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Appearance Vs Appearance In Hamlet

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“We understand how dangerous a mask can be. We all become what we pretend to be.” Patrick Rothfuss speaks to the soul of what Hamlet is written about, pretending to be something untrue; every character that dies in Hamlet experiences putting on a facade at least once and it ultimately leads to their doom. From Hamlet to Claudius, a semblance of sincerity on the outside hides a much darker meaning on the inside, which spells ruin for all major players in their lives. In the play Hamlet, Shakespeare strongly exhibits how appearance and actuality can be interchangeable truths and how feigning reality can lead to one’s demise. From the very beginning of the play, Hamlet is less of a person and more of an actor in his own life. After being told by the ghost of his father that Claudius is the murderer of his father, Hamlet slips into a new skin, one of a crazy, depressed son of a king. “As I perchance hereafter shall think meet/To put an antic disposition on” (I.v.176-177). For centuries, the question of Hamlet’s insanity has baffled readers and English enthusiasts alike; the main debate: is Hamlet’s craziness fake or real? The answer is yes, he is both pretending to be crazy and is actually crazy. The events that occur throughout Hamlet and Hamlet’s actions drive him to madness and he uses more instability to cover it up. He acts mad to find out if Claudius has killed his father, but becomes truly mad after he kills Polonius, drives Ophelia to insanity and she dies, and when he causes the deaths of Laertes and Claudius. By the end of the play, appearance and reality have meshed together into the same truth and Hamlet’s facade of insanity has driven him to commit acts that make him lose his mind and cause his untimely death. Unlike his nephew, King Claudius is a pure liar who holds no truth in his appearance. On the outside, he is a just king who cares about his country and laments the death of his late brother, but, on the inside, he is a ruthless ruler who only wants power, land, and the title of king. “That we with wisest sorrow think on him/Together with remembrance of ourselves/Therefore our sometime sister, now our queen/Th’ imperial jointress to this warlike state/...With mirth in funeral

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