“Nel cor più non mi sento” by Giovanni Paisiello The composer of “Nel cor più non mi sento” is Giovanni Paisiello, an Italian opera composer born in 1740. Giovanni’s musical talent was discovered when his singing ability was revealed while at school. As a result, Giovanni was sent to the Conservatory of Dan Onofrio at Naples. While in school, he composed multiple intermezzi, which garnered enough attention to grant him the opportunity to write two operas. Giovanni’s career advanced from there, spending time composing in Russia, and Vienna before returning to Naples; he also had a spent a short amount of time in Paris. Ultimately, over eighty different operas are credited to Paisiello as well as many smaller works. This particular song, “Nel cor più non mi sento” comes from his 1788 opera L’amor constrastato, more commonly known as La Molinara. In this comedy opera, three men (Don Calloandro, Don Rospolone, and Pistofolo) fall for mill owner Rachelina. Issues arise since Calloandro is set to marry his cousin Eugenia, and both Calloandro and Rospolone reveal their affection for Rachelina to Pistofolo. Within the opera, “Nel cor…” is sung by Rachelina with a second verse by Don Colloandro as Rachelina is working in the morning. “I’m Not that Girl” by Stephen Schwartz
“I’m not that Girl” can be found in the musical Wicked, whose music is by Stephen Schwartz. Born in New York, Schwartz studied at Juilliard and Carnegie Mellon before returning to his hometown to begin his
While reading the Nacirema I could not help to think how different they were and question the different rituals and customs they practiced. After finding out the meaning behind the allegory I was shocked and surprised. I was surprised int the similarities that are visible after knowing that the parable of the Nacirema was actually about America. My brain started making connections to the American culture. One of the first connections that immediately made to the reading was the part where Miner talked about how the human body was viewed as disease and an ugly thing. How could someone view this of their own body? But that is exactly the way Americans consciously or not view our bodys. The way that we go to the doctor often and take vitamins or shots against viruses and disease. Often we are even required by schools that we have certain vaccinations. This could appear different to people who do not get vaccinated as often as Americans do. People grow up viewing everything they do on a daily basis as normal and what's correct. That when we see different from one's ordinary practices we are alarmed, but our own culture or even habits are also different from others.
There are many eerie stories in the Mexican culture. I didn't grow up with a grandma, so I didn't really know that story, till a few years ago. Well this is a short version of the story, la Llorona was a gorgeous young lady, she got married and her husband didn't give her attention. Her children got all the attention, and she got very jealous, so she drowned her kids in a river. So, to this day people say they hear her cry at night "oh my children, where are my children".The young woman walks along the rivers crying to find her children, La Llorona woman". La Llorona has many similarities to the Medea. She is one of the most is known in the Spanish language. The English language she is known as "the weeping known ghost in Texas. There are many stories about la
Perpetua was a true woman of faith. Perpetua was a twenty-two-year-old, a Christian, a mother, a daughter, and a martyr. The story of The Passion of Perpetua and Felicitas is the story of the execution of Perpetua and her Christian companions. This story reveals the difficulty Christian’s went through during this time, the chasm between the Roman and Christian communities, and the experience of Christian persecution for going against the Roman cultural norms. Perpetua’s personal prison diary expresses her extremely deep faith in Christianity. Perpetua and her Christian companions were prepared to be tortured, publicly humiliated, and in the end, lose their lives for their faith. Perpetua had a young baby still nursing her and Felicitas was
In 1860, Manuelito and his fellow Navahos are facing conflict with two different adversaries; the American army who stole their livestock and burned their hogans, the Navahos log-structured homes, and the Mexicans who kidnapped Navaho children to be used as slaves. After the completion of the first American fort in Navaho territory, Fort Defiance, and the seizing of the pasture land around the fort by the Americans, the Navahos, who are upset by this loss of good land and the slaughter of their herd by a company of soldiers, attack the fort on April 30, 1860. After a time of minor skirmishes between the two forces, a horse race between Manuelito and an Army lieutenant is held at the new Fort Fauntleroy in September, 1861. The lieutenant wins
In the novella, Benito Cereno, Herman Melville demonstrates the conflicting issue of racism and how it has been a part of our society for centuries. In the novella, we go on an adventure with two captains of Spanish descent and an overpowering amount of African Americans slaves. Melville has captured the importance of the slave trade and the risks that have been taken over time by African Americans trying to earn some justice within their lives. As a reader, we are shown the heart wrenching experiences a slave trader and an African American must endure over the bloody trading seas. Melville creates a clear picture that Americans over history were not always the heroes. This novella, shows the morality of our American history and how race has created such a strong role within our culture.
