Analysis Of Fences By August Wilson

Troy's lack of commitment to finishing the fence that Rose wants put up represents his lack of commitment in his marriage. He doesn't understand that Rose wants to keep the family close because he never truly had a close family. He becomes a womanless man. “From right now… this child got a mother. But you a womanless man” (79). Troy pushes Lyons away by refusing to hear him play his "Chinese music" (48). He also damages his relationship with his other son, Cory, by preventing him from playing football and rejecting his only chance to get recruited by a college football team. The “fence” also depicts that Troy is disowning Cory when they get into an argument and Troy kicks him out on to the streets. Troy states that Cory’s things will be on “the other side of that fence” (89). As a result, Troy ends up driving everybody away just like his father. The “fence” acts like a physical divider between the Maxson’s household and the outside world because Troy doesn’t bring anything others would normally have into his house and Rose does not want any outsider intruding her family.

The play “Fence” by August Wilson’s has a connection with real world fence. “The yard is a small dirt yard, partially fenced, except for the last scene, with a wooden sawhorse, a pile of lumber, and other fence-building equipment set off to the side. The Opposite is a tree from which hangs a ball made of rags. A baseball bat leans against the tree. Two oil drums serve as garbage receptacles and sit near the house at right to complete the setting” (Wilson 2). He mentions that the fence has three parts open, unopened and cornerstone. The word yard and fence are symbolically represented structure and dream of country, society and Troy’s family.

Troy’s personality is very conservative. He is an angry man who has been a victim of racial violence and allowed his bitterness to become a barrier to new opportunities that opened at this time. As a child Troy wanted out of his abusive father’s relationship. His father barely looked after his 11 children and had always puts himself first before anyone else. Instead, young Troy escapes north to Pittsburg ending himself in jail due to theft, which is where he meets his ace

In the play Fences by August Wilson, Troy is shown as a man who has hurt the people who are closest to him without even realizing it. He has acted in an insensitive and uncaring manner towards his wife, Rose, his brother, Gabriel and his son, Cory. At the beginning of the story, Troy feels he has done right by them. He feels this throughout the story. He doesn’t realize how much he has hurt them.

Lives are lead with anxiety over certain issues and with apprehension towards certain events. This play, Fences written by the playwright August Wilson deals with the progression of a family through the struggles of oppression and the inability to obtain the American Dream. The characters in the play develop throughout the story and can be viewed or interpreted in many different ways, but one man remains constant during the play and that is Troy. Due to certain events that transpired as he was growing up, Troy is shaped into a very stubborn yet proud man. To be a man who was black and proud ran the risk of getting destroyed, both physically and mentally. The world of the 1950s and 60s was rapidly changing and

In Fences, August Wilson introduces an African American family whose life is based around a fence. In the dirt yard of the Maxson’s house, many relationships come to blossom and wither here. The main character, Troy Maxson, prevents anyone from intruding into his life by surrounding himself around a literal and metaphorical fence that affects his relationships with his wife, son, and mortality.

August Wilson’s Fences depicts life in the 1950s for a typical African American family. The play touches upon racism, shifting family dynamics, and the politics of war. While racism plays an important and vital role in the play, instead of lamenting the issue, Wilson uses the characters as a weapon against the rampant racism of the time. In the same fashion, the relationship between Troy, Rose, and Cory demonstrates the shifting cultural and family dynamics of the decade. Likewise, Wilson’s depiction of Gabriel as a wounded veteran who is not fully supported by the government that sent him off to war offers an enlightening commentary on the politics of the era. Wilson uses the

In 1990, after Paramount Pictures and playwright August Wilson came to a disagreement about the adaptation of his play Fences, Wilson published an Op-Ed in Spin magazine titled “I Want a Black Director.” The Spike Lee edited piece discussed what Wilson saw as the penultimate disagreement between himself and the studio, stating specifically:

