Essay on Analysis of Edgar Allen Poe in The Masque of the Red Death

In “Mask of the Red Death”, Edgar Allan Poe uses setting and symbolism to deliver the theme that no one escapes death. The story follows the naïve and pompous Prince Prospero, and his feeble attempt to escape dying from the Black Plague. As the plague spread through his kingdom, the prince called one thousand of his closest friends to reside within the safety of the castle in order to seclude themselves from the horror and death going on outside. During the last months of their seclusion, the prince decided to hold a masquerade ball in order to amuse his many guests living within the confines of the rather odd castle. The dance takes place in a variety of unusual apartments within the castle, spaced apart so the guests would only see one room at a time. The apartments flowed east to west, each decorated in a different color and theme while following a pattern of blue, purple, green, orange, white, violet and finally ending in black. During the ball, guests enjoyed a dreamlike atmosphere as they danced through the many colored apartments, each of them avoiding the final black room. This final dark patterned room contained a large ebony clock which chimed eerily every hour, causing the party goers to pause their merriment for a few moments of uneasy silence. As midnight drew near, a new guest arrived, sporting a costume more ghastly and morose than any other. The mask he wore resembled that of a plague victim, and his clothes resembled a funeral shroud. Prospero became angry

In both “Masque of the Red Death” and “Annabel Lee” by Edgar Allan Poe, the author uses specific elements to express meaning and to develop a theme. He is portraying the idea that neither love nor death has a limit, no matter what we want to imagine. We have no control of either, especially death. In “The Masque of The Red Death” Poe makes the inference that death is inevitable or inescapable. In “Annabel Lee” he uses the power of two character’s love to show that death is not preventable no matter what you do. Also, he shows that love never vanishes even after death. In both selections, Poe uses rhetorical devices such as parallelism, symbolism, and imagery to draw the reader into the story.

Edgar Allen Poe's, "Masque of the Red Death" also has many gothic themes. A bloody disease called the Red Death has ravaged a country. Prince Prospero thinks he can hide from this plague and throws a ball to celebrate his victory over it. First, Poe uses several words in this play conveying horror such as fatal, bleeding, blood, redness, and chambers, which are all clue to death.

He had published several other literary works, but these had not brought him fame and a reputation in the horror scene. With Poe’s writing of the poem, The Raven, with its darker setting and inclusion of death brought him more recognition from the general public as well as fitting into the gothic horror type of writing. The Masque of the Red Death, which is another of Poe’s short stories, had direct inspiration from Walpole’s novel, The Castle of Otranto, with its setting and ending to the plot. The Masque of the Red Death is set in an abbey owned by the main character, Prince Prospero, here all of the wealthy and powerful people go so that the Red Death can’t get to them. There are seven rooms which are all different colors, the last one being painted black with a scarlet light lighting up the room, giving the room a sense of being covered in blood, and in the corner a frighteningly white ebony clock. Very few people went into the room due to the room being “decorated in black and illuminated by a scarlet light, ‘a deep blood color’”, because of this combination these people were not brave enough to step into that room. Later in the story a figure comes in and wreaks havoc, Prince ended up chasing this figure only to find out that this figure is the Red Death itself, and when everyone comes to see who it is they end up dying soon after

Edgar Allen Poe's “The Masque of the Red Death” is an extravagant allegory of the futility of trying to escape death. In the story, a prince named Prospero tries to avoid the Red Death through isolation and seclusion. He hides behind the impenetrable walls of his castle and turns his back on the rest of the world. But no walls can stop death because it is unavoidable and inevitable. Through the use of character, setting, point of view, and symbol, Poe reveals the theme that no one, regardless of status, wealth or power can stay the passing of time and the inevitable conclusion of life itself, death.

Edgar Allan Poe was a brilliant poet who endured an incredibly harrowing life. It seemed as if everyone he became close to would decease before his eyes. His grim life served as inspiration for his work which take on eerie, nightmarish tones and themes, likely because those disturbing subjects are what he knew best. One of his poems greatly influenced by his life was “The Masque of the Red Death”. Some parts of the poem influenced by his life are Prince Prospero, the red death, and the theme of the inevitability of death.

