Cheryl Alberti
Art Appreciation - Midterm
September 5th, 2010
“Andre Derain, London Bridge”
Visual Elements
Line - I believe implied lines were used in this painting. Some edges are clear with a defined start and finish. The line weight varies. The lines also vary in width and length. Mostly straight lines with a few curves.
Shape - The shapes range from rectangles, arches, and squares, to blurs that appear to be buildings in the far back corner.
Mass - I believe the mass is actual. The Bridge itself is the bulk of the artwork, its mass size stretches across the painting.
Space - Space is created by the placement of the bridge and the buildings in the background. 1. Two Dimensional - The water and the boats appear to
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Motion can be possible with the fact that the boat appears to be going into the tunnel and the water appears to have movement. 1. Implying Motion - Derain chose to use brushstrokes that would imply that the water was moving making motion appear possible. 2. Actual Motion -
Light- Discrimination between light and dark.
1. Seeing light - Light appears to be reflecting in the water and in the skies horizon. The waters value is of a lighter choice of colors where as the tunnels and the buildings depths are darker. 2. Implied Light - Chiaroscuro is used for the tunnels and the buildings to show depth. The water definitely has strong value contrasts where as the buildings in the back going into the distance have minimal contrasts. 3. Light as a Medium - The pigments used carry the medium in the painting.
Color - Color is definitely an important fact in this piece. This particular artist developed Fauvism along with Henri Matisse. Using bold colors and exaggerating color in their art. Derain was known as a Les Fauves painter. Les Fauves believed that color should be used to express the artists feelings about a subject, rather than simply describe what it looks like. This painting has two main characteristics a simplified drawing with exaggerated color.
Texture - The texture used in the London Bridge creates the feeling of the art. The texture used is implied.
The distressed ship is the biggest in the painting, making it the center of the piece. The artist drew the two other ships small to make them seem distant and another small boat close to the damaged ship. The scale of the painting itself is pretty big; it’s 36 inches long and 53 inches wide.
To start the analysis, line is what is going to be observed first. The lines are shown to be softer and less crisp along the clothing and faces, but becomes much sharper with things that need more definition such as the tiles on the floor beside the woman and child and the wood planks that the, what seems to be store clerk, is standing on. The faces of the people in this scene also contain contour lines, seeing how contour lines are the lines
This painting is so realistic and painted with such precision and detail that he must’ve wanted us to see this place exactly how he did, with great beauty and light. The local colors are vibrant and cool yet still make you smile because it reminds you of a warm summer day. The use of two contrasting colors, the blue of the water and sky and the tan of the cliffs and couds, make the tan color stand out creating such a visually pleasing and dynamic effect. The organic fluffy clouds and the ripples in the water convey a peaceful sense to the scene. The pompous cliffs stand solidly contributing to the historical importance of this location. The artist captures the illusion of depth through atmospheric perspective; as the object gets farther it encompasses less detailed contributing to the descriptive nature of it. Since the left side of the painting is much heavier than the right this painting is asymmetrical. Your eye tends to gravitate towards the cliffs on the left because of their size and bright color which emphasize the cliffs. This emphasis creates a focal point that the viewer is immediately compelled to look at.
Texture and pattern are very easy to identify in this painting. The street’s cobblestones show texture and pattern in the way that they are arranged. Texture is also demonstrated through the paint strokes on the buildings, the tree, and even the sky. These thick, uneven strokes add a layer of depth and texture to all elements of the painting.
First, we begin with the visible. At this point, there are two different subsections, images and objects. The images are of objects;
The metaphor of the bridge described the author’s parents’ marriage. Her northern mother and her southern father were so different, that this was was the cause of their rift, and as time passed they began to fill the gap with a bridge. The bridge connecting the two was Arana Marie . The author writes “ hoping against hope, throwing a frail span over the divide, trying to bolt beams into sand...There is a fundamental rift between North and South America, a flaw so deep it is
It is a painting using the swirling turmoil of line to make up the piece. You can tell this is a painting by the different styles of line and color.
The use of line in this piece is also very interesting. The artist employs a high horizontal line to create a plunging effect giving the piece more depth. Another use of lines in the image is to create focal points to attract the viewer. Lines are also used to separate the different sections of the painting. Overall this painting uses lines in dynamic ways that vastly enhance the viewers’ pleasure and admiration of the piece.
The first piece, “A Choppy Estuary,” created by Hulk Abraham, was created with the use of wet media, this one being painted with oil paints. The picture consists of four ships, clouds, and some people on nearby land. It uses various colors, with major focus on various reds and blues, to place emphasis on the ship on the front right of the piece.
The work is very smooth and fluid making it appear much like a photograph. The oil is not built up on top of itself keeping it very two dimensional. The colors vary between dark and light throughout the painting. In the top right corner, the sun, outside the painting, shining down, aluminates the castle and also the lone tree at the bottom left corner. Besides the back cliff, the rest of the painting is in shadow and displayed in a much more melancholy tone. The colors that Cole focuses on, to display the sharp contrast between rock and nature, are mostly dark greens and gold. The striking blue of the river stands out dramatically from the rest of the colors and draws the eye after the initial citing. The grey in the cloud is the only place where I can find that shade of gray in the work, and it sets itself apart from the snow white clouds in the background. The color helps draw the eye immediately to the castle on the hill. My eyes then fallow the flow of the river down to the tree, which is illuminated by a beam of sunlight.
As indicated by the shape in the foreground, the lines that signify the contour of the rocks and freestanding structure merge. The lines lead the eye vertically as it meets the center. When looking at the painting as a whole, the viewer can see how the artist uses straight
It is shaped in a way to transfer weight to the towers and anchors with its tension (O'Connor, 1971, p. 372). Cables are made of high strength wires spirally bound to form a rope (O'Connor, 1971, p. 372). Vertical cable suspenders that are fastened to the main cables hang the actual roadway. Stiffening girders and trusses are along the side of the bridge to distribute concentrated loads and help to keep the motion of the bridge at a minimum (Troitsky, 1994, p115).
The river also suggested a breeze, there were ripples that flowed southeast. There were many different shades of blue in the lake and river. The lake had a darker shade of light blue surrounded by a dark blue then lined with black. The lake appeared to have a light shining either on top or the bottom of it, which allowed you to see the grass growing under it. The river had a lighter shade of light blue with white lines to show the ripples but it was surrounded with the same colors as the lake. You did not see any grass growing under the river because there was no light shining on the river.
Artworks are those that use natural tools in an aesthetically pleasing way, to express some deep meanings desired by the artist, for which this art is found. These works can be analyzed by looking at a variety of aspects individually and these elements are often called elements They are very useful for criticizing or understanding any artwork as a whole. The materials used by the artist creating the artwork in the documentary "Mystery Masterpiece", the shape of the work is the shape of which it is, including its size or its volumetric perception, and the artwork has three dimensions; the depth as well as the width and height, the three-dimensional form is the basis of sculpture, yet the two-dimensional artwork can achieve the illusion of the
• Content – what is being depicted • Form – usually refers to 3D works, style, technique, media Media / Medium • Materials – materials used to create a piece. • Tools – utensils in which an artist uses to create • Technique – an artists specialized method, procedures, skills Elements of Art • Shape – a closed space the boundaries of which defines other elements of art • Color – light striking an object reflects back to the eye. Hue, Intensity, Value • Value – The degree of lightness and darkness in a color • Line – lines and curves are mark that spans a distance between two points • Texture – describes how