“We understand how dangerous a mask can be. We all become what we pretend to be.” Patrick Rothfuss speaks to the soul of what Hamlet is written about, pretending to be something untrue; every character that dies in Hamlet experiences putting on a facade at least once and it ultimately leads to their doom. From Hamlet to Claudius, a semblance of sincerity on the outside hides a much darker meaning on the inside, which spells ruin for all major players in their lives. In the play Hamlet, Shakespeare strongly exhibits how appearance and actuality can be interchangeable truths and how feigning reality can lead to one’s demise. From the very beginning of the play, Hamlet is less of a person and more of an actor in his own life. After being told by the ghost of his father that Claudius is the murderer of his father, Hamlet slips into a new skin, one of a crazy, depressed son of a king. “As I perchance hereafter shall think meet/To put an antic disposition on” (I.v.176-177). For centuries, the question of Hamlet’s insanity has baffled readers and English enthusiasts alike; the main debate: is Hamlet’s craziness fake or real? The answer is yes, he is both pretending to be crazy and is actually crazy. The events that occur throughout Hamlet and Hamlet’s actions drive him to madness and he uses more instability to cover it up. He acts mad to find out if Claudius has killed his father, but becomes truly mad after he kills Polonius, drives Ophelia to insanity and she dies, and when he causes the deaths of Laertes and Claudius. By the end of the play, appearance and reality have meshed together into the same truth and Hamlet’s facade of insanity has driven him to commit acts that make him lose his mind and cause his untimely death. Unlike his nephew, King Claudius is a pure liar who holds no truth in his appearance. On the outside, he is a just king who cares about his country and laments the death of his late brother, but, on the inside, he is a ruthless ruler who only wants power, land, and the title of king. “That we with wisest sorrow think on him/Together with remembrance of ourselves/Therefore our sometime sister, now our queen/Th’ imperial jointress to this warlike state/...With mirth in funeral
Throughout the play of Hamlet, one of Shakespeare's most famous tragedy's the main character, Hamlet is faced with the responsibility of getting vengeance for his father's murder. He decides to pretend madness as part of his plan to get the opportunity to kill Claudius who was the suspected murderer. As the play goes on, his portrayal of a madman becomes believable, and the characters around him respond quite vividly. Through his inner thoughts and the obvious reasons for his actions, it is clear that he is not really mad and is simply an actor faking insanity in order to complete the duty his father assigned him.
“Hamlet” and “Twelfth Night” are two Shakespeare plays of complete opposites. Due to one being written as a tragedy, and the other as a comedy, many comparisons can be drawn between the two plays, on themes and motifs that develop throughout the plays. One of the themes that is easily recognisable in the early stages of both plays, is that of deceit and disguise. In “Hamlet”, we learn early on that Hamlet decides to act as a madman in order to try and weed out a confession from his uncle about the murder of his father. Although he does not actually reveal to any other characters his plan until Act 1 Scene 5, when he tells Horatio that he plans to “put an antic disposition on”, the audience can recognise very early that Hamlet is going to show some kind of deceptive characteristics in order to execute his plan.
Throughout Shakespeare?s play, Hamlet, the main character, young Hamlet, is faced with the responsibility of attaining vengeance for his father?s murder. He decides to feign madness as part of his plan to gain the opportunity to kill Claudius. As the play progresses, his depiction of a madman becomes increasingly believable, and the characters around him react accordingly. However, through his inner thoughts and the apparent reasons for his actions, it is clear that he is not really mad and is simply an actor simulating insanity in order to fulfill his duty to his father.
While it is true that Hamlet was merely playing the role of someone who had gone mad, many people may say that Hamlet’s madness was brought upon himself simply by the fact that he was trying to fulfill the orders from his dead father yet couldn’t because of his lack of acting upon a plan. It is strongly possible that Hamlet became extremely frustrated because every chance he got to expose Claudius and capture him in this enormous secret, he failed to do so. Therefore, Hamlet’s madness could be judged as reasonable but most likely for different reasons than one may think. Rather than going mad over the concrete facts that his father died and his mother remarried his uncle less than two months afterwards, he drove himself mad over his own flaws. Hamlet’s tragic flaw absolutely led to his tragic downfall as a
His madness was argued to be an act to confuse Claudius. He acted crazy to cover his plans of seeking revenge on Claudius, when talking to Polonius he acted completely mad, “For in the sun breed maggots in a dead dog, being a good kissing carrion-Have you a daughter?”(Hamlet 2.2.95) Hamlet used much blabber, such as this, when talking to anyone close to Claudius. As the play went on his madness was more and more liable. He started becoming very irrational and distracted by his plans. When Ophelia gives Hamlets letters back he goes into a rage, yelling “Get thee to a nunnery.”(Hamlet (3.1.131) The most well known action Hamlet committed was when he stabbed Polonius in a rash decision, hoping it was Claudius, “O, what a rash and bloody deed is this!“(Hamlet 3.4.171) One thing that brought him one step closer to going mad was Ophelia’s death. Hamlet may have been acting in the beginning but by the end of his devious plan to avenge his father, he lost himself and actually caused himself to go mad.
