Sofia Kaiser
Ms. Menchoca
M-W @ 12 Sweat by Zora Neale Hurston Marriage is a big idea that our nation takes remarkably for granted. It is not something one can back out of easily. Once someone vows them self to one another, there is no way back. In Zora Neale Hurston’s short story “Sweat” she tells the story of Delia, a washerwoman. Who marries a man named Sykes, In the first part, you can easily see that he mistreats her. In the opening paragraph, he throws a snake like figure over Delia’s shoulders. She scolds him later for it. This image shown by Zora Neale Hurston is not coincidental. her husband Sykes is being shown as a very commanding figure. Later on in the story. Her Husband begins to go out with other women. He later tries to attempt to kill her. Only, In the hopes of marrying one of the mistresses he has been seeing. As you continue on reading “Sweat”, Hurston starts making you look through a feminist and historical lens. She Illustrates the idea of a society full of sexism. A society full of men exploiting and breaking down women… until the men have gotten enough use out of them and they move on.
Delia has had to make an enormous amount of sacrifices just to provide for Sykes and herself, due to her poor financial situation. Sykes being the person who “wore the pants” in the home, never acknowledges her work or appreciates it. Instead he torments her about working on a Sunday. The Holy Day. He always expects her to treat him like the be all. Since
The short story “Sweat,” by Zora Neale Hurston, seems to exemplify the epitome of a bad marriage. Hurston uses foreshadowing and irony to demonstrate the disintegrated relationship between the abusive husband and the diligent wife. Throughout the story, it becomes obvious that the husband does not oblige by the motto, “Do unto others as you would have them do unto you.” Hurston’s use of irony and foreshadowing helps reveal the fact that “the good will prevail” and Sykes will finally get what he deserves.
“A battered woman can only endure, and only God can save her - if God will”(Carter 616). In “Sweat”, by Zora Neale Hurston, Delia, the main character, is trapped in an abusive relationship. No one in the town is willing to help Delia get out of her relationship. Delia has had to become a source of strength for herself, but if she wants to be saved, she will need God’s help. Delia faces many struggles and through it all tries to remain a woman of God. Eventually, she becomes an example of the Passion of Christ by suffering and triumphing over her hardships (Banks 3). Delia is a strong Christian woman, and there are many Biblical references throughout the story. In fact, Christian symbolism can be seen throughout Zora Neale
The Harlem Renaissance marked the coming out of many brilliant black authors and thinkers. Names like Jessie Redmon Fauset, Alain Locke, Ralph Waldo Ellison, Langston Hughes, and Zora Neale Hurston marked the scene. Hurton portrays many messages in her stories without having to explicitly spell it out. This among other reasons make Hurston's writing so rich. Two of her almost fable-like stories, "Sweat" and "The Gilded Six-Bits", each portray powerful messages individually. In "Sweat," you get a message of "whatever goes over the Devil's back, is got to come under his belly." You will reap what you sow among other messages. In "The Gilded Six-Bits," you learn that time will heal, money is the root of all evil, and other morals. These
In Zora Neale Hurston’s short story, Sweat, Delia finds herself stuck in an unbearable marriage. Her husband, Sykes, mistreats her, leaves all work to her, and is unfaithful. After being married to Sykes for 15 years, Delia has lost all hope in the marriage. The countless beatings and painful acts of Sykes have brought her over the edge. She is forced to go against her strict religious beliefs because of the life in which she has been leading since her matrimony to her husband. One passage that sums up many factions of Delia and Sykes’s relationship is as follows:
The main character in Zora Neale Hurston’s “Sweat” is a black woman who resides in the South that clutches on to her belief in God to help her get through the suffering that she endures from her abusive and adulterous husband, Sykes. “Sweat” is full of religious symbolism that demonstrates that Hurston was using the theme of good vs. evil in the short story.
Zora Neale Hurston’s short story "Sweat" takes place in the 1920s in a small African American community in southern Florida. The story takes a look at a woman dominated by her husband, a common issue for many wives in the south during this time. Delia Jones, the protagonist in the story, is a hard-working woman who has bought her own home and supported her husband for fifteen years by taking in the laundry of white folks from the next town over. Delia’s husband Sykes does not value her or the work she does to support the both of them. Sykes has abused his wife for fifteen years and takes no shame in parading around his fat mistress for all to see. Sykes wants to get rid of Delia and take everything she’s ever worked for. Delia, though
Zora Neale Hurston’s short story “Sweat” is about a woman, Delia who is physically and emotionally abused by her husband, Sykes, whose actions she struggles to overcome towards her. Through all the abuse, Delia takes pride in her hard work and her religion. In this story, Hurston uses religions and moral symbolism that controls the character’s actions throughout the plot.
Not only does he drain her financially, but he has also abused her mentally and emotionally for the most of their marriage. Delia reminds Sykes that all she does is "Sweat, sweat, sweat! Work and Sweat, cry and sweat, pray and sweat!" from the fifteen years she has been washing laundry and laments (Hurston 278). However, despite all the cruelty that is happening, the author still portrays her persona with great compassion. Delia has enormous love, but soon discovers that she has the capacity to hate as much as she loves which has developed from her long-suffering life with Sykes. The author creates Delia based off her own life of being a Christian woman, therefore, in the story "Sykes is clearly wrong throughout the story, and Delia is right in living out the principles of Christian love, tolerance, and humility" (Banks). The importance of this quote is that it puts Delia's character into perspective and reveals why the way she is. The author's beliefs and practices are demonstrated through Delia and explain her actions in the story.
