The Nick Adams Stories. We the audience see Nick Adams, the protagonist and code hero, evolve from a naïve child in the beginning of the story, all the way to a fully realized code hero at the end. Hemingway maps Adam’s journey as one with both blessings and hardships; however, in the end, these learned principles give Adams peace and understanding with his life. These heroes all face different forms of defeat or death; however in the end, they “all manage to salvage something” (Warren, 35) out of these excruciating circumstances. Ernest Hemingway utilizes Santiago from The Old Man and the Sea as a fully developed code hero and Nick Adams

excitement." If Francis is no longer afraid of anything, then it is possible that he could walk away from Margot. It is also possible that he could find another wife with his loss of cowardice. When Margot says, in regard to Francis' performance with the buffalo, "I hated it....I loathed it," it is apparent that Margot now realizes that the control she had over her husband is gone. Francis' newly discovered independance destroys the equilibrium in their relationship and leaves Margot on the loosing side of a marriage that she knows is coming to an end.