Art 101 Week 1 Analysis

We are also shown how these different forms of art change over time and how different cultures have adopted them and used them as their own form of art to express emotion, love, creativity, and passion. This book teaches us how art is viewed in different ways by the church and was very informative for me to obtain a better and deeper understanding of art and how the churches valued it.

Impressionism is an artistic style of painting that originated in France in the 1870s. This style of painting attempts to capture an experience or emotion opposed depicting a scene accurately. Every impressionistic painter has a distinct method of rendering as well as their own distinct set of qualities that reflect the artist themselves. For instance, The Basket Chair by Berthe Morisot and The Orange Trees by Gustave Caillebotte are two impressionist works of art of oils on canvas that contrast in many ways. These two paintings will be compared side by side with an in depth approach comparing the artist’s personal status in society, modernism’s role in the piece, and the execution of composition.

This could either be a Grizzly Bear or a Kodiak bear. This sculpture is number 112 out of 1500.

While the painters after the Impressionism period were collectively called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by access Nature’s mystery and meaning beyond its superficial, observable level. However, each artist’s approach to achieving this goal was different. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.

Art is able to evoke different feelings and emotions to each person that sets their eyes on it. The act of ‘looking’ is simple, but a lot comes from it. Where the eyes are first drawn to, the duration that the eyes are focused on a specific detail, and the thoughts that flood one’s brain when viewing art is all significant. These actions say more than the piece itself, it reveals emotions of both the artist and the audience. Art can be expressed through infinite forms, but the underlying importance is not with the art itself. It represents a place in time, displaying what was noteworthy to an individual in their own life. It serves as a lasting creation representative of human imagination with the ability to bring out a multitude of emotions from whoever views it. When art is created it represents the creativity of the human mind compacted into a physical object. Art has little usage aside from pure observation, yet it has prevailed throughout time, showing its importance to humanity. Art provides a lens into humanity, showcasing the human ability over time. When studied through history, art is a view into the development of humans and their interests. Through something as basic as commonly using symmetry to transitioning to asymmetry, the European’s perspective following the Renaissance is revealed. The making of art is solely up to one individual and their creativity. It is the pinnacle of

For this weeks artist, we were asked to summarise the information provided to us based on the artist, Tracey Moffatt, and research other information to include in the summary. We then had to gather four images of her artworks and write comments on them including, our thoughts, opinions and other general statements about the image. Another requirement of the two week task, was writing about what we personally thought our chosen series produced by Moffatt was about, and also including a short 200 word paragraph on what image we would add to the series and why. The last task was to create an artwork based on Tracey Moffatt’s style of art.

Kehinde Wiley is a New York based artist whose paintings focus on the themes of empowering black men and combining classical and contemporary styles.

In Art 101, we have been studying various art works but our group was intrigued by chapter twenty. This chapter is about the history between the eighteenth century and nineteenth century. We discuss the classical look for paintings and architecture. We also see how they develop through the following years. I find it most appealing with how many cultures created such art I will explain later. With European culture increasing with ideas, it created the art world we have today. There are three specific paintings I studied in chapter twenty that I enjoyed the most.

Visual opulence, creativity, inimitable vision, and a style that is highly influential are the many characteristics of an admired movement in art history, that being of the Post-Impressionism movement (1875-1892). This movement, which was a by-product of the Impressionism movement, is the bridging gap between the two movements known as Realism and Expressionism. Post-Impressionism takes on some of the stylistic characteristics of these movements; however, it does not contain the all too glossy visuals of Realism or the heavily fantastic visuals of Expressionism, rather it is the intermediary of these two poles. My paper will discuss why this link was absolutely essential to the history of art movements, and I will be specifically using the

I chose to elaborate on two of Karen Armstrong’s themes from the first chapter of A History of God as I felt they were both very strong ideas. The first explains how cultural differences between North Africa and Europe during the Romantic Period affected white society’s failure to realize that Islam indeed worshipped the same deity. The second explains how Delacroix’s audience desired the imagery in the painting because people were, during this time, losing their concept of God.

A painterly quality with an otherworldly aesthetic is what set pictorialism apart from other photographic practices at the time. This notion of perfection is what really captures my attention. What I find quite interesting is that looking into this aesthetic every man

Art represents the divine through delivering what could be captured in our eyes, and the nature is the best media for human’s spiritual transcendence. During the period between 1880 and 1930, because of the rapid urban development in Europe and North America, the nature had become the path for artists to explore spiritual mediation. Natural landscape was widely used by artists as a metaphor for life of spirits, while the urban landscapes is regarded as the death of spirits. From the ongoing exhibition “Mystic Landscapes: Masterpieces from Monet, Van Gogh and more” in the Art Gallery of Ontario, it is interesting to find that the two masterpieces by Vincent van Gogh and Edvard Munch are sharing some similarities even though they were working on the different subject matters. In terms of chronologies of art history, there is commonplace to consider the subtle relations between the works of Van Gogh and Munch. These two artists who had gained outstanding achievement on their artistic career, both went to Paris for further professional training yet never met each other. Since the 1900s, Van Gogh’s and Munch’s works were exposed to the public on various art exhibitions, and were often displayed side by side since they are both experts using brushstrokes to create modern visual effects. Though Munch and Van Gogh’s painting are differing from each other on their practice of using paint (color), brushwork and lines, they were focusing on studying nature to observe inner human

1. Examining a work of art in its historical, social, and political __________ enables you to better understand it.

Just as it’s human nature to believe in something larger or more powerful than oneself, it is also human nature to express that divinity through art, this is proven time and time again in human history. Picturing the divine is a type of testimony to show a cultures greatness. The painting Arhats Giving Alms to Beggars comes from the Chinese culture of the Southern Song period. Whereas, the mosaic Christ as Pantocrator comes from the Byzantine culture of the Greek Orthodox tradition. Although these paintings come from very different backgrounds both cultures show the divine and their pressure on mankind to follow the rules, such as giving away worldly desires. By doing so and letting go of material possessions, mankind can be hopeful of

Throughout the vast history of art, historians can find connections throughout the centuries. Artists from the beginning of humankind have been inspired by the world around them. From the Apollo 11 stones to present day, history and culture have provided inspiration and have been the focus of various pieces. Examining artwork from the 15th-18th century, viewers can be shown a whole world that would be unknown to us without these artist’s contributions. History, religion, and cultural events have sculpted the art world, and we can observe this through many pieces during the 15th-18th centuries.