Analysis of Shakespeare's Loves Labours Lost

One of love’s most prominent characteristics is its ability to engulf the human mind in floods of pure emotion. In the short term, love is often associated with phrases such as hearts “skipping a beat” or “butterflies” in one’s stomach. As an act of intuition and instinct, love can have immediate physiological and psychological effects. As a result, love’s psychosomatic manifestations often lead their bewitched to direct as many efforts as possible toward winning another’s heart. With regard to this motif of physical and emotional infatuation, Shakespeare argues, being in love causes us to become inconsistent and to allow ourselves to be buffeted by the wild waves of our ever-changing desires. In the play,

Shakespeare’s dramas deal with timeless themes such as e.g. love and hate, life and death, in a fairytale-y way, with a pinch of intricate entanglements, in such a way that makes the classical Greek love triangle seem trite. The language in the 400-year-old text is at once lyrical and hard-hitting, providing with a liveliness that still affects the present day reader. Shakespeare’s significance in the history of literature is invaluable, and his style has influenced authors since the 1600s. Not only has his works been a source of inspiration

Question 1: Compare the details of Brooke’s poem with Shakespeare’s version and indicate why the playwright made such alterations.

Shakespeare, in having Julia assumes a male disguise in Two Gentlemen of Verona, plays on “hose,” “codpiece,” and “pins” to emphasize cross dressing in Renaissance England. “Hose,” in the Oxford English Dictionary, comes from the Old English hosa and has the meaning of “an article of clothing for the leg” (OED). Similarly, “codpiece” refers to a “close-fitting hose or breeches worn by men from the 15th to the 17th century” (OED). Together, both “hose” and “codpiece” serve to remind the audience of Julia’s character transformation, undergoing from a female mistress to a male page. What significant about the word “codpiece,” however, is that it is a compounded word of “piece,” which derives from French peece and carries a meaning of “a portion

(Tempest, III,, iii, 53) are driven by Ariel into a frenzy of madness. Alonso is

In many of his later comedies, Shakespeare developed a habit of having young men and women fall in love. These comedies, “previews of the modern theatre,” usually end in a marriage, and are very lighthearted in nature. At first glance, Shakespeare’s works may seem complicated. In many ways, they are extremely complex, but, diving deeper into his text, there is an underlining meaning that might be extracted through in depth coverage. The use of contrasting the apparent versus the real is substantial in his plays.

The topic of love is widely discussed among many platforms, poetry, film, and novel to name a few. Romantic comedies alone make up a large portion of “love stories.” Shakespeare uses the form of a romantic comedy to discuss his own ideas of love. His ideas of love are present in his play, Much Ado About Nothing. Many of Shakespeare’s ideas are still relevant so far after his time.

Studies in Shakespeare Vera Berkshire 13/4/15 Mandie Wright A Midsummer Night’s Dream As one of Shakespeare’s early comedies, A Midsummer Night’s Dream has captivated audiences for centuries with its lyrical poetry, foolish comedy, and elaborate fantasy. It’s a story of love gone awry, centering on the marriage of Theseus to Hippolyta through the exploits of quarreling Athenian lovers, a troupe of amateur actors, and the fairies of the forest who manipulate them through various enchantments.

This play of love is just as dramatic as that of Romeo and Juliet, but not nearly so tragic. A Midsummer’s Night Dream may start out with chaos much like how Romeo and Juliet end with chaos, but this play ends in peace and happiness. How the characters get to that point however was rather difficult. It was full of stress and drama; confusion and chaos; singing fairies and a man with an ass’ head. This tale of four lovers is also the tale of a warrior and a duke; a civilist and a king of shadows; and a mischievous sprite called Robin Goodfellow.

He describes this by showing how difficult love is and where love can take them. Love can make people senseless and love can make people thoughtless. In A Midsummer Night’s Dream, love is used as a weapon to recognise the unknown of one’s actual true love for another. Shakespeare takes advantage of the weapon and uses different characters to express different types of love and builds his plot by incorporating diverse elements of literature, drama, legend and mythology, supplemented by his imagination and

Shakespeare's early romantic comedy most indebted to John Lyly is Love's Labour's Lost (c. 1588–97), a confection set in the never-never land of Navarre where the King and his companions are visited by the Princess of France and her ladies-in-waiting on a diplomatic mission that soon devolves into a game of courtship. As is often the case in Shakespearean romantic comedy, the young women are sure of who they are and whom they intend to marry; one cannot be certain that they ever really fall in love, since they begin by knowing what they want. The young men, conversely, fall all over themselves in their comically futile attempts to eschew romantic love in favour of more serious pursuits. They perjure themselves, are shamed and put down, and are finally forgiven their follies by the women. Shakespeare brilliantly portrays male discomfiture and female self-assurance as he explores the treacherous but desirable world of sexual attraction, while the verbal gymnastics of the play emphasize the wonder and the delicious foolishness of falling in love.

Shakespeare wants to portray love realistically, and establish that love is indeed too powerful to

To David Underdown, the late sixteenth and early seventeenth century should be described as a period that involved a “crisis in gender relations” (Underdown 1, Eales 1) With that said, Shakespeare had been writing and/or staging the bulk of his works during this period of crisis. In both Love’s Labour’s Lost and Much Ado About Nothing he explores, and by doing so challenges, the centuries notions of proper masculine and feminine behaviour. One, and if not the most, notable disputes that Shakespeare makes with his characters in these two plays is that of wit and intelligence; Women, who were generally regarded as the less intellectual gender are shown in these plays to have great wit and can manipulate language to their advantage. Adversely, Don Adriano De Armado and Costard exhibit their lack of anything of the sort. Furthermore, Dogberry (Even if he qualifies as a purely comedic character) realizes the importance of eloquence and intelligence in man and yet puts forth anything but. Another testament to adverse gender roles is in the fact that women are seen to be in positions of control with regards to their relationships (i.e., the princess, Rosaline, Beatrice) and this control over their male counterparts is a means for power. As previously stated, the women are in practical control over their relationships, but they also seem to be in emotional control. The men let their passions take over, which the reader will later see was something to be avoided regarding their

The movie that is being compared to a story here is one of the all-time best. The main theme portrayed in "Shakespeare in Love" is a love that is never meant to be. "Shakespeare in Love" parallels the play Shakespeare is currently working on, Romeo and Juliet, in which love is not meant to be due to the many obstacles in the way. Shakespeare's life in the film is very comparable to Romeo's life in Romeo and Juliet. William Shakespeare's life in the film and the play he is writing has several similarities and differences. In my opinion, this is one of the best movies and books to compare.

Analyzing Romeo and Juliet by William Shakespeare Romeo and Juliet is a tragic love story between two teenagers who fall