Analysis Of Her Hair In Their Eyes Were Watching God By Zora Neale Hurston

She ended up living a life full of manipulation and mediocrity. While living with Joe, she had to tend to many different tasks as his wife.  She wasn't independent with him either.  She was Joe's tag-a-long.  'She went through many silent rebellions over things like that.  Such a waste of life and time.  But Joe kept saying that she could do it if she wanted to and he wanted her to use her privileges.  That was the rock she was battered against.' (Hurston, 51)  Janie always had to wear her hair a certain way, always up in a head rag, in order not to attract attention to other men and women. She was always in a state of loneliness with herself.  While married to Janie, he would not allow her to attend the people's gatherings believing that she does not belong to such a group of lower class people.  Joe was depriving Janie of her independence and sanity.  "Naw, Ah ain't no young gal no mo' but den Ah ain't no old woman either.  Ah reckon Ah looks mah age too.  But Ah'm us woman every inch of me, and Ah know it.  Dat's uh whole lot more'n you kin say.  You big-bellies round here and put out a lot of brag, but 'tain't nothin' to it but yo' big voice.  Humph!  Talkin' 'bout me lookin' old!  When you pull down yo' britches, you look lak de change uh life." (Hurston, 75)  This quote spoken by Janie proves that she was getting sick and tired of being pushed around by Joe and his stuck-up ways.  This was a slow

Then, Janie finally stands up for herself and tells him that he was always trying to change her and control her. She yells at him until she dies. When Jody dies, Janie lets her hair down, symbolizing her newfound freedom.

In the novel,  Their Eyes Were Watching God by Zora Neale Hurston, there are many recurring images, one of the most important images is Janie’s hair which represents her power strength, identity, her freedom,  and life experience. Her hair also is the cause of some conflicts like with Logan, Jody, and Tea Cake and helps develops who Janie is as character by showing us what she wants throughout this whole story.

Janie's hair is an important symbol in Their Eyes Were Watching God, written by Zora Neale Hurston. Her hair represents Janie’s freedom and independence as a woman. When Janie’s hair is up, it shows that Janie is becoming less of a person, and when Janie’s hair is down, it shows that Janie is being the person she wants to be. Throughout the book, the symbol of Janie's hair demonstrates how the power of identity can be suppressed or expressed.

When Janie is in a relationship with Joe “Jody” Starks, he restricts the freedom she has through Hurston’s symbolization of hair. Joe begins this oppression of her freedom when he witnesses the townsman Walter stroking the end of Janie’s braid “ever so lightly as to enjoy the feel of it without Janie knowing what he was doing” (Hurston 55). This violation of Janie’s body enrages Joe, for he views Janie’s body as exclusively his property. Regardless of Janie’s desires, he demands “Janie to tie up her hair around the store” (Hurston 55). By revoking Janie’s ability to wear her hair as she pleases, Joe strips her freedom to make her own choices. As she does not yet have the

Author Zora Neale Hurston weaves many powerful symbols into her acclaimed novel, Their Eyes Were Watching God. Hurston’s use of symbols enhances the reader’s understanding of the trials and tribulations along the road of self discovery for the story’s main character, Janie. Of the many symbols used throughout the novel, one in particular - Janie’s hair - is subtle yet striking as it gives us insight into Janie’s perceived social status, oppression, self identity, and her eventual independence through her self identity as a woman despite the social norms of the time period.

Janie’s quest begins with her grandmother forcing her to marry Logan Killicks; her compliance demonstrates her need to follow what others expect of her. Although she believes "[Logan] look like some ole skullhead in de graveyard", she marries him, simply because her grandmother tells her she will love him with time (13). She compares him to a “skullhead”, literally likening him, and subsequently their relationship, to death. Although she knows she wants to find love, and that she does not love Logan, she marries him to appease her grandmother. This shows how much Janie cares about what other people think of her, and what lengths she is willing to go to keep others pleases with her.

