Analysis Of Greenleaf By Flannery O Connor

In all aspects of life, Humans spend an incredible amount of time wondering if their class is high enough and acceptable. We tend to care so much about what others think of us, that we expect so much more from ourselves than what is possible. Which, in short represents that we are not living for ourselves. The lives we were given to enjoy as a whole and embrace. Rather we are living someone else’s life, which locks us in a dark prison of expectations and the key to freedom gets thrown away. Living a life where you care so much about what others think of you is as if we are nothing but sheep being herded to the final slaughterhouse! In “Rocking Horse Winner”, the author D.H. Lawrence paints a portrait of how the mother Hester can never truly be satisfied with what she poseses since she is always worried about the status and ranking of her class. The most important concern to her is looking respectable, presentable, and nice. In addition, in the story “A Goodman Is Hard To Find”, the author Flannery O’Connor paints the same portrait representing how the Grandmother always has to look presentable, and how she always has to look like a lady. Both of these characters in both stories have the same problem in common. They both are haunted by the fact that they

What happens to a person who has no identity at a time when identity can be one’s last hope – their salvation or a mark for death. In his novel Milkweed, Jerry Spinelli invites readers to experience the Holocaust through the eye of a young boy who misunderstands everything except the love of family and the different forms it can take. Misha, an orphan boy is taken in by a young group of Jewish thieves. He is simple minded of his own identity because Misha adopts the identity of the people around him in his life, first as a gypsy, then as a Jew when he follows his friend’s family into the ghetto. Readers are forced to focus on the simple acts of caring that takes place in a time of suffering because Misha is unable to understand what is really going on around him. Hope and selfless acts of love still exists during a time of havoc in the Warsaw ghetto, is shown through the innocent eyes of Misha. By using techniques such as dramatic irony, revealing characters’ emotion, and a unique choice of a narrator, Spinelli successfully makes his readers to feel empathy.

In Yusef Komunyakaa’s “Blackberries,” a youthful speaker seems to be living past the boundaries of city life and exhibits qualities of rural living. The poem tells of the speaker’s adventure of picking blackberries from a thicket and encountering the duality of urban society. Readers of “Blackberries” might at first be puzzled by the speaker’s youthful memory of picking berries, but a closer analysis of the poem allows readers to recognize that the speaker’s internal conflict originates from strict societal boundaries and the loss of his childhood innocence.

Flannery O’Conner’s “The River” is a very interesting story about a little boy whose parents would prefer if he just went away. At the end of the story, the little boy did get away from them for good. In my opinion this story has a weird but interesting meaning to it. The little boy’s death at the end made me question the spiritual meaning of it; however, after thinking about I understood the intentional meaning O’Conner could have for readers.

Citizens of Pleasantville have certain knowledge about themselves and society, but because there is no exposure to differing ideas, individuals are stuck with the same opportunities and values. A specific example of this includes the community’s view on gender roles: men hold power as the head of society and women stay at home to cook and clean. There are no opportunities to change this structure, as the communication of ideas is restricted to what is known and not to anything new. The town leadership fears a true deviation from the accepted social order, and as a result, the citizens of Pleasantville conform to this system to prevent conflict. While this lifestyle provides harmony and order, conformity actually limits society from growing and enhancing. On the other hand, when individuals start voicing out their opinions, new ideas challenge the false peace that society had in their conformity. After Bud and Mary Sue introduce different and rather contradictory ideas, like sex, color, and individuality, people start pursuing their own passions as individuals, rather than as a whole society. With all these changes, individuals burst into color when choosing to leave “pleasant” behind for the freedom to express personal

Lastly, her family betrayed her by not listening to her side of the story after her sister told lies about her, and they betrayed her when they acted as if they did not care if she moved out of the house. In all of these actions, the family itself and certain members of the family are portrayed as uncaring, unsupportive, disrespectful, conniving, deceitful, and hateful to Sister. Through every action of the family, Sister is treated harshly, and she tries to not let this bother her. Yet, anger and bitterness build up inside of her until she cannot take it anymore. Consequently, it built up so much inside of her that it severely affected Sister so profoundly that she moved away from her home to get away from her family.

