Artemisia Gentileschi Research Paper

Judith Slaying Holofernes is one of her masterpieces that has been acknowledged as a proper piece to understand the main characteristics of her painting style. Carol Strickland, an American art historian, explains that this painting shows how Gentileschi depicted her subject into the style of Caravaggio, who was her father’s teacher and famous for dramatic lightning (Strickland, 47). Based on these facts, some critics conjecture that Gentileschi may just have borrowed the dramatic story from the Book of Judith to express her technique that resembled that of Caravaggio. They argue that it is unreasonable and too subjective to relate Judith Slaying Holofernes with the identity of Gentileschi. Identity of Gentileschi, however, cannot be separated with the story of Judith and the painting Judith Slaying Holofernes because Gentileschi’s identity severely resembles that of Judith. Their struggle, success leaded by their capacity, and destruction of the gender stereotypes are main common aspects that Judith and Gentileschi share. These qualities further prove how Artemisia Gentileschi was an ideal feminist who asserted her freedom inside an unfair

The renaissance began in Italy from the 14th to the 16th century, and was followed by the baroque period which roughly was between 16th to 17th century, each revolutionized the period prior. This is perfectly represented by two very different and yet very similar artists: Sofonisba Anguissola and Artemisia Gentileschi. Though one more so paved-the-way for the other, there connection appears to have nearly materialized out of thin air, and begs the age old psychological question of nature Vs. nurture.

promise. Gentileschi is defined as an Italian Baroque artist. Her main influences are from her

Artemisia Gentileschi is believed to have been born around 1593 and died around 1652.  Both dates are disputed to the current day.  She was one of five children and was born into the life of an artist.  Her father, who was an artist as well, loved her greatly.  Her mother died when she was twelve.  Artemisia was always a skilled painter, but her father wanted even more for her daughter.  While her works were already amazing for her age, she needed artistic guidance in order to further her skills.  One man who was hired as a tutor was named Agostino Tossi.  Tossi almost immediately was an annoying presence in the house frustrating Artemisia.  However, in 1610,

Italian Baroque painter, Artemisia Gentileschi was born in Rome on July 8th, 1593. Her father Orazio Gentileschi, who was a painter himself, introduced Artemisia to the art of painting by giving her lessons in his studio. At an early age, Artemisia displayed her interest in art and it wasn’t long until her father noticed potential in his daughter enough that she would be able to make a name for herself in the male-dominated career. Artemisia had the desire to follow in her father’s footsteps, it was then that Orazio encouraged her to follow her dreams and decided to begin training her as an artist.

Artemisia Gentileschi was born in Rome in 1593. Her father was Orazio Gentileschi, a very well-known artist in Rome at that time. At this time, men ruled the art world. This was the post-renaissance era, and women were only involved in portrait painting. She was known for painting religious and historical scenes, paving the way for other female artists. She received training from her father in her early years as an artist. Gentileschi, tragically, was raped by an artist who was friends with her father. He was exiled from Rome when put to trial. She also lost her mother when she was 12. Her childhood and young adult years were not easy. Through her struggles, she managed to overcome all odds and make her work known in an art world run by men.

Artemisia Gentileschi is a world famous painter but her path to become a successful artist was not an easy one and it was one that was filled with tragedy, injustice and finally redemption. Artemisia Gentileschi’s Judith and Maidservant with Head of Holofernes was Artemisia’s revenge against her teacher and rapist, Agostino Tassi.

Gentileschi gained and developed her skills from her father whom was influenced by Caravaggio. She later went on to marry a painter from Florence; Pietro Antonio di Vicenzo Stiattesi. Artemisia moved to Florence with her husband and had a daughter. Artemisia was a very successful artist for a woman in baroque period, she became friends with many artists including Galileo. (britannica.com) Most of her work were of woman, such as Woman Playing the Lute (http://www.arthistoryarchive.com/arthistory/baroque/images/ArtemisiaGentileschi-Woman-Playing-the-Lute-1609-12.jpg)