Michael Ruiz once said, “Everyone dies. There’s no point in fighting it.” In Masque of the Red Death by Edgar Allan Poe, there is a disease that kills almost everyone in a country so the king brings all survivors into a castle to prevent it from killing anyone else, although it still ends up getting in from a ghost, and wipes everyone else out. In Masque of the Red Death by Edgar Allan Poe, Poe uses gothic elements such as a gloom setting, supernatural beings, curses, and air of mystery and suspense.

When it comes to reading literature the most challenging yet important task is to understand the purpose of the author's writing. In Romantic era literature understanding the emotions and thoughts that are created in the reader's mind are essential to gaining a clear message that the writer is trying to send. In Edgar Allen Poe’s short story “The Masque of the Red Death” the narrator immediately introduces the “Red Death”; a disease that has been spreading throughout Prince Prospero’s country; killing his people within half an hour of contracting the disease. Throughout the story the author continuously uses diction and syntax to create suspense and evoke a grim tone to the reader. In the “Masque of The Red Death” Poe produces fearful imagery in the reader's mind through creating a supernatural presence in the setting.

Edgar Allan Poe, to many, is the father of modern day horror. His famous “The Masque of the Red Death” tells a story of death itself invading the safety of one's home. “The Cask of Amontillado” shares the tale of a man's grudge against a former friend who had insulted him, and the punishment that ensues. In another tale, “The Black Cat”, a story of a kind man turned brutal due to alcoholism is told. In many of his stories, including the three previously stated, the use of various literary tools is present. Such appearance of these literary terms has enhanced his writings, allowing his horrific stories to become what he is remembered for. Out of all of the terms in his works, however, figurative language best represents Poe’s themes of murder, cruelty,

Edgar Allan Poe was a writer who believed every single word contained meaning and in his own words expressed this idea in brevity only he is capable, "…there should be no word written, of which tendency, direct or indirect, is not to the one pre-established design." (Poe 244). To this effect, Poe drenches his works in symbolism and allegory. Especially in shorter works, Poe assigns meaning to the smallest object, explicitly deriving exurbanite significance within concise descriptions. "The Masque of the Red Death" tells the story of a Prince Prospero who along with his one thousand friends sought a haven from the plague that was ravishing their country. They lived together in the prince's luxurious abbey with all the amenities and

the Red Death shows the futile attempts by a prince and his guests of a party,

Edgar Allen Poe Created many stories all his life and many people read them. But as he progressed he started to get more and more known . One example of one of these stories is “The Masque of The Red Death” . In the “Masque Of The Red Death” Edgar Allen Poe Creates a classic horror story by using death,fear and blood.

Edgar Allan Poe said “Words have no power to impress the mind without the exquisite horror of their reality” (“Edgar Allan Poe Quotes.”). Poe wrote many dark pieces of literature using the different components of gothic horror. One piece of said literature is “The Masque of Red Death” which uses many of the characteristics of gothic horror such as supernatural and or paranormal occurrences and isolation. In “The Masque of the Red Death,” Poe uses these components of gothic horror to prove that no one can escape death no matter what you attempt to do to get away from it.

Have you ever read a story where fantasy is the reality and things do not quite make sense? This is true for “The Masque of the Red Death” by Edgar Allen Poe. In it is a version of the black plague, which is called the “Red Death”. Prince Prospero secludes a thousand friends and himself from the death around them, but finds that he cannot avoid the inevitable. The author uses many literary devices to create an interesting and meaningful story. One of the devices used is imagery, which evokes the events of the story clearly in the reader’s mind. Another is allegory, which is used by Poe to create another story within his, as it is filled with double meanings. Lastly, Poe utilizes symbolism to give the story meaning. Edgar Allan Poe uses

As a gothic writer, Edgar Allan Poe created horror using gloom as his weapon. Hidden within the suspenseful story of “The Masque of Red Death” is an allegorical tale of how individuals deal with the fear of death as time passes. Frantic activities and pleasures (as represented by Prince Prospero and his guests) seek to wall out the threat of death. However, the story reminds the reader that death comes “like a thief in the night”(Poe 3), and even those who seek peace and safety shall not escape. Poe uses symbolism to illustrate that man cannot hide from his own mortality.