Analysis Of William Shakespeare 's Othello

“Let you not mistake your duty as I mistook my own. I came into this village like a bridegroom to his beloved, bearing gifts of high religion; the very crowns of holy law I bought, and what I touched with my bright confidence, it died;

Fear of cuckoldry is widely known theme in medieval and Renaissance English literature. Fear of cuckoldry was also a widespread fear in English society during those eras. Men often treated their wives as possessions. Once men and women married, divorce was almost impossible, especially since it was almost impossible to prove that one had been cuckolded. If one were cuckolded and one’s wife had another man’s child, one might spend decades taking care of that child and passing on one’s money and belongings to that child without ever knowing that one had been deceived. Unmarried women are seen as their fathers ' property and the play 's two marriages are marked by jealousy and cruelty. Most

In Othello every character has their own personalities that makes them the person they are. In Othello there are characters that show true grit, a fixed mindset, and a growth mindset. Each characters are different which makes the book even more interesting. True grit means to endure and push through to do something better no matter what it takes. An example of grit is studying for a long period of time for a test and enduring the amount of work that must be completed. The definition of mindset is the established set of attitude held by someone. There are two other types of mindset as well. There is growth mindset and fixed mindset. Growth mindset is when the person isn 't

From the first scene of the play to the last, Iago is able to be trusted by everyone. This is one of the many reasons why Iago is so successful in his schemes, he is always trusted. In the first scene of the play we learn that Iago is helping Roderigo, win the love of Desdemona. Roderigo is trusting Iago with his

Iago also knows that Roderigo will do anything for Desdemona’s love. Iago says, “Thus I do ever make a fool my purse” (1.3.355). Iago tells this to Roderigo which means that he is willing to manipulate anyone as long as he gives him jewels and money. This quote makes him look brilliant because he knows that Roderigo has a lot of money and will do anything to be with Desdemona. I agree when D. Madison says, “In Othello, he knows just what to say to sound innocent. Iago is the ultimate master of manipulation”. Iago uses his knowledge wisely and uses it to manipulate others for his own satisfaction, and knows how to manipulate them because he has analyzed them before, and that is what makes him so good at being evil. Iago is fully aware what he is doing and has no sympathy for anyone like he says himself; “And what’s he then that says play the villain, When this advice is free I give, and honest” (2.3.299).

The first victim of Iago’s manipulation was Roderigo. Iago realises Roderigo will do anything to be with Desdemona, so Iago uses this to his advantage. “Thus do I ever make my fool my purse” (I, iii, 374). Iago plays with Roderigo’s emotions and hopes to swindle his money. Iago makes a fool out of Rodrigo because he is a rich guy who thinks that money will win over Desdemona’s heart. Roderigo buys her gifts and gives it to Iago thinking that he will give it to Desdemona. Instead, Iago keeps it for himself, and making a lot of profit in doing so. Iago does not waste his on knowledge and skills on something he can get someone else to do. “For I mine own gained knowledge should profane” (I, iii, 375). Iago convinces Roderigo that he will make Desdemona fall in love with him by giving her presents with Rodrigo’s money. This shows that he is sly and clever because he knows that Roderigo has a lot of money he can benefit from. Also, Iago gets something useful out of Roderigo that aids in his evil plans. “If I would time expend with such a snipe But for my sport and profit” (I, iii, 376-377). Roderigo is shown to be a very gullible character that believes everything Iago says. Iago keeps Rodrigo uninformed about his plans and continues to profit from him. Rodrigo follows Iago blindly, thinking the whole time that Iago is trying to aid him, but since Iago is driven to become lieutenant, he uses Roderigo for his money and something to rely on. Later Iago sends Roderigo to kill Cassio so Iago would not be suspected as a criminal. Iago’s plans begin to dwindle as Roderigo ends up dying by the hands of the manipulative Iago that supposedly helped Roderigo get with Desdemona.