The story Sweat by Zora Neale Hurston tells the story of Delia who overcame her abusive husband, Sykes through her development of becoming a strong woman. The development of Delia’s character throughout the story relates to Zora Neale Hurston’s life of growing up into a strong, empowered woman. Delia and Zora were both verbally and physically abused which made them afraid and timid. Zora made her characters talk in a dialect that she grew up listening to which was uncommon to do in literature. Delia and Zora both had to provide for themselves by putting in the effort remain stable and happy. They also stood up for what they believed in which started their development into strong women. Delia had to let her husband die in order to gain independence, while Zora had to move away from home in order to be successful in her future which developed them both develop into independent women. They became stronger because of these things which empowered them to take back control of their lives. The snake is a symbol in the story that represents the evil that was overcome by the good. This story can now be better analyzed when looking at the life of Delia which connects to Zora Neale Hurston’s life.
In reading the story it is easy to see that Sykes becomes somewhat jealous of Delia. At first, he did all that he could to win Delia’s heart and keep it. As said by Walter Thomas, one of the minor characters in the story, “he useter be so skeered uh losin’ huh, she could make him do some parts of a husband’s duty” (Hurston 4). Yet somehow, Sykes falls out of love with Delia early in their marriage and that’s when his oppression over her began. He not only wears her down by beating her and ultimately changing her appearance, he also abuses her mentally. He resented not only the fact that Delia was the only one of the two that was financially stable within the household, but he mostly resented her job and the reality that she was comfortable with washing clothes for the “white folks”. Time and time again he tried everything in his power to make sure she didn’t finish her days work as a wash woman. For example he shows his disgust with her job when he comes home in the beginning of the story an sees his wife working, “he stepped roughly upon the whitest pile of things, kicking them helter-skelter as he crossed the room” (Hurston). He blatantly disrespects her and sends the message that no matter what he
Delia was a hard-working woman, who was the sole provider for both her and her unemployed husband Sykes, and was also forced to work to pay for Sykes mistress, Bertha, who lived over
Through external conflict exhibited by three significant occasions with the antagonist and husband, Sykes Jones, Zora Neale Hurston takes her leading character, Delia Jones, through an internal change from a submissive character to an aggressive and defensive character in her short story, "Sweat." When the story opens, one finds Delia Jones on a Sunday evening washing clothes, as was her profession, and humming a tune, wondering where her husband had gone with her horse and carriage. Little did she know that within the week she would stand against her abusive husband and watch him die of the situation he would create.
In “Sweat”, Hurston’s use of Sykes’s evil qualities illustrates the actions and the personality of the character Sykes. For example, Sykes has kicked the clothes around the ground because Delia refuses to stop cleaning white men’s clothes and kept working. Hurston’s description of how Sykes is threatening Delia as “Next time, Ah’m gointer kick’em outdoor!,” foregrounding his intimidation (Hurston 517). Snakes were known for being demanding to get what they want and Sykes used a ruthless tactic to hope that Delia would do what he wanted. Also, another illustration of his wicked qualities is shown when Merchant talks to the village men about Sykes seducing his wife with a basket of pecans. The description is described as “He's allus been crazy 'bout fat women, put in Merchant. He'd a' been tied up wid one long time ago if he could a' found one tub have him. Did Ah tell yuh 'bout him come sidlin' roun' mah wife-bringin' her a basket uh pee-cans outa his yard fuh a present? Yessir, mah wife! She tol' him tub take 'em right straight back home, cause Delia works so hard ovah dat washtub she reckon everything on de place taste lak sweat an' soapsuds. Ah jus' wisht Ah'd a' caught 'im 'roun' dere! Ah'd a' made his hips ketch on fiah down dat shell road,” emphasizes this fact (Hurston 519). The author makes use of Sykes’s womanizing ways to show that he tries to win the affection of Merchant’s wife instead of taking the pecans to Delia. His relationship is indifferent when it comes to romance toward Delia, which often
In the story “Sweat” by Zora Neale Hurston she talks about a lady that is independent. This lady’s name is Delia. She is married to Sykes who does abuse her and has a mistress named Bertha who he is trying to get her into Delia’s house. Delia is the one that does all the hard work while Sykes just sits at home. The symbols in this story help get the theme across which are domestic violence and empowerment. The three main symbols in this story each stand for a theme which is the snake portraying domestic violence, the Chinaberry tree and the title “Sweat” both portray empowerment.
In the short story “Drenched in Light” by Zora Neale Hurston, the author appeals to a broad audience by disguising ethnology and an underlying theme of gender, race, and oppression with an ambiguous tale of a young black girl and the appreciation she receives from white people. Often writing to a double audience, Hurston had a keen ability to appeal to white and black readers in a clever way. “[Hurston] knew her white folks well and performed her minstrel shows tongue in cheek” (Meisenhelder 2). Originally published in The Opportunity in 1924, “Drenched in Light” was Hurston’s first story to a national audience.