Analysis Of If We Must Die By Claude Mckay

The Crucible In the 1958 “The Crucible’’ there’s plenty of different universal themes that apply to everyone. But a very common and consecutive theme that re-occurs several times in The Crucible is “Lies and Deceit.” For a God following village there sure is a lot of lying and deceiving. One of the main examples of this theme would be Abigail.

Throughout the poem the tone and harmony is showing many different moods including shyness, anger and calmness. An example of shyness is at the start of the poem “softy, silently it swishes”, an example of anger is in the middle of the poem “it thumps, it sprays it rips at shores, its ozone spray”, and finally at the end of the poem calmness is shown, “it spends its strength, it sings, it sighs. The wave recedes”. One aspect of the poem I find intriguing is the alliteration and personification. For example, “it sighs, it sings, it seeks”.

During the Harlem Renaissance, many African Americans struggled through a shifting period in time from slavery to equality. Some African Americans expressed their feelings at that time through poetry such as “Yet Do I Marvel” written by Countee Cullen and “If We Must Die” by Claude McKay. In “Yet Do I Marvel” Cullen writes about how the struggles he is facing relate to God and how he is being punished. McKay’s poem is slightly different; he emphasizes the idea of dying an honorable death for his freedom. These two poems are classic examples of how some African Americans felt during the Harlem Renaissance.

In “America” Claude McKay expresses the struggles that African American people have faced at the hands of the country that they call their home. The poem explores the dual persona that African American 's experienced during the time and the conflict that arose because of it. Claude McKay 's political beliefs and how he experienced life in America are expressed throughout the poem. The speaker of the poem addresses both the love and bitterness that he feels for his country as an example of the struggle of being both black and American during the first half of the 1900s. America constantly tested and fought African Americans during this time. However, this just made them stronger, and the Harlem Renaissance and the poems and stories produced during it are an example of their strength taking form.

Claude McKay’s poems reflect on American culture during a specific time in history, known as Harlem Renaissance. A time where racism was predominately a way of living for many, this was a beneficial time in history for African Americans. Bringing blacks together in a new movement that had not been present in America. Development in which blacks emphasized themselves by taking on their racial identity. It was a time period in which the black community helped each other to be able to express themselves as who they truly are, creating a true African American visual doing so

The brutal white men the even go as far as to make sure the character doesn’t put the two races on the same figurative pedestal, by fraternizing the young man by asking “you sure that about equality was a mistake?”. A second example of how white brutality is characterized and portrayed is in Claude McKay’s poem If we must die. The speaker describes the African-American people as hogs and the brutal white people of the time as vicious dogs, and in line 4, pleads for them not to begin “making their mock at [their] accursed lot” describing how horrible and miserable African-Americans of the time were. He then goes to capture the triumph and die fighting spirit in line 10, “Though far outnumbered let us show us brave.” Yet another example, representing the hardened abuse from white communities is Countee Cullen's short poem Incident. In the lines 5-8, the speaker shows that there was no mercy among white people, even to the young by saying “Now I was eight and very small/ And he was no whit bigger/ And so I smiled, but poked out/ His tongue and called me ‘Nigger’.” Aside from showing white brutality towards innocent children, the speaker also captures the long term effects of this abuse in lines 9-12 of the poem, “I saw the whole of Baltimore/ From May until December/Of all the things that happened there/That’s all that I remember.” This shows that though much can happen throughout someone’s life, the verbal and physical abuse and mocking from one group to

Around the time of the Harlem Renaissance, blacks still faced many adversities that prevented them from thriving as a people. As seen in the Reconstruction and Post-Reconstruction eras, blacks were often discriminated against and even attacked by whites all across the nation. These attacks all culminated in the infamous "Red Summer of 1919," when hundreds of African Americans were slaughtered in race riots in dozens of cities, including Chicago, Washington D.C., and Elaine, Arkansas. While many blacks were extremely fearful of this impending danger, the esteemed poet Claude McKay boldly spoke out against the cruelty shown towards his people. In his poem "If We Must Die," McKay encourages blacks and commands them to stand and fight against the misdeeds committed by whites. Instead of asking blacks to accept their fate or to uselessly flee from the threat of death, McKay dares them to stare death in the face and to fight against the power that whites try to hold over them. In his sonnet "If We Must Die," McKay uses bestial imagery, biblical allusions and first person perspectives to motivate African Americans to defy the violent tyranny of white Americans.

Claude McKay was a Jamaican poet who brought hopefulness to the oppressed during the Harlem Renaissance in his poem, “If We Must Die”. McKay experienced the hardships that colored people were going through because of their race and nationality. He believed that the people should fight for what they believe in, even if it seems like a hopeless cause. McKay uses the concept of dying with dignity to persuade his fellow African-Americans that are being oppressed to fight for what they believe in.

In the fight for equality, people of color often feel isolated and separated from those whose privilege reinforces their oppression. However, there are and always have been white people who see the inequalities that are practiced in society and speak out against them in hopes of reaching equality for all. Langston Hughes used his voice in poetry to express his experience as a black man in the United States during the Civil Rights Movement, and his is a household name. There is no doubt that his words have power. The reader expects to feel his experience and gain empathy and understanding through his poetry. In his poem, “Let America Be America Again,” Hughes presents his experience of American life in a powerful contrast to the experience

All three of the poems discussed in this essay relate to the struggles suffered by African Americans in the late 18th century to the early 19th century in many different ways. They had to live under harsh

Clearly provocative and even chilling, “If We Must Die” by Claude McKay stirs deep and powerful emotions in any who reads it. A poem inspired by violent race riots, it serves as a motivating anthem representative of an entire culture. Graphic and full of vengeance this poem is demanding action, not telling a story. McKay utilizes imagery to its fullest extent creating an end result which any man or woman, black or white, who has ever felt the hard and hateful hand of oppression can relate to.

Just as Yeats did in "Easter 1916", McKay's poem "If We Must Die" also tells a story of how being rebellious can also in many ways be heroic. He writes "O kinsmen! we must meet the common foe! Though far outnumbered let us show us brave, and for their thousand blows deal one deathblow." (Cite here) stating that though they are far outnumbered and death is a great possibility they will stand together and fight until the very end. Together they will rebel as a group in hopes of a better life, fighting the impossible battle but appearing as heroes to the ones they are fighting for.

In the poem ,“America”, Claude McKay uses figurative language and diction to create a dark tone, a powerful empowering tone, and an optimistic tone. The theme of double consciousness of African-Americans is supported in the poem and the poem itself also connects to the purpose of the Harlem Renaissance which was to fight back racial hate and stereotypes with black empowerment.

The Kansas City Call summed up the general mentality of African Americans during the 1920s with the statement “The New Negro does not fear the face of day.” (pg 118) Unlike the old days of slavery, African Americans had become more radical towards their oppressor and were beginning to organize as a people. Harlem Renaissance poet Claude Mckay embraced the “New Negro” archetype in his work by stating “If we must die, let it not be like hogs/ Hunted and penned in an inglorious spot….. Like men we’ll face the murderous, cowardly pack/ Pressed

The poem America by Claude McKay is on its surface a poem combining what America should be and what this country stands for, with what it actually is, and the attitude it projects amongst the people. Mckay uses the form of poetry to express how he, as a Jamaican immigrant, feels about America. He characterizes the bittersweet relationship between striving for the American dream, and being denied that dream due to racism. While the America we are meant to see is a beautiful land of opportunity, McKay see’s as an ugly, flawed, system that crushes the hopes and dreams of the African-American people.