Roderigo also plays as a pawn in Iago's plan when he is lied to by Iago about getting married to Desdemona. For example when Iago says to Roderigo, "Plague him with flies"(I,i,71). Iago uses this metaphor to manipulate Roderigo into going to Desdemona's father and telling him that his daughter is married to the Moor, Othello. Iago wants Brabantio, Desdemona's father, to dislike the Moor because Othello did not make Iago his lieutenant. Roderigo is told by Iago that if he tells Brabantio that Othello and Desdemona are married than Brabantio might get them divorced or break them up. This way Roderigo will have a chance with Desdemona and express his love to her. Another metaphor that helps Iago with his plan is "Thus do I ever make my fool my purse"(I, iii, 375). Iago had been convincing Roderigo that money can buy him anything, even Desdemona's love. Roderigo believes him, blinded by his love for Desdemona, and sells his land to get money for gifts. Iago had been using Roderigo for his money and none of the gifts and jewels Roderigo gave Iago to give to Desdemona actually reached her. Roderigo who is crazy about Desdemona gets so carried away with himself that he is too late to realize that he had been tricked and used for his money. Roderigo is deceived by Iago whom he trusted so dearly

Shakespeare’s Othello is a play consistently based on jealously and the way it can destroy lives. One is quick to think this jealously is based on Othello’s lack of belief in Desdemona’s faithfulness to him or his suspensions over Desdemona’s affair with Cassio, Othello’s honorable lieutenant. Upon closer inspection of the jealously that exists throughout the play it becomes clear that his jealously is not the sole start and reason for all of the destruction that occurs. Iago, a good friend of Othello, is not who he appears to be. Iago’s own jealously of those around him pushes him over the edge. He begins to deceive all those who believe he is a true, honorable, and faithful man. Throughout Othello, Iago incites his own jealously in

When pairs of texts are considered together, their universal themes and ideas lead to greater understanding, appreciation and insight of both the old and the new. The texts Othello, William Shakespeare (1600) and Othello, Geoffrey Sax (2001), ring true for this statement. Despite the differing contexts and ages, the universal themes of racism and betrayal bring new meaning to each of the texts. The primary meaning from the juxtaposition of the two is that of the human condition, and how the problems faced in the 17th century are faced in modern times.

Roderigo is a co-conspirator with Iago but is not equal in developing a web of lies and jealousy designed to ensnare others. “Thus do I ever make my fool my purse (Shakespeare)”. Iago takes advantage of the desperate former suitor of Desdemona and controls his emotions like a puppeteer pulling strings. With the line, “But for my sport and profit”, it is clear that Iago sees enriching himself off Roderigo’s envy as an amusing task with such an easy mark (Shakespeare 1473). Roderigo is a simple-minded fool who believes that by giving money to a lowly ensign he can win the love of Desdemona, have her marriage to Othello dissolved, and restore her virtue.

Roderigo believes that Iago will help him win Desdemona's love, so she will abandon Othello. In the play, Iago states “I say put money in thy purse. It cannot be that Desdemona should continue her love to the moor-put money in thy purse-nor he his to her” (1.1.385). Iago persuades Roderigo to pay him for his service, which would only be the beginning of his manipulations. Roderigo has a deep love and respect for his companion Iago, whom he trusts, as witnessed by his willingness to give him money. The adoration Roderigo has

In this scene, Roderigo is sceptical of Iago’s plan and puts a sword to his throat. Iago swiftly maneuvers out of this situation by telling Roderigo how his judgement is brave and now he believes that Roderigo will do whatever it takes to get Desdemona’s love. Iago says that if Roderigo does not complete the plan, then he cannot try to kill him. The fooled Roderigo is shocked and is now completely loyal to Iago who barely got out of this bad situation using his manipulation skills. Later in the play, Roderigo finally recognizes that Iago has been taking advantage of him saying, “O damned Iago! O inhumane dog!” (5.1.74). As seen by his constant manipulative actions and dialogue, Iago reveals himself as a sociopath.

The same could be said of Roderigo, who, like Othello, trusts Iago in spite of evidence to the contrary--in the case of Roderigo, that Iago continues to take his money despite the fact that he gains nothing from it. This separation of fact and fantasy remains unresolved until the final act of the play, in which the death of Desdemona ultimately leads to the revelation that it was Iago's manipulations that led to the establishment of individual fantasies.

Iago uses a gamut of devious methods to achieve his means. His use of Roderigo is a masterly move. From being "a Venetian gentleman," Roderigo becomes Iago’s gull. In the very first scene he gets him to confront a sleepy Brabantio and give him the news of his daughters escapades with the Moor.

A victim of the villainous Iago, Roderigo was jealous of Othello’s marriage with Desdemona and tried to break it up by hiring Iago. His jealousy is seen taking its toll on Roderigo after he reacts to the confession of Desdemona’s love for Othello in front of the Duke and Brabantio. After hearing this, Roderigo feels as though all hope is lost and expresses his despair to Iago saying,