Analysis of Carole Satyamurti's Poem, I Shall Paint My Nails Red

The poem I have deconstructed is, “How to be a Real Indian” by Kenzie Allen. “How to be a Real Indian” consists of two stanzas. The poem is in a first person point of view. This poem was deconstructed in order to gain a greater interpretation of how and why it was written. To interpret what more the speaker was trying to convey through their writing.

When I think of a poet, images of scowling, mustached men whose 19th century wardrobe could use an update spring to mind—a somber Edgar Allen Poe type whose ink strokes inquire of unrequited love interests and dreary days alone in the snow. I certainly do not imagine modern, multi-ethnic women who live in the same state as me. However, as soon as I read Natasha Trethewey’s poetry, I immediately admired the way her words so effortlessly danced on the page, my mind’s eye watching the elegant choreography with each syllable read. Moreover, when I learned of her tragic history, and the strength and resilience she possessed to carry on, I could not help but to respect the way she turned pain into beautiful art. The right words carry great power

Her courage to dress the way that she does and go out in public is a significant moment in which she progresses towards her authentic self. This scenario coincides with May’s statement that “we are left the responsibility to choose mindfully and have the courage to remain constantly embroiled in the struggle between daring to amplify our inner thoughts or being directed by the external cacophony of seemingly solid imperatives in the world of others” (Medina 289). Satrapi has a choice, and so do we, every day. We make the choice to amplify our thoughts and we must strive to do so otherwise we’ll be drawn into this ambient noise.

In stanza 12, she tells us that he has “bit her pretty red heart in two.” Next, she states that he died when she was ten, and when she was twenty years old, she attempted suicide - “…I tried to die, to get back back back to you.” In stanza 13 is where she starts talking about her husband. She says that instead of dying, her friends “stuck her together with glue,” and since she could not die to get back to her father, she would marry someone who was similar.

“Once upon a time there was a wife and mother one too many times” (Godwin 39). This short story begins with the famous opening, once upon a time, which foreshadows that the story line will be similar to a fairy tale. It raises expectations for the story that all will be magical and end happily. A typical modern-day fairy tale is that of a distressed character who overcomes an obstacle, falls in love with prince charming, and they ride off into the sunset; living happily ever after never to be heard from again. Godwin however, puts an unexpected twist on “A Sorrowful Woman”. This short story is a tale about what can happen when everyday roles take over our identity. Ultimately, this short story challenges societal expectations of marriage

Rituals, teachings, ceremonies and identities of the Aboriginal people were lost and neglected in the past. Even today, those of the culture continue to heal and strengthen from the consequences. In Louise Halfe’s poem “My Ledders,” a native woman addresses the Pope expressing her passionate feelings towards the traditions that were robbed of her culture, while pleading him to change the teachings back to the original way. In the letter the speaker writes as if she was speaking, using phonetic spelling and broken English, asking the Pope if he could use his power to retain the native culture, as the government may listen to him. Directly linking the losses of native traditions, customs and languages to the residential school system,

From the beginning of William Carlos Williams’ poem “The Red Wheelbarrow” the reader is captured by the statement “so much depends” (Williams line 1). As this short work continues the reader is seeing a graceful image that Williams creates. The mind’s eye can envision a painting that is tranquil, yet has the quiet activity of a rural farm home. With this in mind, what exactly is the author sharing with the reader? The poem communicates charmingly the dependence a man has for a vital piece of equipment.

Artist, Kesha, co-wrote and sang the song titled “Praying.” In the video that she created for the song she shows us, the audience, what she went through during her healing process from the sexual and mental violence she received. Through many methods, such as religious references, Kesha took us through her journey through ethos, logos, and pathos.

Initially, Collins demonstrates how one can weigh a dog’s weight with his method. Concrete diction in the first stanza, such as, “ small bathroom”, “ balancing”, and “shaky” suggest the uncomfortable nature of his intimate relationship with his pet. Although Collin is unappreciated for the gritty toil determination, he praise himself to applauded that “this is the way” and raising his self-esteem by comparing how easier it is than to train his dog obesity. In addition, the negative diction used to describe Collin holding his dog to be “awkward” for him and “bewildering” for his pet. This establish he rather force love rather willing show patience. When holding a pet on scale, there is less hustle because he secures the dog’s position by carrying it. Where as when he orders the dog to stay on the weighing scale with a cookie, his dog only followed him because of the expected reward.

“Contemplations” by Anne Bradstreet is a poem of thirty-three seven-line stanzas. It has an ABAB CCC rhyme scheme. This complex poem exists as a justification of writing as a unity with God that ends with the questioning of humanity’s placement in the hierarchy of the universe. The theme is presented as a tightly woven structure of different concepts, nature and religion go hand and hand. The poet is conflicted because she has hopes of being able to glorify God, but is hindered by a sense of her own insufficiency. The word contemplation is another word for meditations; therefore, this poem provides the reader with several different scenes of meditation. Some of the scenes include the poet mediating on how God made nature and how it is supposed to mirror Heaven. The poet believes that humans need to meditate on this fact on a daily basis and remind themselves of their placement within the universe. “Throughout the poem the poet ultimately resolves that God alone is eternal and human-made objects, designs and history will fade eventually”

In the short story, “A Red Dress 1946” by Alice Munro, Color imagery is used for signifying a girls point of view of her world and her own self by using the color red which represents nonconformity. The narrator has only a slight interest in being red, but she really wants to be blue, just like everyone else. Munro writes, “When I was asked a question in class, any simple little question at all…that I had blood on my skirt”.(2) The narrator is just so nervous about being red she is thinking of bad things that can happen with the color red. She is thinking of all the bad times the color red could do a girl badly, just like a girls period could leak at any moment. In “A Red Dress 1946”, a short story by Alice Munro, she uses Color Imagery to show the significance of the narrator’s view of the color red and all the “Evil” about it.

In the poem “Passed On” by Carole Satymurti, the speaker tells a story almost as in a novel of their mother and how she left them a box of index cards with advice on life when she died. The speaker’s gender seems to be female. In the poem, the poet presents the theme of growing up and becoming one’s own person through the maturation and acceptance process. She personifies the index cards themselves, comparing them to her mother. They also characterize the speaker and her mother and create a mood of sadness and longing, implying that perhaps the mother has been dead for some time, but the speaker has never truly accepted this.

Ted Kooser, the thirteenth Poet Laureate of the United States and Pulitzer Prize winner, is known for his honest and accessible writing. Kooser’s poem “A Spiral Notebook” was published in 2004, in the book Good Poems for Hard Times, depicting a spiral notebook as something that represents more than its appearance. Through the use of imagery, diction, and structure, Ted Kooser reveals the reality of a spiral notebook to be a canvas of possibilities and goes deeper to portray the increasing complexities in life as we age.

In the poem she says “I’m a black ocean, leaping and wide”, and “I am the dream and the hope of the slave”. She is saying that because she is black woman and has to face problems; it has made her stronger. She has risen above and has become the person the slaves had hoped to become one day. Just because she is a minority doesn’t mean she can’t be proud of her accomplishments.

Poetry is a reduced dialect that communicates complex emotions. To comprehend the numerous implications of a ballad, perusers must analyze its words and expressing from the points of view of beat, sound, pictures, clear importance, and suggested meaning. Perusers then need to sort out reactions to the verse into a consistent, point-by-point clarification. Poetry utilizes structures and traditions to propose differential translation to words, or to summon emotive reactions. Gadgets, for example, sound similarity, similar sounding word usage, likeness in sound and cadence are at times used to accomplish musical or incantatory impacts.