In Their Eyes Were Watching God, Zora Neale Hurston uses Janie to show that one must have a voice in order to have a sense of who one is and have control over oneself. Janie is a dynamic character and other characters in the novel contributes to her attributes because each of them control specks of her life. To develop as a character, Janie undergoes quests to find her identity and retain it. It is arguable that Janie hangs onto pieces of who she is as she discovers more about herself and gain control over those aspects because Hurston sets the novel up as a frame story. With a frame story, there are reflections happening, so in turn, she must have learned from what she experienced between the beginning and the end of the novel. In addition

Zora Neale Hurston was known for expressing the facets of African-American culture in her books, but her novel Their Eyes Were Watching God has elements of gender studies as well. Throughout the book, Janie’s life experiences serve as a metaphor for the historical struggle of both women and Black Americans to achieve equal rights, and various symbols throughout the book are significant in this context. Janie’s hair, in particular, is the clearest example of a symbol that represents her power and individuality. Two of the most important instances in which Hurston uses Janie’s hair as a symbol are when Janie’s hair serves as a symbol of Jody Stark’s oppression and when Janie’s hair represents her ability to have greater power than others due to its Caucasian nature.

Instead of treating Janie like the beautiful woman that she is, he uses her as an object. Joe was a man who “treasured [Janie] as a posession” (Berridge). Joe’s demanding nature suppresses Janie’s urge to grow and develop, thus causing her journey to self-realization to take steps backward rather than forward. In Janie’s opinion, “he needs to “have [his] way all [his] life, trample and mash down and then die ruther than tuh let [him]self heah 'bout it” (Hurston 122). It is almost as if Janie loses sense of her own self-consciousness due to the fact that she becomes like a puppy being told what to do by her master. The death of Jody is actually a positive thing. Joe’s controlling nature stifles Janie’s inner voice. While married to Jody, Janie became closer to others, however, she did not become closer to herself. Being on her own again gave her another chance to embark on her journey and realize who Janie Crawford really is.

In Zora Neale Hurston’s Their Eyes Were Watching God, the protagonist, Janie, endures two marriages before finding true love. In each of Janie’s marriages, a particular article of clothing is used to symbolically reflect, not only her attitude at different phases in her life, but how she is treated in each relationship.

The hair rags symbolize her freedom from corruption. In chapter 7(page 76) it states “ the years took all the fight out of janie's face. For a while she thought it was gone from her soul. No matter what jody did, she said nothing. She had learned how to talk some and leave some”. Through her first marriage with Joe she's been constantly shut down and has gotten her dignaty take out of her But towards the end of the chapter she was able to liberate herself from such corruption and value her worth and take out the toxics in her life.

Janie, in Their Eyes were Watching God by Zora Neale Hurston, was a unique individual; as a half-white, half-black girl growing up in Florida in the early 1930's, a lifetime of trials and search for understanding was set for her from the start. As the main character she sought to finally find herself, true love, and have a meaningful life. Growing up, in itself, provides a perfect opportunity for finding that essential state of self-realization and ideal comfort. Michael G. Cooke reviews Their Eyes Were Watching God in his article "The Beginnings of Self-Realization"; within the article it is falsely criticized that every time Janie is negatively impacted she grows to become more

    In Zora Neale Hurston's Their Eyes Were Watching God, Janie Crawford is the heroine. She helps women to deal with their own problems by dealing with hers. She deals with personal relationships as well as searches for self-awareness. Janie Crawford is more than a heroine, however, she is a woman who has overcome the restrictions placed on her by the oppressive forces and people in her life.

Both Janie and Hester use physical transformations to escape from the constraints of their roles in society. In Their Eyes Were Watching God, Janie changes her clothes in a rebellion against the expectation of women to become housewives. When she runs away from her first husband, Logan, Janie notices “the apron tied around her waist. She untied it and flung it on a low bush beside the road and walked on” (Hurston ). Janie’s apron symbolizes not only her