There are many ways humans can recognize differences amongst themselves, some of the most notable are race, religion, gender, and politics. Many people view these issues as barriers in forming relationships. However, there is another main reason for these complications that is usually overlooked, that is socioeconomic status. Socioeconomic class can put many divisions between us, this is largely seen in iconic pieces of literature, which also express many ways to overcome the issue.

As hardworking women living of the prairie, Mrs. Hale and Mrs. Peters can relate to Mrs. Wright’s situation. They know personally that long days of doing laundry, cooking, and cleaning can become very tiresome (Hedges 91). They realize that living on the prairie can force a woman to be confined to her own house for weeks at a time, and because Mrs. Wright never had children, the grueling loneliness that she suffered must have been excruciating. Mrs. Hale and Mrs. Peters both experience the constant patronization and sexual discrimination that most women in the early twentieth century lived with. They empathize with the difficulties of Mrs. Wright’s life and almost immediately a bond is formed with a woman they do not even know.

Mrs. May belongs to a very important group of characters in the works of Flannery O'Connor: the widows. These kinds of characters usually are superficial and proud of their social position. Her widows have an excellent opinion of themselves and they usually feel superior to the people around them. Mrs. May, the protagonist of the "Greenleaf" shows all these features.

Genre: The book “Milkweed” by Jerry Spinelli is a realistic fiction story. I know the book is realistic fiction because it tells the story of a boy that lived in a time when the Jews were mistreated by the German Nazis in the 1940s during World World II. The story takes place in Warsaw (the Ghetto), Poland, and is about real life tragedies that happened during World War II.

According to Elizabeth Lowell, “Some of us aren't meant to belong. Some of us have to turn the world upside down and shake the hell out of it until we make our own place in it.” Sometimes what every situation needs is an outsider to flip the script and create a new outlook on everything. In Shirley Jackson’s novel, “We Have Always Lived in the Castle,” the speaker, Merricat, is an outsider of society on many levels, such as mental health, gender, and that she is an upper class citizen in a poor area. Although Merricat is mentally unstable, her outsider’s perspective criticizes the social standard for women in the 1960s, indicating that social roles, marriage, and the patriarchy are not necessary aspects in life such as it is not necessary to have the same outlook on life as others.

By allowing social status, skin color, and money to be the main defining factors of a person’s worth, that person struggles to live an open and ambiguous life. A woman cannot define precisely who she is and what she represents until the moment of her death, though she is constantly surrounded by criticism and the stereotypes of society. If a man or his community have already decided that he is superior, worthless, or content when he has only lived a portion of his life, he will struggle to maintain this rigid identity for himself, resisting even small or positive changes in himself.

The family farm despite the absent economic power of a male character leads the Hopewell women to assume all the open roles while simultaneously maintaining their femininity (Smith 36); they must assume a dual task by acting male in public but privately preserving their womanhood. These gender roles, however, cannot be fully explained without looking at the relationship between mother and daughter; despite their common sex, their relationship is seen as a disturbing force where mother and daughter are at often at odds with each other.

Among many diseases, judgment is an epidemic virus within the human mind; more dangerously with the lack of discernment can create a toxic atmosphere and such intoxication is highlighted within the short story, Revelation, by Flannery O’Connor. The story is set in the south, and revolves around an irrational yet religious character, name Mrs. Turpin, who overlooks her own flaws to cast judgments on others. The author uses language, irony, and archetypes within the story to present that judgement is a form of unconscious self deception that causes hypocritical behavior and ultimately self agitation. The author demonstrates this by having the characters cast judgment upon each other, which makes the act of passing judgment on to others an infectious disease fed by society.

The short story “Greenleaf” by Flannery O’Connor tells of Mrs. May, an old, bitter, and selfish woman. She thinks badly of everyone around her, including her own two sons. It also compares her family to that of the Greenleaf family, who Mrs. May sees as inferior to her. O’Connor unveils the story of Mrs. May and her demise through the use of point of view, character, and symbolism. She uses the third person omniscient view to give the reader a sense of Mrs. May’s character, and the symbols of the bull, and the conflict between the bull and Mrs. May to show Mrs. May’s destruction as well as give the story a deeper meaning of God’s grace.