Artemisia Gentileschi was an Italian female artist born on July 8th 1593 in Rome. She was born to Orazio Gentileschi, a well-known Italian artist and her mother Prudentia Montone who died when Artemisia was only 12 years old. She had a rough childhood growing up in a male dominated era where her talents were often overlooked, she was rejected from art academies but luckily had her father to help her learn how to paint. Her father agreed to have Artemisia tutored by his coworker Agostinio Tassi in 1611 who eventually raped Artemisa. Her father pressed charges 9 months later when Tassi decided not to marry Artemisa and was sentenced to 1 year in prison that he never served. The trauma of her rape deeply inspired her work in which she painted

The passage that I read is about renowned female Baroque (and Renaissance) painter Artemisia Gentileschi.She was taught by her father at a young age. However, as a teenager, Gentileschi was sexually assaulted by another artist and friend of her neighbor, Agostino Tassi. Later on in her life, she returned to painting and married painter Pietro Stiattesi. They eventually separated, and Artemisia lived a life of self-reliance and independence. Her art emphasized classical and biblical themes, but also focused on stories, especially of women. She also used female characters as metaphors to convey themes like oppression, suffering, injustice, and triumphs of women. Gentileschi gained popularity soonafter, and became the first woman to be admitted

The 17th century was a time of great change in the art world; characterized by the introduction of the Baroque style and the Counter-Reformation, the influential and talented artist Artemisia Gentileschi was born into this period. Gentileschi was one of the few female artists during the renaissance period due to a misunderstanding among the male artists of that period that women are automatically inferior in intelligence due to their very nature. Gentileschi was decided to be an anomaly among artists due to her brilliant painting skills and considered rare. Despite having many detrimental setbacks to Gentileschi’s career and mental wellbeing, she went on to become a very successful

Artemisia Gentileschi was a baroque painter in the 1600s. Artemisia was born Rome Italy, on July 8 1593. Gentileschi's biggest influence into artwork was her father Orazio Gentileschi. At 12 years old she had lost her mother and only five years later she was raped by a man who worked with her father. The rape caused her anger and she expresses this in her paintings. Credited for being one of the most famous females artists of all time, she was most famous for her paintings "Suzanna and the elders" and "Judith Slaying Holofer" . Artemisia's art work was kind of dark in color with light colors coming of them. They held a violent story to them for instance, in the painting "Judith Slaying Holofer" she paints a Man getting decapitated by a women

Considered one of the most important artists of the Baroque movement in Early Modern Europe, Artemisia Gentileschi, had to prove herself and break down the boundaries for a woman in a male dominated field. Artemisia was born in Rome on July 8, 1953 to Orazio and Prudentia Monotone Gentileschi, who died when the artist was only twelve years of age. Her upbringing was left to her father, who was also a well-known painter. He trained her since she was not permitted to learn in the studios of successful artists of the moment. Orazio introduced his daughter to the working artists of Rome including Caravaggio, whose tenebrism technique and chiaroscuro style had a great influence on her paintings.

Many of this pictures contributed to studies of various emotions, which were later used in his religious and historical paintings. The may have also been used to illustrate his command of chiaroscuro, or the use of light and shade without color. In one painting deep shadows cover his face, leaving his features almost unrecognizable. In Protestant Holland during this time, religious art was valued as not being important. Even so, biblical and religious subjects accounted for about one-third of his work. Drama, as part of the Baroque period, was fully accentuated.

In this essay, I will discuss the startling differences between two depictions of the story of Judith and Holofernes. “Judith with the Head of Holofernes”, 1495, created by Andrea Mantegna, is a small-scale painting that was completed during the Renaissance. The second is a Baroque painting, “Judith Slaying Holofernes”, c.1620 by Artemisia Gentileschi and is on a larger scale than the version created by Mantegna. Both artworks take inspiration from the religious story that appears in the Catholic editions of the Bible. The story is about a young widowed Jewish woman, by the name of Judith, who murdered an enemy army general, Holofernes, to spare her people from death. I will compare and contrast how the scene has been depicted in rather different ways by each of the artists and the influencing factors that contributed to the overall outcome of both works. I will also be discussing how form and naturalism are portrayed between the two paintings, use of colour, symbolism and religion, as well as the Renaissance and Baroque eras.