Analysis Of Sandra Cisneros's The House On Mango Street

Have you ever felt like the place you belonged to didn’t belong to you? In The House on Mango Street, this is how the main character, Esperanza, felt. The author, Sandra Cisneros, did a good job in portraying a girl who couldn’t find her place. She had a problem accepting where she was from, The House on Mango Street is heartfelt novel and is great to pass the time. In this story, you will be shown the lives of Esperanza, her sister Nenny, their two best friends Rachel and Lucy, and the many people who lived on Mango Street. This book is about a girl who went from denying her place to accepting it.

The House on Mango Street is a collection of short stories written by Sandra Cisneros. Cisneros is a Mexican-American who grew up poor. The House on Mango Street tells stories about Mexican Americans like Sandra and obstacles in the way of reaching the American Dream. The American Dream is the equal opportunity for all Americans no matter the race to living a healthy lifestyle. What stands in the way for the residents of Mango Street of reaching a healthy lifestyle.

“I am an ugly daughter,” she says. “I am the one nobody comes for” (109). She feels she can relate to the four skinny trees outside her window. “Four skinny trees with skinny necks and pointy elbows like mine” (93). Just as the trees survive under a harsh environment, Esperanza finds difficulty in accepting the neighborhood in which she lives. She is very self-conscious about her name, whose mispronunciation by teachers and peers at school sounds ugly to her ears. She struggles with jealousy of her younger sister Nenny and cynically says that she “has pretty eyes and it’s easy to talk…if you are pretty” (109). Ashamed of most everything she identifies with, Esperanza is maturing with a very low perception of herself. She is not content with her home and surroundings, and cannot be until she is happy with her own character.

Marriage is recognized in society as one man and woman in union for a legal contract. Marriage has numerous definitions, for example, legal and moral provision for generations among humans. This word can represent more than its definition. Marriage for various writers signifies hate, passion, oppression, and euphoria which have been serving as the focal point of many literary works. One example is “Linoleum Roses”, one of the vignettes that make up The House on Mango Street, a coming-of-age novel by Mexican-American writer Sandra Cisneros. Cisneros in this specific vignette reveals the inherent oppressiveness of particular marriages, which by their nature rob people of their independence.

When passing through a poor neighborhood, have you ever thought, “this place is dangerous.” even though you just see what’s on the surface? The dirty buildings, run down stores, and unkempt roads persuade us to perceive that neighborhood in a negative light, but you might do this unconsciously because ever since we were young, socioeconomic status is what separates the “good”, from the “bad”. Sandra Cisneros’, House on Mango Street, shows us how harmful having a previous notion of a place or person can be. In the novel, we meet Esperanza Cordero, a girl whose parents never strived above the working class. Because of their low income, they are forced to move into neglected homes on the verge of crumbling, their final stop being Mango

Imagine feeling like you don’t belong and never will, or that the odds of your success is a slim chance to none. The House on Mango Street written by Sandra Cisneros, leads us into a world of poverty, broken dreams, and slithers of hope. The House on Mango Street follows the life of a young girl by the name of Esperanza Cordero, who occupies her childhood in an indigent Latino neighborhood in Chicago, Illinois. The books expresses her dire need to have a place where she can call home, and escape the harsh reality of her expected life. Though, her life on Mango Street is bearable with help of her little sister Nenny, her two best friends Rachel and Lucy, and her other friend Sally. On her journey to adulthood, Sandra Cisneros will show how Esperanza assimilates into a mature young lady, who truly find her identity, and develops emotionally as well as physically.

She was born in Chicago, Illinois. Cisneros grew up in a Latino family around the 1950s and 1960s. She had a Mexican father and Chicano mother. Cisneros was encouraged by her mother to read and was not insisted with spending all of her time performing classic “women’s work”. Cisneros welcomes her culture with open arms, but acknowledges the unjustness between the genders within. Having experience growing up in a poor neighborhood in a working class family while facing the difficulties created by racism, sexism, and her status, Esperanza longed to leave the barrio. Later, she finds her capability to succeed individually and find a “home with herself”; she worked to recreate some Chicano stereotypes for her community. Cisneros didn’t want to

Thesis statement: Esperanza has a variety of female role models in her life. Many are trapped in abusive relationships, waiting for others to change their lives. Some are actively trying to change things on their own. Through these women and Esperanza’s reactions to them, Cisneros’ shows not only the hardships women face, but also explores their power to overcome them.

To begin, Cisneros uses metaphors of classism to express Espernaza’s views of classism and how it causes those of a lower class to be devalued. Throughout the novel, Esperanza dreams of moving into a new house, a house on the hill because “people who live on hills sleep so close to the stars that they forget about [those] who live on earth” (86). The house on the hill is a metaphor for those who are higher up in the social class. Those who live on the hills live their live their entire lives so easily and “[do not] look down at all except to be content to live on the hills” (86). Esperanza critiques that the higher class are happy with their own lives and ignorant to their privilege, therefore, they do not care about the less fortunate. This metaphor of

Lindsey Rietzsch once said “A negative attitude drains, a positive attitude energizes.” This quote means that having a negative attitude lowers your self versus having a positive attitude where is actually increases attitude and it energizes you by inspiring you. “The House on Mango Street” sets up in Chicago, where the narrator(Esperanza) lives on Mango Street. The House on Mango Street that Esperanza lives in is really bad condition and old. It is so small that the narrator has to share beds in the same room with her family. Esperanza begins to lower her self esteem because she does not like where she lives and every time when some asks, “Where do you live?” She wants a real house that she could point to and she thinks the House On Mango street is not. But later, along the times, Esperanza’s negativity of herself begins to slowly change by looking at nature and take a closer look at the environment she lives in. Cisnero shows that knowing and being able to accept where our background is from is an important part of growing in life also as determining the real you.

The House on Mango Street, written by Sandra Cisneros, is a novel about a young girl growing up in the Latino area of Chicago. It is highly admired and is taught in a plethora of grade schools and universities. The House on Mango Street expresses the story of Esperanza Cordero, whose neighborhood is full of harsh realities and jarring beauty. Esperanza doesn’t want to belong- not to her run-down neighborhood, and not to the low expectations the world has for her. Esperanza’s story is of a young girl coming into her power, and inventing what she will become for herself. While Esperanza and the other women have many differences, as in the way she is fortunate to avoid the pitfalls of her environment and others are not, there are just as many

The Novel, The House on Mango Street, was based on the writer Sandra Cisneros. She was writing this when she was living in Chicago. She was like Esperanza. She want though poverty. She has been heartbroken and deeply joyous. She inventing for herself who and what she will become. This is the life of Esperanza Cordero and based on Sandra Cisneros to all women out there.

People from all over the world change, change in either mentality, thoughts, maturity, physically, mentally, appearance, feelings and etc. What causes the transformation of that person is important, but how much did it affect them is also crucial. In Sandra Cisneros novel, entitled The House on Mango Street,the story depicts a Latina girl who transform throughout her time being on Mango Street. The girl named Esperanza is to faced obstacles of female oppression that she witnesses in the life of women on her street who they depends on men to bring them out of the street. In The House on Mango Street, Cisneros uses characterization to express the

The House on Mango Street by Sandra Cisneros uses many rhetorical devices to push her viewpoint of how sexual maturity and individuality come with age and experience. Cisneros’ effective use of symbols, syntax, and tone convey and persuade Esperanza’s upbringing.

After having read the novel “The House on Mango Street” by Sandra Cisneros I will now concentrate on the background of the novel that moved Sandra Cisneros to write it by investigating the novel with special regard to its different dimensions.