Hamlet’s plan from the beginning is to act insane to draw attention to the royal family, and his plan eventually works. “Something have you heard of Hamlet’s transformation” ( 2.2.3-4). When people start to notice that Hamlet was going insane, more attention is focused on the king and queen than before the incident. Also, even Ophelia believes that he is mad: this leads to her being watched over by her father, and eventually leads to her suicide when she drowns herself. He is such a good actor that even his mother thinks that he is insane. “O, he is mad, Laertes” (5.1.272). Gertrude is more in love with Claudius than she is with Hamlet. This is proven when she jumps to Claudius’s side when he was accused of murder and immediately rats out Hamlet. Hamlet could be accused of being insane, but in the end his plan works out which proves that he is sane and in his right
Shakespeare's play "Hamlet" is about a complex protagonist, Hamlet, who faces adversity and is destined to murder the individual who killed his father. Hamlet is a character who although his actions and emotions may be one of an insane person, in the beginning of the book it is clear that Hamlet decides to fake madness in order for his plan to succeed in killing Claudius. Hamlet is sane because throughout the play he only acts crazy in front of certain people, to others he acts properly and displays proper prince like behavior who is able to cope with them without sounding crazy, and even after everything that has been going on in his life he is able to take revenge by killing his father's murderer. In the play Hamlet by William
Throughout the Shakespearian play, Hamlet, the main character is given the overwhelming responsibility of avenging his father’s "foul and most unnatural murder" (I.iv.36). Such a burden can slowly drive a man off the deep end psychologically. Because of this, Hamlet’s disposition is extremely inconsistent and erratic throughout the play. At times he shows signs of uncontrollable insanity. Whenever he interacts with the characters he is wild, crazy, and plays a fool. At other times, he exemplifies intelligence and method in his madness. In instances when he is alone or with Horatio, he is civilized and sane. Hamlet goes through different stages of insanity throughout the story, but his neurotic and skeptical personality amplifies his
Hamlet’s absurd actions began when he got a visit from his father’s ghost. As he was conversing matters with the ghost, he acknowledged that he may need to disguise himself with strange behavior (antic disposition) in order to not give himself away. He wanted to ensure that he wouldn’t make it conspicuous that he was planning to kill Claudius in order to achieve his own equanimity. Hamlet mentioned to Horatio, Marcellus, and the Ghost, “How strange or odd some’er I bear myself (As I perchance hereafter shall think meet to put an antic disposition on)... ” (Pg. Act I Scene V Lines 175-177). He needed to surreptitiously act in a strange manner in order to convey the idea to the culpable King that he didn’t have a plan, although he did. Hamlet would not have given them the caveat that he would act mad if he actually was crazy. One who is mad will most likely not admit it, but Hamlet certainly admitted that he would be acting this way to communicate a certain impression. At the climax of the play, the queen claimed that Hamlet was mad when he interacted with his father’s ghost after he murdered Polonius. She vehemently claimed, “Alas, he’s mad” (Pg. 177 Act III Scene IV Line 109). She declared
Hamlet’s insanity can be thought of as a tragedy or misconception of reality. The death of his father had shaped the first few impressions of his own persona as well as a new experience with his new aunt. As a result of his genius insanity prince Hamlet has devised a plan to make things more clear to the audience. “Hamlet’s behavior strikes the audience as abnormal on several occasions. For example, Hamlet seems to be really mad when he is in front of Ophelia in disordered clothes. He behaves as if he had been loosed out of hell to speak of the horror”. As the progress of the play foreshadows a significant end to his insanity that he acts upon. As the play progresses throughout, Hamlet finds ways in order to give others the impression that he has lost his sanity from his “love” of Polonius’s daughter Ophelia. “(Ophelia)He grabbed me by the wrist and held me hard, then backed away an arm’s length and just looked at me, staring at me like an artist about to paint my
Shakespeare's Hamlet is a master of deception. Hamlet decides to make Claudius believe that he is insane, but the scheme backfires when everyone, except Claudius, falls for it. Ophelia is one of those who believes Hamlet lost his mind, and when he does not return her love, she is so brokenhearted that she commits suicide. Near the end of the tragedy, Hamlet plays the part so well, that he convinces himself he is insane. Clearly, Hamlet's plan to put on an antic disposition is a tragic error.
In Act I, Scene V, after hearing the ghost’s demand for revenge, Hamlet says in advance that he will consciously feign madness while seeking the opportune moment to kill Claudius. Therefore, it is hard to conclude that he coincidentally became insane after making such a vow. Hamlet’s supposed madness not only becomes his way of relating to the other characters during the majority of the play, but also that which develops his character as throughout the play. Still, the question remains: Is Hamlet really crazy or just pretending?
Appearance versus reality is one of the central themes of Shakespeare's play, Hamlet. The characters in the play assume roles for the purpose of concealment - Claudius, in reality a murderer and usurper, plays the roles of grieving brother and rightful king; the adulterous Gertrude plays the role of a 'most seeming-virtuous queen' when she is, in her son's view, a 'most pernicious woman'. Even Hamlet himself assumes the role of a madman in his attempt to establish the reality of his uncle's guilt.
Everyone would assume that a royal family’s life is perfect, although if people knew the reality behind closed doors and that life is not always what it seems. The same holds true in the play Hamlet by William Shakespeare. In the beginning, King Hamlet of Denmark dies and his brother Claudius becomes King. Hamlet seeks revenge on his father's death, while it is prolonged by the falsification of other characters and himself. When the theme of appearance versus reality is used, it reveals a message that what appears to be true is not always what it seems.
Francesca Ho V. Vassiliou ENG4U May 9, 2018 Masks The tragedy of Hamlet is the ageless classic that delivers Elizabethans with the tools to question the world around them to see what lies beneath. The characters in Shakespeare’s Hamlet hide behind masks of loyalty and honesty in order to satisfy their ulterior motives. The theme of appearance vs reality is explored in the play through the relationship between each characters’ inner selves and their outer appearances. Hamlet himself symbolizes the contrast between his inner and outer self due to his melancholic feelings but insane appearance.