Sandra Cisneros is an influential, activist poet who is engaged in teaching the Chicano community and is a strong voice for the Latino community through her writing. Cisneros has a Mexican father and a Chicana mother which made her part of the two different communities. Cisneros’s work is often influenced by her observations of the people in her community and her writings include many different types of communities. In “His Story” and “Woman Hollering Creek” communities of women influence Sandra Cisneros’ characters. Some of the communities help and others hinder. Overall, the communities impact each narrator's sense of identity.
Artist Joe Stephenson created “Sin Un Pasado, No Hay Futuro” mural located on 2nd Street and Gold, Downtown Albuquerque, in August of 1994 to convey the lesson we are forever frozen in time without the knowledge of our past. Together we can achieve greatness in our future with the guidance of the past. It’s a sad thing when a culture, or tradition is forgotten and lost in time. This mural is showing us how important it is to preserve New Mexican history, culture, and traditions for generations to come and the negative impact it can lead to if we fail to do so.
As Enrique continues to get closer and closer to the United States he decides that he needs more money to keep him going. “The brick maker offers yet another kindness: if Enrique will work, he will get both food and a place to sleep” (Nazario, p.131). This is good for Enrique. He will be able to make some money and finish up his journey to the United States. The final challenge for Enrique is the Rio Grande. He knows that this will be the hardest part of the trip. He can taste the American soil, but this is where many of the migrants endure the hardest part. For a while Enrique stays in camps that will help him cope with the process of crossing the river. “The encampment he has joined is a haven for migrants, coyotes, junkies, and criminals,
On this track, Reies Tijerina Lopez leader of Federal Alianza of free City State was interviewed. I n the beginning him and the interviewer who was not named, talked about a shooting that involved police cars and black and white high school students. The interviewer commented “lord help us all” where Lopez commented that god wouldn’t help us because he is tired of the violence behavior in our society. After that he talks about how he meets Martin Luther King and talks to him about a plan he had to bring 100 leaders to march for human rights. Than they talk about what he is doing in Northern New Mexico which he gets side tracked and never comes back to what he was doing. He moves on and talks about how the states took land from Mexico that they
According to the reading that I read, it tells about a person called the Catalina de Erauso who was born in the town San Sebastian in the province of Gipuzkoa. Catalina had traveled to several towns in Spain disguising as a male after he ran away from the convent that their parents put him into. Her journey around the Spain gained her a lot of experience; both the ups and the downs. During her adventure, there stand some equality and distinction between her and other Spanish Conquistadors.
Uruguay is a secular nation, with a distinct separation between church and state. As such, touring churches and cathedrals is not an integral part of Uruguayan tourism. Those with an interest in mysticism, however, will not be disappointed.
Also he had composed keyboard pieces, oratorios, symphonies, and operas. He performed his first major opera when he was fourteen it was staged in Milan in 1770 the style of the opera was opera seria, Mitriade.
Opera in the Romantic Period was a time when opera changed drastically, especially in the country of Italy. The recognition of singers as being important, almost irreplaceable, in the art of “bel canto” opera changed the idea of a vocalist in opera forever. A singer’s voice was prized and Italian composers, like Rossini, Donizetti, and Bellini wrote operas and works to showcase the voice, it’s color, range and agility. These Italian composers were moving away from the normal style of composition of the time, and the composer Rossini, who set the stage for many other followers. Many of the operas written during this time are still performed today and are highly acclaimed. For the most part, before Italy became a main player, France
The first roots of modern opera first appeared in Italy in the 17th century from the Camerata (an academy of Florentine poets, musicians, and scholars). The Camerata, inspired by ancient Greek drama, sung dialogues and choruses which were accompanied by musical instruments. The Camerata developed the “stile recitative,” in order to integrate drama, action, dialogue and narration. In this “sung speech,” a singer delivered a recitative melody with an actor’s dramatic and oratorical skills, achieving the goal of providing
The beginning of the seventeenth century marked the start of opera in Italy. The earliest opera manuscripts to survive are the two settings of Euridici by Peri and Caccini (Grout 43). Although Euridici is the first known opera, Peri and Caccini were both not considered the founder of opera, that honor was instead given to Monteverdi (Grout 51). The reason for this may be because Euridici is said to contain many imperfections including: “weakness of characterization, the limited range of emotions expressed, the lack of clear, consistent musical organization, and above all the monotony of the solo style” (Grout 49). Grout explains that Monteverdi’s opera Orfeo “represents the first attempt to apply the full resources of the art of music to opera” (53). La morte d’Orfeo was the first secular opera performed in Rome in 1619 (Grout 62). This marked the beginning of serious secular opera. Opera continued to