The members of the family that makes the most effort to keep the family level is Troy?s wife, Rose. The narrator tells us that Rose is a gentle woman. She cares a great deal for her family and her husband, despite the challenge of making her home a positive environment under the strains of a man with such impossible qualities. The author explains her reasons for enduring Troy by saying that ? her devotion to him stems from her recognition of the possibilities of her life without him: a succession of abusive men and their babies, a life of partying and running the streets, the Church, or aloneness with its attendant pain and frustration? (526; I, 1). In light of the fact that Troy is a good man and provides for their family in a way of his duty, Rose loves and supports him and ?either ignores or forgives his faults, only some of which she recognizes? (526; I, 1). Despite his love and respect for his wife, Troy acts extremely disrespectfully towards Rose. Due to the lack of love and respect that Troy was shown as a boy, he does not know feelings to his family. He talks down to his wife as if she were a child, while at the same time he declares his love for her to his friend, Bono. Troy?s fault, however, in declaring his love for his wife and family. He says, ?I love Rose? (555; II, 1), but when the time comes for him to show his love, he only disrespects her. When Rose asks Troy what he and Bono are talking about one

He is the center of both small and large conflicts. His ability to believe in self-created illusions and his inability to accept the choices of others in life that differ from his own philosophy is what causes him to instigate conflicts. His philosophy is mainly based on experience, this experiences stem from his rough childhood, prison life, his baseball career and the discriminative hiring practices employed by his employers at the sanitation department. During this time frame, the segregation between blacks and whites was at its peak and this influence was the major governing factor to which Troy’s life was built upon. Throughout the play Troy is mostly seen as an average African American bowing down to racism and segregation. In the beginning of the play though (Act 1 Scene 1) Troy stands up to his white employers and questions them on why only white people are driving trucks and not the black people too. This is the first time Troy is seen standing up against racism and eventually becomes the first black truck driver.

Wilson also illustrates his theme by showing the impact Troy’s life has on his son,

The first time I read August Wilson's Fences for english class, I was angry. I was angry at Troy Maxson, angry at him for having an affair, angry at him for denying his son, Cory, the opportunity for a football scholarship.I kept waiting for Troy to redeem himself in the end of the play, to change his mind about Cory, or to make up with Ruth somehow. I wanted to know why, and I didn't, couldn't understand. I had no intention of writing my research paper on this play, but as the semester continued, and I immersed myself in more literature, Fences was always in the back of my mind, and, more specifically, the character of Troy Maxson. What was Wilson trying to say with this piece? The more that

August Wilson’s Fences was centered on the life of Troy Maxson, an African American man full of bitterness towards the world because of the cards he was dealt in life amidst the 1950’s. In the play Troy was raised by an unloving and abusive father, when he wanted to become a Major League Baseball player he was rejected because of his race. Troy even served time in prison because he was impoverished and needed money so he robbed a bank and ended up killing a man. Troy’s life was anything but easy. In the play Troy and his son Cory were told to build a fence around their home by Rose. It is common knowledge that fences are used in one of two ways: to keep things outside or to keep things inside. In the same way that fences are used to keep

I think it’s a perfect example of women in the 1950s because after the war, women still found themselves in traditional roles but were slowly breaking out of them. When the men returned from the war, many women wished to keep their jobs but instead became stay at home mothers who were expected to care for the children as well as cook and clean. Many ads and TV shows portrayed the perfect “wife and mother” that women in the 1950s were expected to be. Rose deals with Troy 's nonsense mostly because she feels she has too, and even after Troy cheated on her and had a baby by another woman she took care of the baby. An example of this is when Rose said “I told him if he was not the marrying kind, then move out the way so the marrying kind could find me.” This shows that Troy is unloyal, and Rose was always subject to his wild ways. Especially when Rose insisted on marrying him instead of

Alan Nadel argues that the object of the fence in August Wilson’s play, “Fences” symbolizes a great struggle between the literal and figurative definitions of humanity and blackness. The author summarizes the play and uses the character Troy to explain the characterization of black abilities, such as Troy’s baseball talents, as “metaphoric,” which does not enable Troy to play in the white leagues as the period is set during segregation (Nadel 92). The author is trying to use the characters from the play as examples of black people during the segregation years to show how people of that time considered black people not as literal entities and more like figurative caricatures. Stating that these individuals were considered to be in a